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Full-Text Articles in Arts and Humanities

Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin Nov 2017

Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin

Doctoral Dissertations

This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo ...


We Are Roses From Our Mothers' Gardens: Black Feminist Visuality In African American Women's Art, Kelli Morgan Nov 2017

We Are Roses From Our Mothers' Gardens: Black Feminist Visuality In African American Women's Art, Kelli Morgan

Doctoral Dissertations

ABSTRACT

WE ARE ROSES FROM OUR MOTHERS’ GARDENS: BLACK FEMINIST VISUALITY IN AFRICAN AMERICAN WOMEN’S ART

MAY 2017

KELLI MORGAN, B.A., WAYNE STATE UNIVERSITY

M.A., UNIVERSITY OF MASSACHUSETTS AMHERST

Ph.D., UNIVERISTY OF MASSACHUSETTS AMHERST

Directed by: Professor Manisha Sinha

We Are Roses From Our Mothers' Gardens posits that in differing historical periods African American women visual artists employed various media and create from individual political thoughts, intellectual views, and aesthetic interests to emphasize the innate unification of a Black woman’s race, gender, sexuality, class, and selfhood and how this multifaceted dynamic of Black women’s ...


Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang Jul 2016

Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang

Masters Theses

Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and ...


Project Space(S) In The Design Professions: An Intersectional Feminist Study Of The Women's School Of Planning And Architecture (1974-1981), Elizabeth Cahn Nov 2014

Project Space(S) In The Design Professions: An Intersectional Feminist Study Of The Women's School Of Planning And Architecture (1974-1981), Elizabeth Cahn

Doctoral Dissertations

The Women’s School of Planning and Architecture (WSPA) was an ambitious, explicitly feminist educational program created by seven women planners and architects who used the school to introduce ideas and practices of the 1970s women’s movement into design and planning education in the United States. Between 1974 and 1981, WSPA organized five intensive, short-term residential educational sessions and a conference, each in a different geographical location in the United States, after which the organization ceased formal programming and the organizers moved on to other activities. The founders and participants involved in WSPA collectively imagined and created a feminist ...


Heard Or Dreamed About, Priya Nadkarni Aug 2014

Heard Or Dreamed About, Priya Nadkarni

Masters Theses

ABSTRACT

HEARD OR DREAMED ABOUT

MAY 2014

PRIYA NADKARNI, B.F.A. RUTGERS UNIVERSITY

M.F.A. UNIVERSITY OF MASSACHUSETTS AMHERST

Directed by: Professor Shona Macdonald


Before The Second Wave: College Women, Cultural Literacy, Sexuality And Identity, 1940--1965, Babette Faehmel May 2009

Before The Second Wave: College Women, Cultural Literacy, Sexuality And Identity, 1940--1965, Babette Faehmel

Open Access Dissertations

This dissertation follows career-oriented college women over the course of their education in liberal arts programs and seeks to explain why so many of them, in departure from original plans of combining work and marriage, married and became full-time mothers. Using diaries, personal correspondences, and student publications, in conjunction with works from the social sciences, philosophy, and literature, I argue that these women's experiences need to be understood in the context of cultural conflicts over the definition of class, status, and national identity. Mid twentieth-century college women, I propose, began their education at a moment when the convergence of ...


Tainted Gender: Sexual Impurity And Women In Kankyo No Tomo, Yuko Mizue Jan 2009

Tainted Gender: Sexual Impurity And Women In Kankyo No Tomo, Yuko Mizue

Masters Theses 1911 - February 2014

This thesis consists of research on women and Buddhism in light of a medieval Japanese Buddhist tales collection called Kankyo no Tomo. This collection reveals the predicament in which women in medieval Japan found themselves. As the focus of sexual desire (towards them and by them), they were also inherently polluted due to their connection with blood (kegare).


The Needles Eye: Women And Work In The Age Of Revolution, Marla R. Miller Jan 2006

The Needles Eye: Women And Work In The Age Of Revolution, Marla R. Miller

University of Massachusetts Press Books

Among the enduring stereotypes of early American history has been the colonial Goodwife, perpetually spinning, sewing, darning, and quilting, answering all of her family’s textile needs. But the Goodwife of popular historical imagination obscures as much as she reveals; the icon appears to explain early American women’s labor history while at the same time allowing it to go unexplained. Tensions of class and gender recede, and the largest artisanal trade open to early American women is obscured in the guise of domesticity.

In this book, Marla R. Miller illuminates the significance of women’s work in the clothing ...