Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, 2019 Lesley University
Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, Steven Reynolds
Expressive Therapies Capstone Theses
This thesis explores the mind-body experience through an arts-based research approach to examine, and redefine the emotional capacity and usefulness of males through societal determinants that limits and hinders men from living their authentic selves. Through the lens of a metaphoric “Man Box” 112 men participated in a workshop recreating their personal narratives of socialization through, style of dress, coping mechanisms, belief systems and who they should be as men through society's standards. In the “Man Box,” male bonding, and emotional feelings are discouraged, while the objectification of women, material property and physical/emotional strength are encouraged. This research ...
Comic Characters: Campbellian* Or Not?, 2019 Southeastern University - Lakeland
Comic Characters: Campbellian* Or Not?, Samantha Matos
There exists a peculiar pattern throughout numerous stories worldwide, which Joseph Campbell christened the ‘monomyth’ in his 1949 work, The Hero with a Thousand Faces. Campbell researched stories from across cultures and used their similarities to determine a pattern that great tales seemed to follow. In this hero’s journey, the protagonist enters a new kind of realm, conquers his enemies, and ventures home with power, knowledge, and probably treasure of some kind. This monomythic pattern consists of seventeen steps, though not all of these steps are necessary, and many of them serve as alternatives to each other.
I propose ...
Identi-Tea Podcast: An Original Play, 2019 University of Nevada, Las Vegas
Identi-Tea Podcast: An Original Play, Karsyn Wilson
Calvert Undergraduate Research Awards
Creative Works Winner for 2019:
Identi-Tea Podcast is an original play based on the word-for-word interviews of three LGBTQ+ students of color from UNLV who explore all the various facets of their identities formatted in the style of a podcast. In various moments during the play, audience members are prompted by the actors to critically engage with the ideas presented.
The Caregiver: A Play Script To Raise Awareness Of The Caregivers Of Alzheimer's Patients, 2019 Western Michigan University
The Caregiver: A Play Script To Raise Awareness Of The Caregivers Of Alzheimer's Patients, Sarah Stiner
Inspired by true events that are happening every day, The Caregiver shows glimpses into the life a woman who is caring for her husband, who has been diagnosed with Early-Onset Alzheimer’s. Follow the woman, her husband, and her daughter as they search for answers and experience the emotional rollercoaster of living with this disease. There is sadness, confusion, frustration, but also joy, hope, and love in a story which explores how much care we all truly need, wherever we are in life.
Metamorphoses, 2019 Taylor University
Taylor Theatre Playbills
The playbill for Taylor University’s performance of Metamorphoses by Mary Zimmerman.
Performed February 22-24 and March 1-3, 2018 at the Mitchell Theatre.
Called by Time the “theater event of the year,” Mary Zimmerman’s Metamorphoses brings Ovid’s tales to stunning visual life. Set in and around a large pool of water, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including “Best Play,” Metamorphoses earned Zimmerman a Tony for “Best Direction of a Play.”
Giau Minh Truong Interview, 2019 DePaul University
Giau Minh Truong Interview, Gin To
Asian American Art Oral History Project
Bio: Giau Minh Truong is a company member of A-Squared Theatre Workshop and an at- large artist for various performing arts companies in the Chicago area. For A-Squared, he directed Ching Chong Chinaman, The Other Shore, and short plays for My Asian Mom, acted in Trial By Water, and designed lights for The Wind Cries Mary. Giau’s other directorial credits include Downward Facing, Lights Out, Everybody, and Theatre of Women for Dream Theatre Company. He directed Sister Outlaw, Mr. and Mrs. LaQuesta Go Dancing, My Name is Flor Contemplacion, and I Dream Electric for CIRCA-Pintig, Chicago’s long-running Filipino ...
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, 2019 Linfield College
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner
In this article originally published in The Atlantic, Daniel Pollack-Pelzner wonders about the challenges of premiering the famed Broadway musical, Hamilton, during a time of political discord in the aftermath of 2017's Hurricane Maria, in Puerto Rico.
The Wow Factor: Lesbian Representation And Impact In Late-20th Century Theatre, 2019 University of Central Florida
The Wow Factor: Lesbian Representation And Impact In Late-20th Century Theatre, Brenna L. Maginness
Honors Undergraduate Theses
The intent of this thesis is to investigate the influence of 1980's and 1990's lesbian playwrights on modern queer representation in theatre. By analyzing the successful works of troupes and artists born out of the Women's One World (WOW) Café, it became apparent that the greatest changes in lesbian portrayal on stage came from queer and feminist authorship. Additionally, WOW Café became the common denominator in the success of many lesbian playwrights due to the freedom it gave its writers and performers. As an independent theatre, WOW allowed its members to experiment with few rules, and offered ...
The Future Of Theatre Is Trans An Exploration Of Transgender Identities In Diasporic Communities Through Performance Writing, 2019 University of Colorado Boulder
The Future Of Theatre Is Trans An Exploration Of Transgender Identities In Diasporic Communities Through Performance Writing, Ayla Lecochran, Ayla Xuan Chi Le Sullivan
Undergraduate Honors Theses
The purpose of this thesis is to explore how performance writing about transgender identities in theatre expands upon histories within the Vietnamese and Black American communities, with regards to cultural practises and assimilation into the United States. With a synthesis of autobiographical experiences and queer theory, I will self produce an original play exploring the nature of intersectional identities across race, gender, and citizenship.
Last Stop is an original full length play that will highlight a cast of only people of colour and especially, a cast of majority Asian Americans. As a transgender Vietnamese and Black American undergraduate, I seek ...
Defending Eulalie, 2018 University of New Orleans, New Orleans
Defending Eulalie, Mimi Ayers
University of New Orleans Theses and Dissertations
No abstract provided.
Did Hollywood Take Theatre "By Hook Or By Crook?", 2018 Missouri State University
Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright
MSU Graduate Theses
Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they ...
Dialogues On Voluntary Action And New Commons, 2018 West Virginia University
Dialogues On Voluntary Action And New Commons, Roger A. Lohmann
This volume contains a suite of seven one-act plays originating in political and civic themes, voluntary action and new commons, and associated with the 2012 President election.
The Hidden History Of 'Oklahoma!', 2018 Linfield College
The Hidden History Of 'Oklahoma!', Daniel Pollack-Pelzner
Daniel Pollack-Pelzner explains that contemporary reinterpretations of the classic American musical Oklahoma! may be getting back to its root: it's based on a play by a gay Cherokee man.
Nuevaz Voces: Northeastern's 10-Minute Playwriting Festival, 2018 Northeastern Illinois University
Nuevaz Voces: Northeastern's 10-Minute Playwriting Festival, Sarah J. Fabian, Jim Blair, Becca Peterson
Faculty Research and Creative Activities Symposium
No abstract provided.
Into The Woods, 2018 Taylor University
Into The Woods
Taylor Theatre Playbills
The playbill for Taylor University’s performance of Into the Woods. Music and lyrics by Stephen Sondheim, and book by James Lapine.
Performed November 9-11, 16-18, 2018 at the Mitchell Theatre.
Into the Woods is a combined narrative of the stories and plots of several Brothers Grimm and Charles Perrault fairy tales.
Theatre And The Overwhelming Question: Why Make Theatre In These Times?, 2018 University of New Mexico
Theatre And The Overwhelming Question: Why Make Theatre In These Times?, Mónica Valeria Sánchez
Theatre & Dance ETDs
The following essay communicates my journey as a longtime theatre artist as I have navigated my way through the discipline, and towards the craft of playwriting. My intention to study in the program was soon escalated by an existential turning point subsequent to the neoliberal agenda that gained momentum pre, post, and during the election of 2016. This thesis is in response to the question, "Why make theatre now?" I approach this query through the themes and the characters in my plays; through a socio-cultural-historic lens, and via an examination of the creative process as it relates to the metaphysics ...
The Amish Project, 2018 Taylor University
The Amish Project
Taylor Theatre Playbills
The playbill for Taylor University’s performance of The Amish Project by Jessica Dickey.
Performed September 13-16, 2018 at the Mitchell Theatre.
In October of 2006, a gunman walked into an Amish schoolhouse…in this stunning tour-de-force, a single actress plays a host of characters in an Amish community devastated by that terrible tragedy. Jessica Dickey’s fictional exploration of the Nickel Mines Schoolhouse Shooting is a tale of redemption that forges a path of forgiveness and compassion in the aftermath of inexplicable violence. Featuring alum Morgan Morton(Turner ’16) and designed by all theatre alumni, this production is a ...
Should Theatre Disappear Like Soap Bubbles?, 2018 National Theatre
Should Theatre Disappear Like Soap Bubbles?, Erin Lee
Proceedings from the Document Academy
I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy for his materials to disappear "like soap bubbles" (Reason, 2006). One of the fundamentally difficult things about archiving theatre, aside from its ephemeral nature, is the approach that creatives take to their work. Not only do we need to battle the format of live performance but we also need to convince many creatives, not all I must add, that their work can and should remain in the Archive for use in the future. There are glimmers of potential in the area ...
The Lab Report, Volume 12, Issue 02, 2018 Hollins University
The Lab Report, Volume 12, Issue 02, Todd Ristau
Vol. 12, No. 02 (July, 2018)
- Summer 2018 Comes to a Close
- Student Spotlight: Ally Thomas
- Guest Profile: Erin Quinn Purcell and Jay Reiss
- Overnight Sensations
- Emma in Complexland
- Sean Abley Plays Open in Two Different Festivals
- Decision Height at New River Stage
- Jonathan G Galvez play in Planet Connections Fetivity
- Cabaret Workshop with Ruth Margraff
- Susie Young in Spring Awakening at MMT
- Dramaturgy Research Luncheon
- Song of Bernadette Jones at Fresh Fruit Festival
- Kevin D. Ferguson Wins Grant
- Neeley Gossett Recognition
- Kate Lowry Teaching in Texas
- Showcases for Advanced Performance, Directing, and Advanced Scene Study
- Playwright’s Festival
- Guest ...
The Director's Role In The Development Of A New Play, 2018 Honors College, Pace University
The Director's Role In The Development Of A New Play, Andrew Mullins
Honors College Theses
Over the course of May 2017 - February 2018, I examined the role of a theatre director in the development of a new play. The play that I directed was written by Brandon Adam, and is titled Nice Jewish X. We developed the play using three different forms of performances as guideposts and opportunities for feedback. The three forms of performance were a closed cold reading, a rehearsed open reading, and a fully staged and produced production. Over the course of this process, I worked closely with the playwright and helped facilitate his creative process, as well as explored what I ...