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Full-Text Articles in Art and Design

Community-Based Museum Ecologies: Public Doors And Windows And Les Nouveaux Commanditaires (‘The New Patrons’), Mark W. Rectanus Jul 2019

Community-Based Museum Ecologies: Public Doors And Windows And Les Nouveaux Commanditaires (‘The New Patrons’), Mark W. Rectanus

Mark W. Rectanus

A growing number of artist-led initiatives and para-institutional organizations are creating community-based projects that signal the emergence of alternative museum ecologies. This article will examine two initiatives, Public Doors and Windows (PDW) and Les Nouveaux Commanditaires (NC) (‘The New Patrons’) that reflect a diverse range of practices that contribute to, or create, museum ecologies outside the physical and conceptual spaces of museums. These museum ecologies also contribute to discourses on the participatory museum and intersect with experiments in community engagement and social practice. Although they may have distinct conceptual points of departure, the diverse institutional platforms and initiatives of PDW ...


Kelebihan Indonesia Furniture Made In Jepara, Putri Viona Mar 2019

Kelebihan Indonesia Furniture Made In Jepara, Putri Viona

business

Berbicara mengenai rumah pasti tidak bisa lepas dari beberapa perabot yang memberikan kenyamanan lebih. Dengan perlengkapan rumah yang tepat, pemilik akan merasa lebih nyaman dan menikmati suasana yang intim. Mulai dari meja, kursi, rak buku, almari ataupun perabot lainnya dari satu pemilik dengan pemilik lain pasti mempunyai kesukaan yang berbeda. Tidak heran jika banyak sekali jenis mebel yang bisa Anda dapatkan dipasaran, salah satunya yang terbuat dari kayu khas Jepara.
 
Mebel dari Jepara sudah cukup terkenal sekali, bahkan mengenai kualitas yang diberikan sudah tidak perlu untuk diragukan lagi. Hal itu terbukti bahwa produk dari Jepara selalu laris didalam negeri maupun ...


Klinik Jual Obat Aborsi Hongkong 081325757672 Alamat Penjual Obat Aborsi Di Hongkong, Baris Surya02 Feb 2019

Klinik Jual Obat Aborsi Hongkong 081325757672 Alamat Penjual Obat Aborsi Di Hongkong, Baris Surya02

Jual Obat Aborsi Tuntas - Obat Penggugur Kandungan

Jual Obat Aborsi Hongkong, Jual Obat Aborsi Di Hongkong, Jual Obat Telat Bulan Di Hongkong, Jual Cytotec Di Hongkong, Klinik Aborsi Di Hongkong, Penjual Obat Aborsi Di Hongkong, Apotik Jual Obat Aborsi Di Hongkong.


Bookbindings By Peter D. Verheyen, An Exhibition At Maxwell Library, Bridgewater State University, 2019 Jan 2019

Bookbindings By Peter D. Verheyen, An Exhibition At Maxwell Library, Bridgewater State University, 2019

Peter D Verheyen

Checklist for the invitational solo exhibition of book bindings created by Peter D. Verheyen 2009 - 2018. The exhibition was held at the Maxwell Library Rare Book Room, Bridgewater State University (MA), February 1 - April 5, 2019.


Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert Nov 2018

Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert

Ronald Geibert

A retrospective showing featuring color street photography, installations, Orwellian prints, and electronic kiosks and complemented with a re-showing of a 1986 exhibition, and the 1997 CD-ROM with rare video and audio components, illustrating the role of social and recreational events during the Great Depression and photographic artworks added to the Wright State University permanent collection from the dozen shows curated by Professor Emeritus Ron Geibert from 1986 to 2007


A Bookbinder’S Journey, Peter D. Verheyen Jul 2018

A Bookbinder’S Journey, Peter D. Verheyen

Peter D Verheyen

The Syracuse University Libraries Assembly (SULA) presents Peter Verheyen, Librarian at Syracuse University Libraries. At this illustrated lecture on July 30, 2018 Verheyen spoke to his career as a bookbinder with a focus on his creative work. A video recording that also includes the questions & answers can be viewed here. Among the facets discussed were how his experiences and the mentorship he received as a work-study student guided him to apprentice in his “native” Germany; the materials and techniques he uses to craft his bindings, many of which have been exhibited throughout the US and abroad; and a recent project ...


Aiga Design For Democracy 2018, Anne M. Giangiulio Dec 2017

Aiga Design For Democracy 2018, Anne M. Giangiulio

Anne M. Giangiulio

Poster designed for the 2018 AIGA Get Out the Vote non-partisan exhibition, Design for Democracy, supported in part by the National Endowment for the Arts.


Stop Child Marriage, Anne M. Giangiulio Dec 2017

Stop Child Marriage, Anne M. Giangiulio

Anne M. Giangiulio

I designed the poster 'Stop Child Marriage' for the 2018 15th International Biennial of the Poster in Mexico City to take place in October of 2018.


Water Being Water, Ronald R. Geibert Jul 2017

Water Being Water, Ronald R. Geibert

Ronald Geibert

IQ. DNA. MRI. FYI. In an ever-changing world, we find ourselves conversing with abbreviated acronyms and phrases. They drive today's economy, political agenda, and water cooler chitchat. They define our use of resources and the attention given to matters. Who we are, or think we are, are wrapped around their brevity. In our hurried attempt to sort through the complexities of life we use them to only answer the obvious-How? Unfortunately, an equally important question, Why? is often ignored. The solving of the how of things has generally been left to the scientists and the reasons as to the ...


Family Portraits, Ronald R. Geibert Jul 2017

Family Portraits, Ronald R. Geibert

Ronald Geibert

The gallery guide discusses the exhibition Family Portraits shown at Wright State University from February 22 through March 20, 1987. The exhibition focused on black and white photography.


One Hundred Years Of Street Photography, Ronald R. Geibert Jul 2017

One Hundred Years Of Street Photography, Ronald R. Geibert

Ronald Geibert

A program from an exhibition featuring street photography from a variety of artists including but not limited to Diane Arbus, Alfred Stieglitz, Henri Cartie Bresson, and many more. One Hundred Years of Street Photography ran from February 20 through April 3, 1994. The catalog for this exhibition was originally available via CD-ROM.


The Car Park, Dave Colangelo Apr 2017

The Car Park, Dave Colangelo

Dave Colangelo

This essay uses the work of Marc Augé as a lens through which to view the supermodern urban space, and how the concept of place is manufactured and negotiated. The author focuses on a car park to elucidate these themes, and agrees with Augé, who claims that non-places such as car parks fail to create identity or relations.


Untitled (12th Istanbul Biennial), Dave Colangelo Apr 2017

Untitled (12th Istanbul Biennial), Dave Colangelo

Dave Colangelo

A review of the 12th Istanbul Biennial, held in 2011 in Istanbul, Turkey, with a focus on curatorial decision making and how this is thematically expressed in the exhibition.


Disrupting The City: Using Urban Screens To Remediate Public Space, Jean Dubois, Dave Colangelo, Claude Fortin Apr 2017

Disrupting The City: Using Urban Screens To Remediate Public Space, Jean Dubois, Dave Colangelo, Claude Fortin

Dave Colangelo

For over a decade, human-computer interaction (HCI) research placed a great deal of emphasis on studying interaction, engagement, and appropriative practices in online technology-mediated social environments. Moving forward, however, we see computing systems increasingly designed to support digitally-augmented face-to-face interactions in public settings. As far back as the nineteen seventies, new media artists anticipated this interactive potential of digital public displays to foster new forms of situated interactions in urban space, quite distinct from mobile computing in that they altogether exclude online connections or exchanges. Drawing on examples of practice, this paper discusses and show-cases some of the key creative ...


Curating Massive Media, Dave Colangelo Apr 2017

Curating Massive Media, Dave Colangelo

Dave Colangelo

The European Union’s media art initiative Connecting Cities and New York-based Streaming Museum are two recent examples of curatorial models that operate through large, networked, digital displays. This growing exhibition category combines expressive media architecture and telecommunication elements to engage ‘trans-local’ sites and diverse publics in complex media spaces. By investigating the confluence of exhibition making, public art and urban experience, this article explores the relationship between spectacle and criticality with respect to shifting notions of space, identity and ‘the common’. Note: At the time of writing, Dave Colangelo was affiliated with Ryerson University.


Again, With Feeling! [Exhibition Catalogue], Dave Colangelo Apr 2017

Again, With Feeling! [Exhibition Catalogue], Dave Colangelo

Dave Colangelo

Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations or morphs of their originals. This multidisciplinary show explores the ‘re’-mixing, producing, or contextualizing of an original, whether through motif, object or experience. By re-negotiating the terms around their borrowed imagery or performance, these artists present us with a fresh composition of a thing we’ve seen before.


Haecceity 2.7.4, Jeffrey Strayer Feb 2016

Haecceity 2.7.4, Jeffrey Strayer

Jeffrey Strayer

24 and ½" x 27 and ½"
Transparent positive film, paper, Plexiglas, hex bolts with washers, and cap screws mounted on Gatorfoam
German silver frame
2014


Haecceity 2.7.2, Jeffrey Strayer Feb 2016

Haecceity 2.7.2, Jeffrey Strayer

Jeffrey Strayer

anything that is not ( ) now but is something that is ( ) to have its particular identity in virtue of its being conceptually and/or causally related to ( ) now

32" x 40"
positive transparent film, paper, Plexiglas, and hardware mounted to ½" Gatorfoam
Silver frame
2014


Haecceity 2.7.2, Jeffrey Strayer Feb 2016

Haecceity 2.7.2, Jeffrey Strayer

Jeffrey Strayer

anything that is not ( ) now but is something that is ( ) to have its particular identity in virtue of its being conceptually and/or causally related to ( ) now

32" x 40"
positive transparent film, paper, Plexiglas, and hardware mounted to ½" Gatorfoam
Silver frame
2014


Haecceity 2.0.0, Jeffrey Strayer Feb 2016

Haecceity 2.0.0, Jeffrey Strayer

Jeffrey Strayer

30" x 32 1/4" Transparent positive film, paper, Plexiglas, hex bolts, washers, mounted on Gatorfoam with film cartridges Anodic black frame.


Haecceity 2.19.0, Jeffrey Strayer Feb 2016

Haecceity 2.19.0, Jeffrey Strayer

Jeffrey Strayer


25 and 1/8" x 28 and 1/2".
Transparent positive film, paper, Plexiglas, hex bolts, and washers mounted on Gatorfoam.
German silver frame.
2014


Haecceity 2.10.1, Jeffrey Strayer Feb 2016

Haecceity 2.10.1, Jeffrey Strayer

Jeffrey Strayer

41 and 13/16" x 50 and 11/16". Contact prints and paper mounted to Gatorfoam. German silver metal frame.


Haecceity 2.12.1, Jeffrey Strayer Feb 2016

Haecceity 2.12.1, Jeffrey Strayer

Jeffrey Strayer

48" x 62 ¾" positive transparent film, contact prints, paper, Plexiglas, and hardware mounted to ½” Gatorfoam. Silver frame.


Haecceity 2.14.0, Jeffrey Strayer Feb 2016

Haecceity 2.14.0, Jeffrey Strayer

Jeffrey Strayer

33 ½" x 40 ¾" Contact prints and paper mounted to Gatorfoam. Silver frame.


Haecceity 2.10.0, Jeffrey Strayer Feb 2016

Haecceity 2.10.0, Jeffrey Strayer

Jeffrey Strayer

48 x 72. Contact prints and paper mounted to Gatorfoam with film cartridges, Plexiglas, hexagonal bolts, washers. Black metal frame.


Haecceity 1.2.0, Jeffrey Strayer Feb 2016

Haecceity 1.2.0, Jeffrey Strayer

Jeffrey Strayer

24" x 26 and 1/4". Transparent print, hex bolts, washers, screws, contact prints, and paper mounted to Gatorfoam. German silver frame.


Haecceity 12.0.0, Jeffrey Strayer Feb 2016

Haecceity 12.0.0, Jeffrey Strayer

Jeffrey Strayer

20 and 1/4" x 22 and 7/16". Transparent print, screws, contact print, and paper mounted to Gatorfoam. Maple wood frame.


Haecceity 2.2.1, Jeffrey Strayer Feb 2016

Haecceity 2.2.1, Jeffrey Strayer

Jeffrey Strayer

30 13/16" x 33 1/4" Transparent positive film, paper, Plexiglas, hex bolts, washers, mounted on Gatorfoam with film cartridges Anodic black frame


Haecceity 11.1.1, Jeffrey Strayer Feb 2016

Haecceity 11.1.1, Jeffrey Strayer

Jeffrey Strayer

41 and ½" x 50 and ½ Contact prints and paper mounted to Gatorfoam German silver frame


Haecceity 1.0.0, Jeffrey Strayer Feb 2016

Haecceity 1.0.0, Jeffrey Strayer

Jeffrey Strayer

9 and 9/16" x 12 and 3/16" x 4 and 1/8" Loupes and contact print mounted on Gatorfoam Maple wood box frame