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Articles 1 - 13 of 13

Full-Text Articles in African Languages and Societies

Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi Jul 2018

Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi

Africana Digital Ethnography Project

Dean Kevin Booker of Morehouse College recorded this video of his last name being carved into his new djembe purchased in the Accra Cultural Market, next to Kwame Nkrumah Memorial.


Not Afro-Beat: The Hegemonic Possession Of A Musical Genre, Odyke Nzewi, Aaron Carter-Enyi, Quintina Carter-Enyi, David Oludaisi Aina Mar 2018

Not Afro-Beat: The Hegemonic Possession Of A Musical Genre, Odyke Nzewi, Aaron Carter-Enyi, Quintina Carter-Enyi, David Oludaisi Aina

Africana Digital Ethnography Project

Synchronous movements for African independence and American civil rights emboldened each other, inspiring a global flourish of black popular music. Fẹla Kuti is celebrated in literature and media but his contemporaries are largely forgotten. According to Waterman (2002), “Afro-beat music was associated almost exclusively with one charismatic figure.” This is reinforced by Moore (1982), Olaniyan (2004) and others. Nigerian journalist Tam Fiofori and the multiple-author blog “afrobeat, afrofunk, afrojazz, afrorock, african-boogie...” tell a different story. In 1960s Lagos, a nascent musical movement formed fusing Highlife and African-American popular music, fortified by James Brown’s 1970 tour of West Africa (Emielu ...


Ghana And The Trans-Atlantic Slavetrade, De-Valera Botchway, Aaron Carter-Enyi Jan 2018

Ghana And The Trans-Atlantic Slavetrade, De-Valera Botchway, Aaron Carter-Enyi

Africana Digital Ethnography Project

Dr. De-Valera Botchway of University of Cape Coast delivers a lecture on the history of the Trans-Atlantic Slave Trade with special attention to the ethnic groups of Ghana (formerly known as Gold Coast). The role of Christianity, and whether it was part of a system of oppression or a means of liberation, becomes a matter of debate during the question and answer with Morehouse students.


Ron Daise Reads De Nyew Testament, Luke 2:1-5, Aaron Carter-Enyi, Corrie Claiborne, Samuel Livingston, Ronald Daise Aug 2017

Ron Daise Reads De Nyew Testament, Luke 2:1-5, Aaron Carter-Enyi, Corrie Claiborne, Samuel Livingston, Ronald Daise

Africana Digital Ethnography Project

Cultural preservationist Ron Daise reads a passage from the Gullah Sea Island Creole Translation of the New Testament. He then reads the parallel passage in the King James Version. Ron and his wife, Natalie, worked on the translation of the Bible into Gullah.


Veronica Davis Gerald On Gullah Culture, Aaron Carter-Enyi, Corrie Claiborne, Samuel Livingston, Veronica Davis Gerald Aug 2017

Veronica Davis Gerald On Gullah Culture, Aaron Carter-Enyi, Corrie Claiborne, Samuel Livingston, Veronica Davis Gerald

Africana Digital Ethnography Project

Veronica Davis Gerald is Director of the Charles Joyner Institute for Gullah and African Diaspora Studies at Coastal Carolina University. In this video abstract, she discusses her identity as both a scholar and native of the Gullah culture. This informs her collaborative work with the Charles Joyner Institute and Gullah communities of the Waccamaw Neck region of South Carolina.


Aku Kadogo Talks About "Salt City, A Techno-Choreo Poem", Zari Mcfadden, Aaron Carter-Enyi, Aku Kadogo Aug 2017

Aku Kadogo Talks About "Salt City, A Techno-Choreo Poem", Zari Mcfadden, Aaron Carter-Enyi, Aku Kadogo

Africana Digital Ethnography Project

Jessica Care Moore (poet) and Aku Kadogo (choreographer, Spelman College) have developed a techno-choreopoem entitled Salt City. The work celebrates Black culture in Detroit: “the African-American presence in the city … [and] techno-music that was pioneered by African-American men straight out of the Detroit Metropolitan Area” (McFadden and Kadogo 2017). Kadogo was a founding member of the cast of Shange’s For Colored Girls and has worked in the genre for forty years.


Uzee Brown And His Society Of Choraliers, William S. Dula, Aaron Carter-Enyi, Uzee Brown Jr. Aug 2017

Uzee Brown And His Society Of Choraliers, William S. Dula, Aaron Carter-Enyi, Uzee Brown Jr.

Africana Digital Ethnography Project

Uzee Brown, Professor and Chair of the Morehouse College Department of Music, talks about growing up in the Piedmont region of South Carolina. Once he came to Morehouse, Prof. Wendell P. Whalum encouraged him to pursue research on the oral traditions of South Carolina and he saw the folk music he grew up with in a new light. This has culminated in a collection of rare spirituals which he has arranged and recorded with his choir, the Uzee Brown Society of Choraliers.


"Why Women Are Smarter Than Men" By Gloria Barr Ford, Aaron Carter-Enyi, Corrie Claiborne Jul 2017

"Why Women Are Smarter Than Men" By Gloria Barr Ford, Aaron Carter-Enyi, Corrie Claiborne

Africana Digital Ethnography Project

Gloria Barr Ford, Gullah Storyteller, tells the tale of the father, daughter and preacher. Recorded July 31, 2017 at her home in Georgetown, South Carolina.


Morehouse College Glee Club Performs "Iya Mi" (My Mother) By Jude Nwankwo, David Morrow, Jude Nwankwo, Aaron Carter-Enyi Apr 2017

Morehouse College Glee Club Performs "Iya Mi" (My Mother) By Jude Nwankwo, David Morrow, Jude Nwankwo, Aaron Carter-Enyi

Africana Digital Ethnography Project

In the Fall of 2016, the Morehouse College Music Department issued a call for early-career Nigerian composers to submit applications for consideration. This project builds on the Morehouse College Glee Club’s reputation of performing African choral music under the direction of Wendell Whalum, Uzee Brown, Jr., and David Morrow.

In December 2016, Jude Nwankwo was selected as the inaugural recipient of the award. Mr. Nwankwo is a Lecturer of Music at the University of Nigeria, Nsukka.

Mr. Nwankwo was commissioned to write a three- to five-minute piece for TTBB (male-voice) choir on secular themes in one of Nigeria’s ...


Oriki Ogun (Praise Of The God Of Iron) By Mayowa Adeyemo, Aaron Carter-Enyi, David Oludaisi Aina, Mayowa Adeyemo Jul 2013

Oriki Ogun (Praise Of The God Of Iron) By Mayowa Adeyemo, Aaron Carter-Enyi, David Oludaisi Aina, Mayowa Adeyemo

Africana Digital Ethnography Project

Lagos State University music student, Mayowa Adeyemo, praises Ogun (Yoruba Orisha/God of Iron). Recorded on July 26, 2013 at Peter King College of Music near Badagry, Lagos State.


The African Colonization Movement In Georgia: The Expatriation Of Freeborn And Emancipated Blacks, 1817-1860, Falechiondro Karcheik Sims-Alvarado Aug 2001

The African Colonization Movement In Georgia: The Expatriation Of Freeborn And Emancipated Blacks, 1817-1860, Falechiondro Karcheik Sims-Alvarado

ETD Collection for AUC Robert W. Woodruff Library

This research examines the internal and external forces that motivated freeborn and emancipated black Georgians to emigrate to Africa during the African Colonization Movement, 1817-1860. Throughout the study, qualitative and quantitative data were used to analyze the reasons why antebellum black Georgians embraced the ideas of black expatriation. The qualitative data consisted of the writings of black opponents as well as the writings of the proponents of African colonization, including Georgia émigrés, and the agents of the American Colonization Society. The quantitative data consisted of the number of emigrants who resettled to Africa and their survival rate in the newly ...


Africana Women's Voices From The South: Focusing On Women's Issues Of The Past For Definition, Identification, And Clarification In The Presnet, Alvelyn J. Sanders May 1996

Africana Women's Voices From The South: Focusing On Women's Issues Of The Past For Definition, Identification, And Clarification In The Presnet, Alvelyn J. Sanders

ETD Collection for AUC Robert W. Woodruff Library

This study discussed the significant link between Anna Julia Cooper's A Voice from the South (1892) and the work of twentieth-century, black, Southern women writers through their exploration of specific issues, black feminist theory, and the conditions under which they were written.

This thesis was based on the premise that Cooper's text can provide clarification for contemporary black women's issues, show a continuum in the work of Southern writers, and prove that similar conditions exist today for black women as in the nineteenth century.

Chapter One defines some of the similar issues found in Cooper's work ...


The African Presence In The Novels Of Paule Marshall, Angela Harrington Rice Apr 1993

The African Presence In The Novels Of Paule Marshall, Angela Harrington Rice

ETD Collection for AUC Robert W. Woodruff Library

The novels written by Paule Marshall are examined chronologically to demonstrate how Africa functions and is represented in her works. Published interviews and essays by Marshall are also examined, as well as critical analysis of her works by scholars.

Africa is present in Paule Marshall's novels through ritual, history, language, and myth. Paule Marshall's work demonstrates how Africanisms operate in the United States and in the Caribbean. She articulates the need for people throughout the African diaspora to confront and use the past as a vehicle for empowerment. Marshall's protagonists are women who find that when they ...