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Full-Text Articles in Art and Design

Apology Dice - Collaborative Conversation About Reconciliation, Clement Yeh Feb 2020

Apology Dice - Collaborative Conversation About Reconciliation, Clement Yeh

Teaching Practices Colloquium

The Apology Dice is an interactive art performance that engages small groups in conversation—about Indian Residential Schools, colonialization, and possibilities of reconciliation— through the rolling of large, custom-made cedar dice. Each die is cast one at a time to form a sentence. The words on the first die read: “I am” / “We are” / “They are”. The second reads: “so” / “fairly” / “really” / “not” / “somewhat” / “deeply”. The third die displays “sorry” on five sides and “tired of this” on the remaining side. The participant reads the sentence aloud and interprets its meaning, in the context of First Nations reconciliation in Canada ...


Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andy Near Jan 2020

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andy Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. No reproduction or use of any material, in whole or in part, without the written permission of Hope College. Charles Mason, author; Andrew Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.


About Time: Visualizing Time At Burning Man, Gordon D. Hoople, Austin Choi-Fitzpatrick, Nathaniel Parde, Diane Hoffoss, Max Mellette, Rachel Nishimura, Virginia Gutman Dec 2019

About Time: Visualizing Time At Burning Man, Gordon D. Hoople, Austin Choi-Fitzpatrick, Nathaniel Parde, Diane Hoffoss, Max Mellette, Rachel Nishimura, Virginia Gutman

The STEAM Journal

About Time was a 30 foot long, 3000 pound wooden sundial that went up in flames at Burning Man 2019. The piece reflected on the role time plays in our lives. We organize our lives around time—are enslaved to time—and yet we know so little about it. Physicists and philosophers continue to grapple with deep puzzles of time—Is time a fundamental quantity, independent of human actions or observations or is it an emergent property of our perception? This installation projected time using two sundials: a horizontal dial which swept time out across the desert floor and ...


Of Machines Learning To See Lemon, Alistair Mcclymont, John Fass Sep 2019

Of Machines Learning To See Lemon, Alistair Mcclymont, John Fass

Organizational Aesthetics

This work highlights the distinctive way computers recognise objects and draws a contrast between objects and their physical attributes and how these are assigned values by a computer vision system.

An installation “Of Machines Learning to See Lemon” was presented at the London Design Festival 2018 (image above). As part of our process to investigate machine learning image classification algorithms we created a website leveraging the public MobileNet model (a speed optimized version of the ImageNet project, a dataset of over 15 million high-resolution images collected from the web and labelled by humans.) This website uses a mobile, or computer ...


Getting Located: Queer Semiotics In Dress, Callen Zimmerman Sep 2019

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

All Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what ...


I Speak As One In Doubt, Margaret Hazel Wilson Aug 2019

I Speak As One In Doubt, Margaret Hazel Wilson

Masters Theses

A written thesis to accompany the M.F.A. Exhibition I Speak as One in Doubt. Blending epistolary format and visionary narrative, the artist addresses her complex relationship to her Catholic upbringing.


Fielding, Emily Tareila Aug 2019

Fielding, Emily Tareila

Masters Theses

Fielding is an ongoing exploration of place-making, spaces of learning and relationship building in formal and informal learning environments. The project is comprised of a series of events and workshops that are embodied, multimodal, olfactory and engagement-focused and a mobile cart that helps to facilitate these happenings both in and out of the formal gallery space. I regard my art practice as pedagogical, a blurring of art and life into intentional ways of being in the world; an experience of sharing practices with others and a form of what is regarded in institutionalized art as social practice. I find art ...


Promoting Healing With Therapeutic Use Of Clay, Jennifer Fortuna Jul 2019

Promoting Healing With Therapeutic Use Of Clay, Jennifer Fortuna

The Open Journal of Occupational Therapy

Alice McCall Smith, occupational therapist and artist based in North Carolina, provided the cover art for the Summer 2019 issue of The Open Journal of Occupational Therapy (OJOT). The piece, titled “Mother and Child,” is an 8-1/4” tall sculpture made from clay. Alice grew up on a hill sheep farm in the Scottish Highlands. She has used many of the skills learned on the farm in everyday life and in occupational therapy practice. After being diagnosed and treated for depression, Alice turned to sculpting to cope with challenging emotions. The therapeutic use of clay was a meaningful part of ...


Bone Meal, Johnathan Onyschuk Jun 2019

Bone Meal, Johnathan Onyschuk

Electronic Thesis and Dissertation Repository

My research explores the material properties of gaming interfaces and the paranoiac virtual spaces of male fantasies. The first chapter of this thesis is an extended artist statement and a summary of influences in my work. Topics include the relationship between fantasy violence and real violence, digital avatars, and the limits of empathy in digital space. This chapter also contains documentation of works produced throughout the course of my MFA candidacy as well as the contexts and concepts behind those works. The second chapter is a case study exploring the work of artist Neo Rauch, whose paintings quietly critique and ...


Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux Jun 2019

Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux

LSU Master's Theses

Phantasmaticis an exploration of materials and materiality which relies on the concept of the phantasmatic body elucidated in Gayle Salamon’s work Assuming a Body: Transgender and Rhetorics of Materiality. This thesis is an exploration of these ideas. In my work, I use wool and clay to represent the material (known) and phantasmatic (sensed) bodies in an effort to explore an expanded understanding of the body at large. My work is also an effort to expand my own understanding of my phantasmatic body and its relationship to (my) materiality.


Mes-Ti-Zo, Aeleen Jacinto Jun 2019

Mes-Ti-Zo, Aeleen Jacinto

Electronic Theses, Projects, and Dissertations

Meztiso is an exploration of the artist’s identity as an individual born and raised in Guatemala; which is a country rich in natural resources where the majority of the population is native Maya yet the ruling class is majority white and poverty is widespread. The artist takes on this stunning contradiction using her own influences and views which were shaped by the political and economic upheaval and instability of her youth in Guatemala. The artist comments on her own identity as a person of mixed ancestry, a Meztiso, and because of her own family’s involvement in the capitalist ...


Bridging Dimensions: A Robotic Art Project, Samantha Miller Jun 2019

Bridging Dimensions: A Robotic Art Project, Samantha Miller

Honors Theses

Spanning the divide between the humanities and STEM has been a pursuit of my undergraduate experience. In my senior project I seek to relate these disciplines through the creation of “automated canvases.” Resulting is a series of robotic art pieces that automate the opening and closing motion of Turkish map folds. These map folds then present a series of paintings displaying a tone of the uncanny and references to parallel universes. Utilizing robotics in my project allows the paintings to push further into a third dimension than normally possible. Providing literal motion to my traditionally two dimensional work requires consideration ...


Overstimulated - An Immersive, Multimedia Art Installation, Quinn Devlin Jun 2019

Overstimulated - An Immersive, Multimedia Art Installation, Quinn Devlin

Honors Theses

This thesis provides the explanation, inspiration, research and progression of an immersive, multimedia art installation that emulates the idea of a “sexual dystopia.” It explores how our dichotomy of inadequate sex education and hypersexual, gender-based media is resulting in a dystopian sexual reality for women in particular. The work portrays a future world in which sexual and fertility technology is so advanced and accessible that real men and women no longer interact. As a result, women and objects become one in the same.

Female literary icons are over-sexualized to suggest that porn-culture is a by-product of a historical framework that ...


Ecological Art: Art With A Purpose, Aaron M. Ellison, David Buckley Borden May 2019

Ecological Art: Art With A Purpose, Aaron M. Ellison, David Buckley Borden

The Goose

Ecological art is purposeful and often prescriptive: the actions and directions intended by the artists for activists to undertake often are clearly represented. Yet, ecological art has been no more successful than, for example, targeted scientific research, deposits on returnable bottles, or land-protection campaigns at slowing global warming, reducing the amount of waste we generate every day, or halting the ongoing sixth mass extinction in the history of the Earth. Here, we consider the idea that prescriptive ecological art provides insufficient mental space for creative reflection about future scenarios of, and responses to, environmental change. We ask whether, by presenting ...


Darwin Or Frankenstein?, Sylvia S. Santamaria May 2019

Darwin Or Frankenstein?, Sylvia S. Santamaria

University of New Orleans Theses and Dissertations

Through sculpture and drawing, I create my own versions of natural specimens primarily based upon the visual unity of disparate organisms. Invented specimens are composed using a variety of processes employing a mixture of atypical materials following the (20th, 21st century) Postmodern shift away from formalist and traditional uses of any singular medium. As well as a variety of art materials, the specimens are hybrids of organic and biomorphic elements, blurring boundaries between botanical, animal, fungal, metal, and mineral. Is my approach perhaps like Charles Darwin, observant and studious naturalist, or am I more like Dr. Frankenstein, science ...


A Tale Of Two Dogs Fine Art Exhibit, Jeff Harris May 2019

A Tale Of Two Dogs Fine Art Exhibit, Jeff Harris

Electronic Theses and Dissertations

The purpose of this paper is a formal examination of the fine art exhibit titled A Tale of Two Dogs by Jeffrey A. Harris as a partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.

By examining the multiple established points of view within his artwork, the author questions these establishments and asks if this approach leads to a relevant way of seeing. Using expanded polystyrene foam as a sculpture medium, a series of artworks created during the MFA research process are conceptually analyzed to explore the value of maintaining a multiplicity ...


Sculpture As Souvenir: Reportable And Repeatable, Ashlyn Lee May 2019

Sculpture As Souvenir: Reportable And Repeatable, Ashlyn Lee

Art Theses and Dissertations

In this paper, an analysis of the site as material, process, and concept for an artwork results in an understanding of the art object as a souvenir. Reportable and repeatable experiences are discussed and remembered in the six works of the Qualifying Thesis Exhibition at the Pollock Gallery. Of the six works is an installation, Catfish Fence, and five small works displayed on the gallery window sill: Bundle, Posted: No Trespassing, Sling, Right Recipe, and Margie Ruth’s Swing Where the Wasp Bit Me. Susan Stewart’s discussion of souvenirs from On Longing (1984) serves as a tool for considering ...


A Journey Into My Mind, Shen Chen Hsieh May 2019

A Journey Into My Mind, Shen Chen Hsieh

MSU Graduate Theses

During my time as a student in the MFA in Visual Study Program, I have been interested in creating imagery that expresses my inner world that is based on my emotional experience. I believe my identity is influenced by my multi-cultural background, relationships, daily moments and my own introverted personality. I continue to experiment with various mediums and visual styles to communicate these feelings. Drawing, silk-screen printing, mixed media, and three-dimensional sculpture are the main mediums in my artwork. Exploring diverse mediums provides me opportunities to develop my self exploration in my images. I seek to express and understand the ...


Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern May 2019

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I ...


Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, Rylie Walter May 2019

Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, Rylie Walter

Bachelor of Fine Arts Senior Papers

Plastic has become ubiquitous in the oceans. Although a convenient and cheap way to distribute goods around the world, plastic is also a leading cause for the death of many marine ecosystems. Walter explores her personal connection to the ocean, researches the relationship between plastic pollution and the ocean, and examines art as a means for inciting social change to protect and restore ocean environments. By using plastic as her main material for making art, Walter transforms the material from one that harms into one that can be calming and peaceful, while still representing the destruction it causes.


For Cheryl: The Long And The Short Of It, Rachel Lebo May 2019

For Cheryl: The Long And The Short Of It, Rachel Lebo

Graduate School of Art Theses

Short stories are an indirect way of creating a truth by showing instead of telling. They are a way to observe and communicate a single idea. A short story for me is a vehicle for hiding my truth behind a character, exploring myself in the safety of an identity that is not my own. When I read Chunky in Heat, author A.M. Homes and I hide together behind her character, Cheryl, and find solidarity.

The following writings, paintings, and sculptures are collaborations between myself and the women of short story fiction. Those women being the authors, the subjects, and ...


Its Skin Is My Skin, Bryan Page May 2019

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or ...


Wish You Were Here, Janie Stamm, Janie I. Stamm May 2019

Wish You Were Here, Janie Stamm, Janie I. Stamm

Graduate School of Art Theses

The State of Florida is under threat from the effects of climate change. Rising sea levels are creeping up on to Florida’s coast, eroding the beaches and encroaching on heavily populated cities. Over my lifetime I will watch the water spill over the streets of my home town. I will watch the water flood the Everglades, pushing saltwater into freshwater habitats. I will watch the water begin to drown the state, taking Florida’s many little known histories along with it. This thesis serves as a document of Floridian life during the Anthropocene.

Within this thesis, I tell the ...


Books / Vessels / Hours, Lara Head May 2019

Books / Vessels / Hours, Lara Head

Graduate School of Art Theses

My thesis works two vessels, book : 300 hours and book : terrain explore and enact states of meditation, focusing on the process of making and the specificity of materials used. The meditative aspects of my process of making correlate to an anticipated meditation in the observer's time spent viewing. I hope to spark in the viewer the same response and state that I myself was in while making. In this text I explore my artistic process and what I hope for the viewer to experience while they are spending time with my works. I discuss how spending time making the ...


Deconstructing The Present || (Re)Constructing The Past, Hugh Hoagland May 2019

Deconstructing The Present || (Re)Constructing The Past, Hugh Hoagland

Bachelor of Fine Arts Senior Papers

Though we live only in the present, our every experience will eventually fade into the depths of memory. Deconstructing the Present || (Re)constructing the Past introduces my artist practice on a broad level, one that is preoccupied by the difference between present experience and its memory, as well as the ways we weave memory into the physical environments of architecture and material objects. This thesisestablishes a specific signal memory for the body of work, the memory of a structure that, for a brief time, was a sanctuary for myself and many others. The paper then follows the arc of ...


White Noise, Chris Cohen May 2019

White Noise, Chris Cohen

Masters Theses

White Noise investigates moments when white supremacist ideology injects itself into the conversation about American Identity and American History in an attempt to co- opt those definitions and control the conversation. The exhibition considers the effects of this identity crisis on American identity, white identity, American history, and family unity. The exhibition looks at these issues through the lens of the Virginia Historical Markers program, Civil War Re-enactment, contemporary white identity politics and supremacy, monuments, educational history museums, and the artist’s personal narrative about white supremacy as it relates to his own sense of loyalty and connection to his ...


Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg May 2019

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

School of Arts & Sciences Theses

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.


Dismemberment Diaries, Elizabeth B. Englander May 2019

Dismemberment Diaries, Elizabeth B. Englander

School of Arts & Sciences Theses

An investigation of the sculptures featured on HBO’s the Sopranos leads to a broader investigation of the work of Robert Graham, which in turn opens on to broader questions of fragmentation in the history of sculpture. A personal sculptural journey.


Living Stone, Jason P. Millward May 2019

Living Stone, Jason P. Millward

All Graduate Plan B and other Reports

My sculptural work has a direct relationship to the rich tradition which utilizes human form as its primary means of communication and visual exploration. This tradition employs body language and gesture to convey emotion and ideas. Even my abstract work begins as an idea from a figurative gesture. Rather than executing a naturalistic body, I simplify and stylize the figures, focusing on the concept and aesthetics of the piece.

To do so, I emphasize certain formal elements in the design: concave and convex planes juxtapose to intensify light and shadow.Shapes are made by a continuity of line to create ...


Zitrone, Chase Roy Young May 2019

Zitrone, Chase Roy Young

Theses and Dissertations

The purpose of this thesis paper is to describe the elements and narrative associated with the exhibition, Zitrone, as well as the conceptual and theoretical ideas influencing the work. The exhibition is centered around an invented singular historical object in the form of a vehicle, and a museum display of artifacts, documents, and recreations intended to validate the existence of the central subject. Drawing on the work of artists Marcel Broodthaers, Damien Hirst, and David Wilson in conjunction with theoretical writings of Dave Hickey and Lewis Hyde, the exhibition seeks to address the perception and presentation of history as absolute ...