Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®


Masters Theses

Design philosophy

Articles 1 - 5 of 5

Full-Text Articles in Art and Design

Playgrounds, Cem Eskinazi May 2017

Playgrounds, Cem Eskinazi

Masters Theses

Playgrounds defies the idea of singularity and control through a practice of design aiming to offer generous universes3 for one to explore freely. Building blocks of cognition such as modular thinking, hyper-linking, recursion, repetition, self-referencing and self-representation are utilized for designing honest and slightly uncomfortable experiences in order to keep the reader awake and aware.

Rapid Response, James Chae May 2016

Rapid Response, James Chae

Masters Theses

Rapid Response is a design practice that responds to the accelerating speed of consumption. It holds a reflective and responsive mirror to our culture of overconsumption. With an informed critical eye and kleptocratic hand, I consume, sample, and render the visual energy of commerce and respond directly in the stream on available platforms and on a number of scales.

Central to this research-based practice is a desire to expand discourse. Through a close examination of commercial language, the visual techniques of corporate branding, and the aesthetic narratives of commercial spaces, I study the persuasive forces of advertising, subvert the myths ...

Live Edges: All Possible Adjacencies, Rebecca Leffell Koren May 2016

Live Edges: All Possible Adjacencies, Rebecca Leffell Koren

Masters Theses

Edge is a deceptive word. It suggests lines, borders, designations—a kind of certainty. I see edge instead as a porous adjacency—the noise at the intersection of planes that adds meaning, rather than separation. Live Edges is a design research practice that is hyperobservational and multi-planar. Equal parts training ground and methodology, what began as an effort to derive graphic form from the intangible qualities of place developed into an approach to parsing complexity.

Setting locality as my origin point, signifiers of place—materiality, behavior, orientation, architectural form—serve as catalysts for graphic response. I interpret landscape in order ...

Obsessed With Obsessions: Design For Obsession, Vara Yang May 2016

Obsessed With Obsessions: Design For Obsession, Vara Yang

Masters Theses

Taking the notion of obsessions as the starting point for my thesis, I decided to investigate the daily rituals undertaken by a select group of people. I engaged myself in others’ idiosyncrasies, and found myself empathizing with their needs and desires. I found it fascinating how our obsessions vary so considerably. Yet, at the same time, I realized that each of the obsessions I explored was comparable in that the qualities that defined each obsession were essentially the same.

My thesis uses the obsession of Squeegee Girl as an example with which to demonstrate my personal concept of design. For ...

The Operational Interface, James Wheaton May 2016

The Operational Interface, James Wheaton

Masters Theses

The operational interface is an examination of the effects exerted by interface environments predicated on a genealogical analysis of their form and structure as a mediating apparatus. Through leveraging the embedded logic of these spaces, I develop a self-reflexive inquiry into the various ways interfaces model the cognitive faculties of its users. This inquiry is divided into a tripartite program: the application of interface logic to aesthetic tool systems, it’s modes of representation in formal terms and the appropriation of these structures for novel (re)application.The Operational