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Settler Colonial Ways Of Seeing: Documentary Governance Of Indigenous Life In Canada And Its Disruption, Danielle Taschereau Mamers May 2017

Settler Colonial Ways Of Seeing: Documentary Governance Of Indigenous Life In Canada And Its Disruption, Danielle Taschereau Mamers

Electronic Thesis and Dissertation Repository

Settler colonialism in Canada has and continues to dispossess Indigenous nations of their lands and authority. Settler Colonial Ways of Seeing argues that a politics of visibility has been central to these structures of invasion and dispossession. In an effort to transform sovereign Indigenous nations into “Indians”, the state has used techniques of bureaucratic documentation to naturalize the classification of Indigenous bodies as racially inferior and thus subject to a range of violent interventions. This politics of visibility fails to see Indigenous people as people who matter.

Using Indigenous feminist critique, discourse analysis, and aesthetics to analyze federal legislation, policy ...


Autobiography And The Family Frame: Jaret Belliveau's “Dominion Street” At Gallery Tpw, Matthew Ryan Smith May 2010

Autobiography And The Family Frame: Jaret Belliveau's “Dominion Street” At Gallery Tpw, Matthew Ryan Smith

Matthew Ryan Smith, Ph.D.

Documented over a period of five years, “Dominion Street” presents a visual narrative of love, loss, and life encapsulated within an East Coast milieu. Privy to the Belliveau family’s emotional and physical plights, the artist utilizes an autobiographic frame offering up strikingly informal glimpses of his family.


(Re)Verse Ekphrasis: Works From The Mcintosh Collection, Matthew Ryan Smith Apr 2009

(Re)Verse Ekphrasis: Works From The Mcintosh Collection, Matthew Ryan Smith

Matthew Ryan Smith, Ph.D.

As the exhibition title suggests, (Re)verse Ekphrasis: Works from the McIntosh Collection, flips traditional notions of ekphrasis, broadly defined as the description of a work of art, in an effort to open a range of artistic expressions to further interpretation. The exhibition intends to return a notion of creative license to the visual artist, while invoking the interpretive work of the poet or writer. What is more, in a spirit of “conversation” the works presented in the exhibition demonstrate an invested critical engagement with texts: biblical accounts, works of fiction, and of poetry, culled from sources as diverse as ...


Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums Jan 1995

Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums

Exhibition Brochures

Reconstructions: The Video Image Outside of Time

November 08 to December 17, 1995

Marsh Art Gallery

Introduction

Co-organized by the Marsh Art Gallery, University of Richmond, and the Virginia Museum of Fine Arts, Richmond, the exhibition is traveling throughout the Commonwealth through the Virginia Museum's Department of Traveling Exhibitions and Media Services (Eileen Mott. Statewide Exhibition Coordinator) following its venue at the Marsh Art Gallery (November 8 to December 17, 1995).

The exhibition, Reconstructions, The Video Image Outside of Time (1994), comprises a continuously-running single-channel videotape and twenty-seven photographs. All the photographs are Cibachrome prints, 8 x 10 inches ...