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Articles 1 - 7 of 7

Full-Text Articles in Art and Design

Rror, Carter D. Johnson May 2018

Rror, Carter D. Johnson

School of Arts & Sciences Theses

Building on common definitions of terms such as machine, human, and code, this paper presents a strategy for an art practice that engages with data that has been processed and the processor as actor or character. Material is presented in such a way that rules, guidelines, logic, code, coherence may be viewed as tools to be employed for the use of obtaining and retaining power and control. Presenting digital technologies not only as a mediating force upon physical bodies but also a part of those bodies, and, furthermore, as abject and thus positioned outside an ideological structure of consumer technology ...


Theory For A Starving Obese, Ishai Shapira Kalter May 2017

Theory For A Starving Obese, Ishai Shapira Kalter

School of Arts & Sciences Theses

Theory for a Starving Obese (2017) is both a book and an installation. During the years 2015-2017 I began writing Theory for a Starving Obese; a collection of essays and art criticism about exhibitions that took place in white cubes in New York. I was following my dissatisfaction, and hoped to delve deeper into the question “What is Contemporary Art?” At the end of a process, I sent seventeen envelopes to artists who exhibited solo shows in New York and whose works I have criticized. Each envelope consists of one digital drawing (שרבוט, pronounced Shirbut), DVD with the video Arabesque ...


Between Rock And Breeze, Lena Schmid May 2017

Between Rock And Breeze, Lena Schmid

School of Arts & Sciences Theses

My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.


Light And Space, Lindsay M. Burke May 2017

Light And Space, Lindsay M. Burke

School of Arts & Sciences Theses

I make visceral images that are simultaneously elusive and confrontational. They are in dialogue with the historical tradition of figurative painting and drawing, but also aim to subvert those conventions. I want to catch and retain, as long as possible, the attention of my viewer by creating a familiar space that is slowly undermined. In my works the human body is dispersed in space; plants and tree parts are stand-ins for human desires, and gender is assigned to fragments of the body and to objects, then withdrawn.


Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish May 2017

Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish

School of Arts & Sciences Theses

This paper is an attempt to investigate how well the borders and miniatures of The Hours of Catherine of Cleves facilitated the method of meditation recommended by Gerard Zerbolt of Zutphen and therefore was a useful tool in Catherine’s search for eternal salvation.


Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary Dec 2016

Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary

School of Arts & Sciences Theses

The goal of this paper and Kickstarter project is to enable the production of my last semester’s work and thesis exhibition, and also to aid in the post-graduation transition to a sustainable art practice that does not rely on the current gallery structure.


Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse Dec 2015

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

School of Arts & Sciences Theses

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.