Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 9 of 9

Full-Text Articles in Arts and Humanities

Shylock Celebrates Easter, Brooke Conti Nov 2015

Shylock Celebrates Easter, Brooke Conti

English Faculty Publications

No abstract provided.


“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur Nov 2015

“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur

English Theses

Death today is hidden from our everyday lives so it cannot intermingle with the general public. So when a family member dies, their body becomes an object in need of disposal; no longer can they be recognized as the familiar person they once were. To witness death is to force individuals to confront the truths of human existence, and for most of us seeing such a sight would fill us with an emotion of disgust. Yet during the nineteenth century, the burden of care towards the sick or dying was shared by a community of family, neighbors, and friends; the ...


Newspaper Editors’ Attitudes Toward The Great Awakening, 1740-1748, Lisa Smith Sep 2015

Newspaper Editors’ Attitudes Toward The Great Awakening, 1740-1748, Lisa Smith

Lisa Smith

No abstract provided.


Mad Hero In A Box: Christianity, Secular Humanism, And The Monomyth In Doctor Who, Sabrina Hardy Aug 2015

Mad Hero In A Box: Christianity, Secular Humanism, And The Monomyth In Doctor Who, Sabrina Hardy

Masters Theses

Doctor Who is a long-running, incredibly popular work of television science-fiction, with a devoted fanbase across the Western world. Like all science fiction, it deals with the weighty questions posed by the culture around it, particularly in regards to ethics, politics, faith/belief, and the idea of the soul. These concepts are dealt with through the lens of the Secular Humanist ideology held by the showrunners and by many of the people who watch the show; however, in many areas, elements of the Christian worldview seep through. The conflict between these two worldviews has serious ramifications for the show itself ...


Enchanting Belief: Religion And Secularism In The Victorian Supernatural Novel, Elizabeth Mildred Sanders May 2015

Enchanting Belief: Religion And Secularism In The Victorian Supernatural Novel, Elizabeth Mildred Sanders

Theses and Dissertations

This dissertation posits a crucial and profound relationship between the Victorian crisis of faith and the simultaneous emergence of fantasy and science fiction novels. Grouping these genres under the term "supernatural novel," the following chapters examine this relationship through close readings of novels published between 1818 and 1897, showing the variety of ways in which this new type of literature spoke to a Victorian sense of being caught between a staunchly traditional religious faith and a newly accessible agnostic materialism. At times, for example, these texts suggest ways to negotiate a compromise between these two viewpoints, and at others they ...


Holy Places, Dark Paths: Till We Have Faces And The Spiritual Conflicts Of C.S. Lewis, Joshua G. Novalis Apr 2015

Holy Places, Dark Paths: Till We Have Faces And The Spiritual Conflicts Of C.S. Lewis, Joshua G. Novalis

Senior Honors Theses

Although Till We Have Faces (1956) was written late in C.S. Lewis’s life (1898-1963), during the peak of his literary renown, the novel remains one of Lewis’s least known and least accessible works. Due to its relatively ancient and obscure source material, as well as its tendency towards the esoteric, a healthy interpretation of the novel necessitates a wider look at Lewis’s life-long body of work. By approaching Till We Have Faces through the framework of Lewis and the corpus of his work, the reader can see two principal conflicts that characterize the work as a ...


Struggling Towards Salvation: Narrative Structure In James Baldwin's Go Tell It On The Mountain, Darren Spirk Apr 2015

Struggling Towards Salvation: Narrative Structure In James Baldwin's Go Tell It On The Mountain, Darren Spirk

Student Publications

This paper argues that John Grimes, the protagonist of James Baldwin's Go Tell It on the Mountain, represents the struggle inherent in the path towards salvation and holds the potential ability to break down the binaries that create this struggle. Of particular interest is a similarity in the narrative framing of John’s story with Jesus Christ's, as told in the four Gospels. The significance of both their symbolic power is dependent on a multitude of narrative viewpoints, in John’s case the tragic pasts offered of his aunt, father and mother in the novel’s medial section ...


Presence In Absence In Shakespeare's King Lear, Kimberly Austin Mar 2015

Presence In Absence In Shakespeare's King Lear, Kimberly Austin

Student Works

King Lear is imbedded with hidden Christian themes, expressed through characters like Cordelia and the Fool, to show that salvation and redemption can only be obtained in a world with Christ. The audience recognizes the absence of Christian principles in the play and through our desire for Christianity it becomes a present theme.The theory of presence in absence becomes clearer when analyzing Cordelia and the Fool. Their characteristics mimic those of Christ which reminds the audience of his absence in the play. Throughout the play King Lear repeats the theory of “nothing from nothing” and by analyzing this theme ...


Pervasive Parable: Christ And Ligeia, Todd Workman Mar 2015

Pervasive Parable: Christ And Ligeia, Todd Workman

Student Works

No abstract provided.