Art and Design Commons^™

Unbound 2019 Brochure, Risd Unbound, Risd Library

2019 Print

No abstract provided.

Unbound 2019 Brochure, Risd Unbound, Risd Library

2019 Print

No abstract provided.

Unbound 2019 Program, Risd Unbound, Risd Library

2019 Print

No abstract provided.

Unbound 2019 Program, Risd Unbound, Risd Library

2019 Print

No abstract provided.

Unbound 2019 Brochure, Risd Unbound, Risd Library

2019 Print

No abstract provided.

Decolonizing Design, Repair, And Mapping Indigenous Futures | A Conversatoin With Tristan Schultz, Liberal Arts Division, Risd Museum

Nature-Culture-Sustainability Studies (NCSS) Events

Lecture, March 21, 2019. 6:30 pm, Metcalf Auditorium, Chace Center/RISD Museum. In this discussion, Tristan Schultz will discuss his work with the decolonizing design group. He will also discuss his research on repair and maintenance as radical eco-design strategies and consider the role that indigenous futuring could play in expanding our understanding of sustainable futures.

Tristan Schultz is a Lecturer and Convenor of Visual Communication Design in the Design Futures Program at Griffith University, Tristan is an Australian/Aboriginal interdisciplinary designer, strategist and researcher with a Master of Design Futures (Hons) and PhD Candidate. Recent research has focused ...

Final Comment Letter To Department Of Education, Rhode Island Shool Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

The Ocean's Skin | A Talk By Philip Hoare, Liberal Arts Division

Nature-Culture-Sustainability Studies (NCSS) Events

VIEW EVENT PHOTOS

Lecture, January 18, 2019. 5:00 – 7:00 pm, Metcalf Auditorium, RISD Museum/Chace Center. Philip Hoare, a frequent visitor to Cape Cod, is obsessed with the sea. He swims in it every day - winter and summer. In this talk, drawing on his new book, RISINGTIDEFALLINGSTAR, he looks at the way we humans relate to the sea’s natural history - its whales, its birds, its tides, its myths. From Thoreau to Melville, from Virginia Woolf to Oscar Wilde, from Percy Shelley to Sylvia Plath, he takes up human stories to see how they intertwine with watery mysteries ...

Picture Collection Art File Index, Alecia Underhill

Picture Collection Indexes

Art Files are arranged by artist and by country. There is a section for art movements and types of art, and a large collection of Illustrators. The mounted art prints include many rare black and white photographs of historic architecture.

Present And Future Adventures In Illustration, Jaleen Grove

Faculty Work

This article discusses current trends and the future of illustration. Several illustrators and educators are interviewed, such as Anita Kunz, Armando Veve, Barbara Nessim, and Martin Salisbury. Topics include publishing, virtual reality, children's books, diversity and representation, high tuition, and the lesser respect and pay that many illustrators experience. The article also relates the history of American illustration 1959-2019 in the form of a tongue-in-cheek boardgame The Illustration Game, in which players advance through the years, encountering typical events in the industry. The game-board is scattered with historical funny-in-hindsight quotes of well-known illustrators, designers and other professionals, which illuminate ...

The Illustration Game: Quotes & Notes, Jaleen Grove

Faculty Work

Liner noes included with The Illustration Game boardgame providing sources of quotes and in-depth commentary by creator Jaleen Grove.

The Illustration Game, Jaleen Grove

Faculty Work

A satirical survey of the history of American illustration 1959-2019 in the form of a boardgame.

Brief Amici Curiae, Rhode Island Shool Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

Break Pot: Benefit St., Liberal Arts Division, President's Office, Social Equity + Inclusion Office, Risd Museum

Global Arts + Cultures (GAC) Events

Thursday, November 8, 2018 at 1 pm in the RISD Museum Upper Farago Gallery. Amy Lee Sanford, a Cambodian-American artist with an international reputation, participates in the RISD Museum’s exhibition “Repair and Design Futures” through a powerful, one-afternoon performance of a gallery installation entitled Break Pot: Benefit St., a shortened version of the six day durational performance called Full Circle.

Born in Phnom Penh, Cambodia and raised in the United States, Amy Lee Sanford holds a degree from Brown University in the Visual Arts. Her work references the deep personal significance of family separation, cultural destruction and death associated ...

Global Warming And The Sweetness Of Life : A Tar Sands Tale | Matt Hern, Liberal Arts Division, History, Philosophy, + The Social Sciences Department

Nature-Culture-Sustainability Studies (NCSS) Events

Lecture, October 18, 2018. 6:15 pm, Room 521, College Building. The Liberal Arts division and the department of History, Philosophy + the Social Sciences welcome writer/activist Matt Hern for a talk called Global Warming and the Sweetness of Life: A Tar Sands Tale. Hern is co-author of the recent book Global Warming and the Sweetness of Life (MIT, 2018), which charts multiple trips through the tar sands of northern Alberta and documents the effects of global warming on indigenous communities. Hern and co-creators Am Johal and Joe Sacco offer new forms of thinking about global warming and ecological perils ...

Displacement: People, Culture, And Design Practice | A Presentation And Response To Life Lived In An Age Of Reconfigurations | Tony Fry, Liberal Arts Division

Nature-Culture-Sustainability Studies (NCSS) Events

Lecture, September 5, 2018. 1:30 pm, Room 412 College Building, 2 College Street, Providence, RI 02903. In this talk Tony Fry will discuss the importance of design and the liberal arts. He will go on to suggest ways in which design understood as a form of politics will be central for building sustainable futures in radically changing times.

This event is sponsored by the Division of Liberal Arts graduate programs in Global Arts and Cultures and Nature-Culture-Sustainability Studies.

Tony Fry is one of the world’s leading scholars in the philosophy of design. He is the author of over ...

Biodesign Program, Nature Lab, Risd Co-Works, Campus Exhibitions

Biodesign: From Inspiration to Integration

Program created on the occasion of Biodesign: From Inspiration to Integration, August 24, 2018, an exhibition opening and symposium organized as part of RISD Nature Lab’s 80th anniversary celebrations at the Woods-Gerry Gallery, Providence, Rhode Island.

Biodesign Exhibition Catalog, Nature Lab, Risd Co-Works, Campus Exhibitions, David Kim, Lucia Monge, William Myers, Angela Torchio

Biodesign: From Inspiration to Integration

Catalogue created on the occasion of Biodesign: From Inspiration to Integration, August 24 to September 27, 2018, an exhibition organized as part of RISD Nature Lab’s 80th anniversary celebrations at the Woods-Gerry Gallery, Providence, Rhode Island. Curated by William Myers, Lucia Monge, David Kim, Neal Overstrom, Julia van den Hout, and Peter Rogers.

Brief For Amicus Curiae - Rice University And Other Institutions, Rhode Island Shool Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

Ouroboros, Christopher Dove Drury

Masters Theses

Art is communication.

Objects are for making and giving.

Life is to be loved with others.

I work directly and swiftly with material to mark time and labor.

This is a pathway to resolve suffering, to be present.

A Natural Circus, Cecilia Plasencia

Masters Theses

I’ve come to the conclusion that I have no interest in controlling and manipulating matter to my own heart’s content. I’m rather bored of rigidly perfect geometries and sentiments. Rather than controlling materials I allow them to do as they please. I capture their moment of revelation, and allow them to speak for themselves. I realize this process of making demotes me from creator to conduit, but I’ve noted that the materials have a far more unique and intelligent message than I could ever imagine.

So, I listen to matter. Matter has one very good friend ...

Very-Asian Variation, Nicholas Oh

Masters Theses

Nicholas Oh is a Korean American Artist currently working in Providence.

Oh graduated from San Francisco State University and he is currently a graduate student at Rhode Island School of Design.

He focuses on creating clay sculpture and mixed media installation that deals with race and identity as a Korean American in America.

Oh has done residencies at Shigaraki Ceramic Cultural Park, Japan and Anderson Ranch Arts Center, Colorado and has shown at Mills College Art Museum in California, Milwaukee Art Institute in Wisconsin, American Museum of Ceramic Art and Pence Gallery in California.

On The Edge Of Being, Zoe Gross

Masters Theses

On the Edge of Being represents a focused exploration of clay, craft, femininity, fragility, and self-care. The title is hopeful. It represents a certain radical gentleness with myself and with my work. It reminds me that as hard as I try, there is always room to grow and improve. It is also a bit of a joke with myself; I am rarely satisfied.

I began this body of work as a way of rejoicing in the tamped down impulses of my early artistic career. I wanted to infuse my work with magic: color, texture, pattern, flowers, frills, lace, kitsch and ...

Castles In The Sky, Iva Milovanović

Masters Theses

I was born and raised in the city of Belgrade. From the 1950’s till the beginning of 1990’s it was the capital city of the Socialist Federal Republic of Yugoslavia. From the 1950’s until the 1980’s Yugoslavia experienced a financial and thus architectural boom. The president Josip Broz Tito financed construction of WWII Memorials to demonstrate the strength of the socialist republic throughout the Balkans. These giant memorials, along with most of the architecture of Belgrade from that time, were built in brutalist style. Brutalism signified power, progress and a forward moving country.

However, when I ...

The Bird's Eye View, Ipek Kosova

Masters Theses

How can we make sense of the borders between destruction and construction, between matter and ourselves, at the same time? How habitable is a border? How does sound echo and vibrate on the border? Are borders a space of segregation or dialogue? Where is the border between our brain and our own voice? Between the transparent and opaque? Between the paint and the floor? Between the receiver and transmitter? Between the eye and the tear? Are borders monuments of extinctions of human contact?

The self defines itself as bordered and limited. The moments where destructive events seem like a ruin ...

To See Again, Ada Goldfeld

Masters Theses

Contemporary criticism often describes realist paintings as facsimiles of our world, mimetic copies of a shared reality. Cast as a singular approach to painting that, with practice, any artist may adopt, realism is seen as an easy way out, which has been superseded by more complicated, advanced, and abstract visual languages. It is in this context that describing a painting as “realistic” becomes a backhanded compliment— recognition of acquired skill, but a jab to creativity—and all the more of a slight given the value that contemporary art has placed on de-skilling.

These blanket statements around realism misrepresent the tradition ...

Left Hand Stories, Saif Mhaisen

Masters Theses

I draw people and paint things. Sometimes I paint people and draw things, but mostly I draw people and paint things. I work from life. The process – painting or drawing – is not mediated. That is the primary fact concerning the current work.

I see a mediator as anything forced in between a subject and myself. Following that, the work doesn’t involve Internet searches or photography or printing or projection or tracing or elaborate set ups or still lives or prep drawing or under painting.

The current work is defined by the current context: a graduate school art studio environment ...

In A Distant Land, Ohad Sarfaty

Masters Theses

For the past few years I have avidly collected oral histories, family memories and imagery as a way to better understand and contextualize myself, my roots, and my own personal path. My recent paintings reference my first-hand experience as an immigrant, as well as my family's long and complicated history with displacement. The paintings were put together much like a game of telephone, their narratives transmitted through generations, stretched and skewed by family members and friends, rendering them fragmented yet crystallized. In the process of painting, seeing parallels between the past and the present has been frustrating and disturbing ...

Monument For Feeling : Notes From The Archivist, Melissa Weiss

Masters Theses

I’ve always loved the conjunctions unless, yet, however, although. Grammatical interventions, they subvert all things certain, rational, and indisputable, opening a series of syntactic doorways into new, undetermined possibilities.

The pieces in the Institute fo? Contempo?a?y Inqui?y’s archive function like those conjunctions. They refuse and destabilize easy categorization, pointing, like a rhizome, toward a thousand different possible pasts — and just as many futures.

To be clear, the Institute fo? Contempo?a?y Inqui?y does not have a physical site. It is a network of psychic locations materialized through its archive. It is, in other ...

This Is Public Work, Nick Adam

Masters Theses

This thesis positions graphic design as an integral form of public works.

T his is public work regards the causal relationship between graphic design and its publics as an opportunity to explore the formal maneuvers to enhance an artifact's visual codes. The idea is an experiential one: rich and meaningful form can lead to rich and meaningful experiences.

The designed artifacts of our world function across informational (effect) and emotional (affect) modes. The complexity of these operations take on an infrastructural role — what we see day-to-day shapes our experiences and understanding. The opportunity of a designer to practice in ...