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Full-Text Articles in Art and Design

The Holistic Self: A Visual Analysis Of Carl Jung's The Red Book, Emma Lindsay Klement Jan 2019

The Holistic Self: A Visual Analysis Of Carl Jung's The Red Book, Emma Lindsay Klement

Senior Projects Spring 2019

This senior project will look at Carl Jung’s The Red Book and how it’s creation was the process by which he healed from his psychotic break, or “deep-sea voyage.” Through the exploration of various other texts by Carl Jung this thesis will endeavor to understand Jung’s psyche during this time of deep turmoil by analyzing the images that he creates and the way in which he creates them. Jung was deeply molded by both Christian doctrine as well as Alchemy and the Occult, thus this project will take into account the specific Christian and alchemical meanings of ...


Ellen G. White Portrait, Harry S. Ahn Oct 2018

Ellen G. White Portrait, Harry S. Ahn

Harry Ahn

Prophetess, preacher, missionary, mother, and author of over one hundred original and compiled books, Ellen G. White filled her life of 87 years with selfless service to the God and Gospel she so dearly loved. While her wide travels took her not only across the United States but also through the European countries and Australia, she nevertheless found time to raise three sons together with her husband, best friend, and partner in the work of God, James White. The revelations she received in vision and related to the young Seventh-day Adventist church, together with the divinely inspired counsel she provided ...


James White Portrait, Harry S. Ahn Oct 2018

James White Portrait, Harry S. Ahn

Harry Ahn

James White, co-founder of the Seventh-day Adventist Church and one of the first presidents of the General Conference of Seventh-day Adventists, began his career of over thirty years as a humble Millerite preacher, travelling from place to place on a borrowed horse with a Bible, a prophetic chart, and notes for just three sermons. His first speaking tour met with astonishing success, winning a thousand converts to the Millerite faith, and success continued to follow him as he served the church as founder of the Review and Herald and Pacific Press Publishing Associations, publisher of the Advent Review (Adventist Review ...


The Holy Cross: Symbol Of Victory And Sign Of Salvation (Research Materials), Holy Cross Libraries Sep 2018

The Holy Cross: Symbol Of Victory And Sign Of Salvation (Research Materials), Holy Cross Libraries

Library Resources for Campus Events

A bibliography of resources available through the Holy Cross Libraries which provide additional information related to "The Holy Cross: Symbol of Victory and Sign of Salvationr," a lecture by Robin Jensen. The lecture was sponsored by the Rev. Michael C. McFarland, S.J. Center for Religion, Ethics and Culture as a 175th Anniversary Event and was held at the College of the Holy Cross on September 17, 2018.


An Examination Of Art In The American Evangelical Church For The Purpose Of Discipleship And Evangelism, Joshua Dugan Dec 2017

An Examination Of Art In The American Evangelical Church For The Purpose Of Discipleship And Evangelism, Joshua Dugan

Doctoral Dissertations and Projects

Christianity, in previous eras, has been the foundation of the art community. But, it has surrendered that role over the past three centuries and with it a significant potion of its influence on culture. In addition the church is not effectively reaching an entire demographic of people, those who would define themselves as creatives and artists, because it has distanced itself from the arts. This paper will research the previous methods employed by the church and the current limitations of art within the American Evangelical church through applied academic research as well as interviews with church leaders and artists. The ...


Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish May 2017

Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish

School of Arts & Sciences Theses

This paper is an attempt to investigate how well the borders and miniatures of The Hours of Catherine of Cleves facilitated the method of meditation recommended by Gerard Zerbolt of Zutphen and therefore was a useful tool in Catherine’s search for eternal salvation.


Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore May 2017

Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two ...


Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond Jan 2017

Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond

Art Faculty Books and Book Chapters

"Kondakov’s magnum opus [The Russian Icon] failed to win an audience. Though it appeared just in time for a surge of popular interest in Russian icons abroad, it never became the book of choice for the English-speaking public seeking a guide through the ‘dark forest’ of the icon’s history... My chapter offers some suggestions for why this crude caricature of Kondakov’s work took hold in the 1920s and became axiomatic throughout the Soviet period. In particular, it considers the role that Minns’s translation may have played, however inadvertently, in cementing this impression. Minns’s interventions in ...


Reading Boredom In Tennyson, Dante Gabriel Rossetti, William Morris, And Christina Rossetti, Rebekah Ann Lamb Apr 2015

Reading Boredom In Tennyson, Dante Gabriel Rossetti, William Morris, And Christina Rossetti, Rebekah Ann Lamb

Electronic Thesis and Dissertation Repository

Focusing on the poetry of Alfred Lord Tennyson, the poetry and paintings of Dante Gabriel Rossetti, the early poetry of William Morris and the poetry and prose of Christina Rossetti, this thesis examines how boredom emerges in Victorian aesthetic culture. Drawing from writings in visual culture, gender studies, social history, and recent returns to new formalism in Victorian studies, this thesis attends to how renderings of boredom open up our understanding of the relationship between poetry, art, temporality, embodiment, and explorations of everyday life and living in Victorian England.

Chapter One of my thesis is an introductory explanation of boredom ...


Pavel Tretiakov’S Icons, Wendy Salmond Jun 2014

Pavel Tretiakov’S Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Between 1890 and his death in 1898, the Moscow art collector Pavel Tretiakov acquired sixty-two icons of the sixteenth and seventeenth centuries. With this comparatively late entry into the world of icons, Tretiakov laid the foundation for one of the world’s greatest collections of medieval Russian paintings. Why is it, then, that Tretiakov’s icons are today so rarely mentioned and so hard to find? The most practical explanation is that they were simply swallowed up into the vast repositories of the reorganized State Tretiakov Gallery in 1930, along with thousands of icons from churches and private collections nationalized ...


An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond Jan 2013

An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incognito, the details of their glamorous origins largely forgotten. Reuniting this core group-the cream of the Hammers' imperial icons--with others that passed into American museums in the 1930s allows us to appreciate the full significance of Armand and Victor Hammer's foray into marketing icons Americans.Viewed in isolation, most of their "imperial icons" are perhaps no mo than a poignant reminder of the vast destruction and dislocation of Orthodox culture during the Soviet Cultural Revolution. Taken together, however, they paint ...


Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond Jan 2010

Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond

Art Faculty Books and Book Chapters

Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.


How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond Jan 2010

How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond

Art Faculty Books and Book Chapters

On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of ...


Russian Icons And American Money, 1928-1938, Wendy Salmond Jan 2009

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.


Review Of The Iconostasis Of Peter The Great In The Peter And Paul Cathedral In St. Petersburg (1722-1729), Wendy Salmond Jan 2008

Review Of The Iconostasis Of Peter The Great In The Peter And Paul Cathedral In St. Petersburg (1722-1729), Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews The Iconostasis of Peter the Great in the Peter and Paul Cathedral in St. Petersburg (1722-1729) by Julia Gerasimova.