Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Interfaces Of Nearness: Documentary Photography And The Representation Of Technology, Mark Kasumovic Jun 2018

Interfaces Of Nearness: Documentary Photography And The Representation Of Technology, Mark Kasumovic

Electronic Thesis and Dissertation Repository

The central aim of this dissertation is to provide insights into the ways in which documentary photography, in theory and practice, can be employed in the representation of evolving and difficult to visualize technologies. Examining technology via its relationship to scientific inquiry offers a framework for considering the production of knowledge through instruments and their inscriptions. This relationship is examined from diverse perspectives, such as the philosophy of technology, social constructivism, the philosophy of science, and media studies. Considering the relationship between the function of instruments within the scientific laboratory and the camera as used within the visual arts can ...


Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel Sep 2017

Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel

The Goose

Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.


The Value Of Everything Is Nothing, Jason Dawes Jun 2014

The Value Of Everything Is Nothing, Jason Dawes

Electronic Theses, Projects, and Dissertations

Photography was my introduction into art. I gravitated toward portrait photography fairly quickly. I found the interaction between subject and photographer to be an intense moment in time. I began to push that intensity - through various non-traditional approaches, such as placing ads in the personals. It did not take long before I turned the camera on myself, creating self-portraits in the domestic setting. I began to play for the camera. I created various personas that placed myself in some gray area between masculinity and femininity. Shortly there after, I began working with collage. I found the formulas and rigidity sometimes ...