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Full-Text Articles in Arts and Humanities

We Are Roses From Our Mothers' Gardens: Black Feminist Visuality In African American Women's Art, Kelli Morgan Nov 2017

We Are Roses From Our Mothers' Gardens: Black Feminist Visuality In African American Women's Art, Kelli Morgan

Doctoral Dissertations

ABSTRACT

WE ARE ROSES FROM OUR MOTHERS’ GARDENS: BLACK FEMINIST VISUALITY IN AFRICAN AMERICAN WOMEN’S ART

MAY 2017

KELLI MORGAN, B.A., WAYNE STATE UNIVERSITY

M.A., UNIVERSITY OF MASSACHUSETTS AMHERST

Ph.D., UNIVERISTY OF MASSACHUSETTS AMHERST

Directed by: Professor Manisha Sinha

We Are Roses From Our Mothers' Gardens posits that in differing historical periods African American women visual artists employed various media and create from individual political thoughts, intellectual views, and aesthetic interests to emphasize the innate unification of a Black woman’s race, gender, sexuality, class, and selfhood and how this multifaceted dynamic of Black women’s ...


Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel Sep 2017

Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel

The Goose

Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.


Autobiography And The Family Frame: Jaret Belliveau's “Dominion Street” At Gallery Tpw, Matthew Ryan Smith May 2010

Autobiography And The Family Frame: Jaret Belliveau's “Dominion Street” At Gallery Tpw, Matthew Ryan Smith

Matthew Ryan Smith, Ph.D.

Documented over a period of five years, “Dominion Street” presents a visual narrative of love, loss, and life encapsulated within an East Coast milieu. Privy to the Belliveau family’s emotional and physical plights, the artist utilizes an autobiographic frame offering up strikingly informal glimpses of his family.


Rominna Villasenor Interview, Jamelle Apolinar Feb 2010

Rominna Villasenor Interview, Jamelle Apolinar

Asian American Art Oral History Project

2010 interview with writer, performer, visual artist Rominna Villasenor by Jamelle Apolinar


(Re)Verse Ekphrasis: Works From The Mcintosh Collection, Matthew Ryan Smith Apr 2009

(Re)Verse Ekphrasis: Works From The Mcintosh Collection, Matthew Ryan Smith

Matthew Ryan Smith, Ph.D.

As the exhibition title suggests, (Re)verse Ekphrasis: Works from the McIntosh Collection, flips traditional notions of ekphrasis, broadly defined as the description of a work of art, in an effort to open a range of artistic expressions to further interpretation. The exhibition intends to return a notion of creative license to the visual artist, while invoking the interpretive work of the poet or writer. What is more, in a spirit of “conversation” the works presented in the exhibition demonstrate an invested critical engagement with texts: biblical accounts, works of fiction, and of poetry, culled from sources as diverse as ...