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Full-Text Articles in Art and Design

Facilitating The Creative Process Through Collaboration, Jennifer K. Fortuna Oct 2019

Facilitating The Creative Process Through Collaboration, Jennifer K. Fortuna

The Open Journal of Occupational Therapy

Miles Parker Scharfenberg, an artist based in Richland, Michigan, provided the cover art for the Fall 2019 edition of The Open Journal of Occupational Therapy (OJOT). “Late Night Fireworks” is a 30” x 40” painting made from acrylic on canvas. Born 15 weeks premature, Miles’ multiple health impairments have made it difficult to engage in meaningful occupations, such as painting. With support from his mother, Carol; occupational therapy students; and members of the community; Miles creates colorful abstract expressionist paintings. Collaboration is part of his creative process. In this fifth anniversary issue of OJOT, Occupation and the Artist is following ...


Kathy Liao, Lei Chen Jun 2019

Kathy Liao, Lei Chen

Asian American Art Oral History Project

Artist Biography: Kathy Liao currently resides in Kansas City, MO, and teaches at Missouri Western State University as the Director of the Painting and Printmaking Studio Art Program. Drawing inspirations from her diverse cultural background and personal history, Kathy Liao mixed media work is about the intimate yet universal concept of relationships. Liao received her MFA in Painting from Boston University and BFA in Painting and Drawing from University of Washington, Seattle. Liao is a recipient of various awards including the StudiosINC Studio Residency Program, Charlotte Street Foundation Studio Residency, Elizabeth Greenshield Foundation Grant, Artist Grants from Anderson Ranch Arts ...


Heather C. Lou Interview, Katie O’Reilly Jun 2019

Heather C. Lou Interview, Katie O’Reilly

Asian American Art Oral History Project

Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as ...


Painterly Reality, Chao Ding Jun 2019

Painterly Reality, Chao Ding

LSU Master's Theses

During my three years in the LSU M.F.A. painting program, I experimented with many different directions, but I have always returned to painterly figuration as the means best suited to the expression of my thoughts and feelings. Symbolism of alienation and isolation have always been extremely important to me, but as my painting has evolved formal issues of composition and color have become increasingly important, allowing me to address more complex metaphorical structures.


Defining Moments / A Life Portrait, Timothy Haerens Jun 2019

Defining Moments / A Life Portrait, Timothy Haerens

Electronic Theses, Projects, and Dissertations

Defining Moments / A Life Portrait

In his MFA Thesis Exhibition, Defining Moments / A Life Portrait, Timothy Haerens explores and celebrates our connectedness to one another as members of the human race. “We are here to awaken from the illusion of our separateness.” Haerens chose this quote from the Vietnamese Buddhist monk and peace activist, Thich Nhat Hanh, as the inspiration for his show because it affirms his belief that we are linked to one another by virtue of our humanness.

Through his abstract paintings on canvas and plexiglass, as well as through his prints and collagraphs, Haerens reflects on many ...


Mes-Ti-Zo, Aeleen Jacinto Jun 2019

Mes-Ti-Zo, Aeleen Jacinto

Electronic Theses, Projects, and Dissertations

Meztiso is an exploration of the artist’s identity as an individual born and raised in Guatemala; which is a country rich in natural resources where the majority of the population is native Maya yet the ruling class is majority white and poverty is widespread. The artist takes on this stunning contradiction using her own influences and views which were shaped by the political and economic upheaval and instability of her youth in Guatemala. The artist comments on her own identity as a person of mixed ancestry, a Meztiso, and because of her own family’s involvement in the capitalist ...


Meta Me On An Ecstatic Walk With Hansel And Gretel: A Reflection Of Dispensed, Reclaimed And Reframed Existence, Laura White May 2019

Meta Me On An Ecstatic Walk With Hansel And Gretel: A Reflection Of Dispensed, Reclaimed And Reframed Existence, Laura White

Critical and Creative Thinking Capstones Collection

This synthesis revolves around a rendition of Hansel and Gretel, in which I am exiled from innocence through the chaos of life. I recollect my breadcrumb clues in the form of thoughts and beliefs that I have held for as long as I remember. The breadcrumbs lead to open-ended questions about habits of mind for meaning making. My process of self-examination uses an adaptation of Action Research and I connect my current life to where I began using an Intersecting Processes analysis. I observe and document the unfolding of my life while studying it, using self-expression and thinking made visible ...


Spontaneous Laughter, Laughter Without Reason, Evan Gilbert May 2019

Spontaneous Laughter, Laughter Without Reason, Evan Gilbert

Masters Theses

What is the function of humor in today's society? What is the role of the comedian in increasingly clownish times? How does humor challenge power structures in contemporary life and art? How can painting deploy these methods in an effective manner?

The archetype of the trickster has appeared in myth and literature around the world for many centuries. In all instances it represents the disruptive side of the human imagination, a being that lives outside the rules of conventional behavior who seems to have hidden knowledge or secret understanding of how society truly functions. The archetype of the trickster ...


The Person-Less Portrait, Katelyn Ledford May 2019

The Person-Less Portrait, Katelyn Ledford

Masters Theses

In an age of digital technologies, contemporary portraits look different than their predecessors did. Portraiture does not have to continue to rely only on the idea of physical likeness, even though that is generally how portraiture is conceived. Through our virtual lives, we build new versions of ourselves, gain an abundance of information, and consume technological visuals. These newfound engagements and understandings shape the portraits we build of ourselves and of other groups at large. In my painting practice, portraiture is a way to explore the contemporary landscape around me as a woman and a painter who engages in digital ...


Looking For, Dylan Hurwitz May 2019

Looking For, Dylan Hurwitz

Masters Theses

We live in a time in which toxic masculinity continues to run rampant, and in which sexuality continues to be demonized. When it comes to models of loving and living as a queer person, it often feels that there are two options- the politics of queer sexual liberation, of new conceptions of relationships and intimacy, or homonormative, assimilationist politics.

My work for this thesis explores this range, and aims to work against toxic masculinity and the shaming of sex. I think about the abusive relationships I’ve experienced as connected to larger systems of violence—systems which threaten our sense ...


The Line That Splits, Zahra Jewanjee May 2019

The Line That Splits, Zahra Jewanjee

Masters Theses

The body of work I have created since beginning my MFA has been informed and impacted by my research into various inter-connected subject matters: subcultural spaces, the behaviours of crowds, micro and macro and territories and systems. These have been the philosophical and conceptual rationale of my studio practice. Meditation on these concepts is an important part in the preliminary stages of my process and the praxis of my studio work has been to interpret and implement these ideas. In many ways, this process suggests its own direction. I had no exact endpoint in mind but wanted to be driven ...


Where We Are : Where We Thought We Were Going, Nathan Prebonick May 2019

Where We Are : Where We Thought We Were Going, Nathan Prebonick

Masters Theses

In this thesis I will discuss ideas of place, space and repurposing as they relate to my paintings. By tying these ideas back to specific hometown sites, I will trace the evolution of ideas back to their genesis to provide context for the aesthetics of the work. I reference the texts of Robert Smithson and Tim Cresswell, who wrote about transitive notions of place, as well as David Joselit, who’s “Painting Beside Itself” essay focused on painters concerned with the question of how painting enters a network. I hope to use these texts, in conjunction with personal descriptions of ...


Picturing Things, Matthew J. Bivalacqua May 2019

Picturing Things, Matthew J. Bivalacqua

University of New Orleans Theses and Dissertations

My creative process is a ritual I use to examine my personal narrative. Digital photography is a way for me to mine an object or environment with an obsessive emphasis, and extract an image that signifies something relatable. By employing tropes derived from my personal narrative, and filtering them through image manipulation software; I am able to dramatize aspects of perspective and scale. With an automatic mark guided by printed images and projections of digital panoramic images, the surface and resulting picture comes into focus. This is a way for me to move past my experiences. Achieving this level of ...


The Medieval Genesis Of A Mythology Of Painting, Colin Dorward May 2019

The Medieval Genesis Of A Mythology Of Painting, Colin Dorward

Electronic Thesis and Dissertation Repository

Abstract: The Medieval Genesis of a Mythology of Painting.

Author: Colin Dorward

Principal Advisor: Sky Glabush.

Advisory Committee: Dr. Kathryn Brush, Patrick Mahon.

This dissertation attempts to enrich awareness of the late antique and early medieval preconditions of art which fortified today’s capacity for painted representations to fulfill a demand for the presence of absent individuals, such as in the case of portraiture. Chapter one contextualizes this program of research in terms of my practice as an oil painter, where figuration plays a prominent role. Key aspects of my studio work are introduced, such as my commitment to working ...


"Rainy Day Reds", Abigail F. Baker May 2019

"Rainy Day Reds", Abigail F. Baker

TYGR: Student Art and Literary Magazine 2018-present

This piece was the second acrylic painting I tried my hand at. The evocative reds amid dull, dusty grays gives this deep, emotive sense to the piece; intended of course. This contrast is meant to represent how beauty is made greater and deeper set among the dreary and dark Life must have its ups and downs, but that tension, that cycle, the movement into spring from winter, the birth of new life and the meeting of death is what gives life it its beauty, its very soul.


Journey To My Roots, Ainura Ashirova Barron May 2019

Journey To My Roots, Ainura Ashirova Barron

MSU Graduate Theses

This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.


Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern May 2019

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I ...


For Cheryl: The Long And The Short Of It, Rachel Lebo May 2019

For Cheryl: The Long And The Short Of It, Rachel Lebo

Graduate School of Art Theses

Short stories are an indirect way of creating a truth by showing instead of telling. They are a way to observe and communicate a single idea. A short story for me is a vehicle for hiding my truth behind a character, exploring myself in the safety of an identity that is not my own. When I read Chunky in Heat, author A.M. Homes and I hide together behind her character, Cheryl, and find solidarity.

The following writings, paintings, and sculptures are collaborations between myself and the women of short story fiction. Those women being the authors, the subjects, and ...


The Dream Of Being Totally Open, Frederick Greis May 2019

The Dream Of Being Totally Open, Frederick Greis

School of Arts & Sciences Theses

This essay details four major themes in the paintings of Frederick Greis: spiritual experience, nature, pleasure, and humor. These themes are described within the context of the artist's main goal, which is to create an experience of profound unburdening.


Downing, Joseph Dudley, 1925-2007 (Sc 3428), Manuscripts & Folklife Archives May 2019

Downing, Joseph Dudley, 1925-2007 (Sc 3428), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3428. Letter to WKU faculty member Frances Richards from artist and Kentucky native Joe Downing, Paris, France, regretting his inability to see her during a 1962 visit to Bowling Green, Kentucky. Includes various notices and catalogs of Downing’s art exhibits.


Enmesh: The Art Of Trauma And Recovery, Joanna Pottle May 2019

Enmesh: The Art Of Trauma And Recovery, Joanna Pottle

Senior Honors Projects, 2010-current

Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they ...


Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway May 2019

Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway

Senior Honors Projects, 2010-current

over certain undecidedness these heartstring intimations is the culmination of a two-year-long abstracted cycle of textured conversation, internal eye contact, and endless playlist-making. Hemingway’s work is based in process-oriented reflections on habitual behavior, manifestation of sentiment, and sense of self. Her paintings draw inspiration from the ways in which we approach and avoid our internal and external routines – how degrees of our subconscious considerations affect how we extend ourselves to others. Individual auditory preferences of different colliding souls have carved a space for her in a language of empathetic abstraction – attempting to elaborate the curious beauty and pain of ...


Trackable Painting, Jisoo Hur May 2019

Trackable Painting, Jisoo Hur

School of Arts & Sciences Theses

This paper describes how I suggest a way to read images in painting by supposing that the gap between paintings can have a new role in the reading. This process consists of three parts that go through references and titles of my paintings.


White Noise, Chris Cohen May 2019

White Noise, Chris Cohen

Masters Theses

White Noise investigates moments when white supremacist ideology injects itself into the conversation about American Identity and American History in an attempt to co- opt those definitions and control the conversation. The exhibition considers the effects of this identity crisis on American identity, white identity, American history, and family unity. The exhibition looks at these issues through the lens of the Virginia Historical Markers program, Civil War Re-enactment, contemporary white identity politics and supremacy, monuments, educational history museums, and the artist’s personal narrative about white supremacy as it relates to his own sense of loyalty and connection to his ...


Plein Air Painting In An Anthropocentric Era, Emily Marie Charles May 2019

Plein Air Painting In An Anthropocentric Era, Emily Marie Charles

Honors Theses

Our relationship with the natural world is defined by our set conceptions of it. These conceptions tend to objectify and idealize nature and fuel the anthropocentric era we live in. Ecophenomenology provides us with a new way of interacting with the earth; this school of thought revolves around reshaping our perceptions of the natural and developing a symbiotic relationship with it. This exchange that happens between us and the earth is invisible, so engaging in it can seem absurd and a bit abstract but in understanding that the world acts upon us as we act upon it, the agency that ...


M0mentary Lapses, Alice Salyer May 2019

M0mentary Lapses, Alice Salyer

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition Momentary Lapses, held at Tipton Gallery, February 25-March 8, 2019. The mixed media works and video examine the intersections between digital, somatic and societal decay through the mediation of the digital image by physical anthropogenic efforts.

Themes in the work include glitch art and theory, entropy, memory, decay, and loss. Contemporary American society’s desensitization associated with the oversaturation of digital imagery is discussed, as well as Guy Debord’s theory of the Spectacle, and the artistic practices of Kurt Schwitters and Robert Rauschenberg.


1999 Aaa Jrpg Quality And How A 2019 Indie-Game Developer Can Meet It, Kailynn Haskell-Harbert May 2019

1999 Aaa Jrpg Quality And How A 2019 Indie-Game Developer Can Meet It, Kailynn Haskell-Harbert

Capstone Projects and Master's Theses

This paper is a delve into 1999 JRPG AAA video games and how small developers can make something of similar quality with contemporary technology. This is explored by using Final Fantasy VIII and Lunar: Silver Star Story Complete as a 1999 AAA standard, then comparing that standard to modern indie-games as well as my own experience in indie-game development. The ultimate goal of the paper is to prove that small indie-game studios can create 1999 AAA quality JRPGs with relatively minimal investment.


Law Library Blog (May 2019): Legal Beagle's Blog Archive, Roger Williams University School Of Law May 2019

Law Library Blog (May 2019): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.


Give Up The Ghost, Hannah T. Mcbroom May 2019

Give Up The Ghost, Hannah T. Mcbroom

Theses and Dissertations

Give Up the Ghost is a series of six paintings created in Fall 2018 and Spring 2019. The paintings are an introspective examination of transgender subjectivity in visual narrative.

In this paper, I separate the personal and research through first and third person, similarly to how I separate imagery and mark making in my paintings. The paper is broken up into a description of the project, the history and theory which informs the work, and why painting is used to describe bodies and spaces.

Give Up the Ghost refers to giving up social expectations as determined by gender. The paintings ...


Stories Untold: Art From Syria, Manas Ghanem May 2019

Stories Untold: Art From Syria, Manas Ghanem

New England Journal of Public Policy

In Damascus, a group of artists created paintings of startling intensity, rich in texture and bold to the eye, suffused with light and reflecting alternate realities: the resilience of a highly cultured people with a civilization of seven thousand years and a history of survival and reinvention. While the machines of war produced death, amid the blood and terror, the devastation and savagery, these artists produced images of hope and beauty that were brought together in an exhibition held in Athens and other parts of Greece. The paintings that accompany Ghanem’s article, “Stories Untold: Art from Syria,” also the ...