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Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz 2019 University pf Málaga, Spain

Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz

CLCWeb: Comparative Literature and Culture

This article touches upon issues of captivity, suppression, misrepresentations and exclusion of black people from a historical and cultural point of view through the analysis of Chase-Riboud’s neo-Victorian novel Hottentot Venus (2003). It also focuses on the implications and consequences for contemporary South Africa of situations of slavery and exploitation of African descended peoples. Notions of identity and moral and legal inclusion of black women into past and contemporary societies and communities will be also discussed from the point of view of postcolonial and gender and sexuality studies. The complexities of blackness and the violation of human rights as ...


The Commodified Body And Post/In Human Subjectivities In Frears’ S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco 2019 University of Huelva, Spain

The Commodified Body And Post/In Human Subjectivities In Frears’ S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco

CLCWeb: Comparative Literature and Culture

Following new materialist analysis, this article takes the body as the central locus of analysis, and relates it to broader questions such as ethics, ideology, power and/or technologies. Specifically, it revolves around the idea of embodied subjectivity as articulated by scholars Rosi Braidotti, Sherryl Vint or Cary Wolfe, whereby body and subjectivity are indissolubly and interestingly connected. Stephen Frears’s Dirty Pretty Things (2002) and Mark Romanek’s Never Let Me Go (2010) exploit the idea of the commodified body, understood here as a vulnerable body, a disposable commodity at the service of powerful and/or wealthy people. Victims ...


Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo 2019 University of Salamanca (Spain)

Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo

CLCWeb: Comparative Literature and Culture

Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler ...


Introduction, Maria Isabel Romero Ruiz, Manuela Coppola 2019 University pf Málaga, Spain

Introduction, Maria Isabel Romero Ruiz, Manuela Coppola

CLCWeb: Comparative Literature and Culture

This special issue addresses contemporary representations of “vulnerable” bodies in transit in Anglophone literature and culture and explores their strategies of resistance. The use of the expression “bodies in transit” in this issue has to be understood both as a reference to the materiality of diasporic, exiled, migrating, trafficked bodies, and as an allusion to the metaphorical transition of these marginalized subjects from alienation to regeneration in multiple contexts. The interdisciplinary contributions in this special issue tackle vulnerability as a marginal(ized) and potentially enabling condition entailing the crossing of bodily, sexual, mental, ethical, cultural, and national borders. Ranging from ...


Unfolding Humanity: Cross-Disciplinary Sculpture Design, Gordon D. Hoople, Nate Parde, Quinn Pratt, Sydney Platt, Michael Sween, Ava Bellizzi, Viktoriya Alekseyeva, Alex Splide, Nicholas Cardoza, Christiana Salvosa, Eduardo Ortega, Elizabeth Sampson 2019 University of San Diego

Unfolding Humanity: Cross-Disciplinary Sculpture Design, Gordon D. Hoople, Nate Parde, Quinn Pratt, Sydney Platt, Michael Sween, Ava Bellizzi, Viktoriya Alekseyeva, Alex Splide, Nicholas Cardoza, Christiana Salvosa, Eduardo Ortega, Elizabeth Sampson

The STEAM Journal

Unfolding Humanity is a 12 foot tall, 30 foot wide, 2 ton interactive metal sculpture that calls attention to the tension between technology and humanity. This sculpture was conceived, designed, and built by a large group (80+) of faculty, students, and community volunteers at the University of San Diego (USD). The piece is a dodecahedron whose pentagonal walls unfold under human power, an engineered design that alludes to Albrecht Dürer's 500-year-old unsolved math problem on unfolding polyhedra. When closed, the mirrored interior of the sculpture makes visitors feel as though they are at the center of the universe. The ...


Dance – A Healthy Gateway To Steam Practice, Kenneth Walker 2019 Kenneth Walker Dance Project

Dance – A Healthy Gateway To Steam Practice, Kenneth Walker

The STEAM Journal

A rumination on dance and STEAM


Metamorphoses, 2019 Taylor University

Metamorphoses

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Metamorphoses by Mary Zimmerman.

Performed February 22-24 and March 1-3, 2018 at the Mitchell Theatre.

Called by Time the “theater event of the year,” Mary Zimmerman’s Metamorphoses brings Ovid’s tales to stunning visual life. Set in and around a large pool of water, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including “Best Play,” Metamorphoses earned Zimmerman a Tony for “Best Direction of a Play.”


You're A Good Man, Charlie Brown Poster, Providence College 2019 Providence College

You're A Good Man, Charlie Brown Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film
John Bowab Studio Theatre
You’re A Good Man, Charlie Brown
Based on The Comic Strip “Peanuts” by Charles M. Schulz
Book, Music & Lyrics by Clark Gesner
February 15-17, 2019


You're A Good Man, Charlie Brown Playbill, Providence College 2019 Providence College

You're A Good Man, Charlie Brown Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film
John Bowab Studio Theatre
An independent student production
You’re A Good Man, Charlie Brown
Based on The Comic Strip “Peanuts” by Charles M. Schulz
February 15-17, 2019
Book, Music & Lyrics by Clark Gesner


Additional Dialogue by Michael Mayer
Additional Music & Lyrics by Andrew Lippa
Originally Produced in New York by Arthur Whitelaw and Gene Persson
Directed by Teddy Kiritsy‘19
Musical Director: Ethan Miller
Lighting Design: Thomas Edwards ‘20
Choreographer: Catherine Garrett ‘19
Costume Design: Samantha Marchese ‘20
Sound Design: Timothy Brown ’20

The Cast Charlie Brown: Ryan Worrell ’22, Linus Van ...


My Bonnie Lass, February 14 – 25, 2019, Theatre Sheridan 2019 Sheridan College

My Bonnie Lass, February 14 – 25, 2019, Theatre Sheridan

Theatre Sheridan Productions

Set in postwar Scotland and based on a true story; this is a love-letter from Johnny Reid to his grandmother Maggie. It’s a celebration of the human spirit, the power of a mother’s love, and the way the women of her generation persevered.

Book, music and lyrics by Johnny Reid and Matt Murray. Additional music by Bob Foster.

Director: Mary Francis Moore

Choreographer: Brittany Banks

Musical Director: Robert Foster


Too Much Light Makes The Baby Go Blind/The Things That Bind Us, Theatre Department 2019 Ouachita Baptist University

Too Much Light Makes The Baby Go Blind/The Things That Bind Us, Theatre Department

Theatre Posters and Programs

Ouachita Baptist University’s Department of Theatre Arts will present two student-led productions for the department’s annual Muse Project, including “The Things That Bind Us” and “Too Much Light Makes the Baby Go Blind: 30 Plays in 60 Minutes.” Performances were held in Ouachita’s Verser Theatre Feb. 14-17, 2019.

The Muse Project allows students majoring in theatre, musical theatre or theatre education to think deeply and bring their inspiration to life in an original performance. Students submit theatrical experiences or shows they would like to produce, and while usually one proposal is accepted each year, this year’s ...


On The Town, February 12 – 24, 2019, Theatre Sheridan 2019 Sheridan College

On The Town, February 12 – 24, 2019, Theatre Sheridan

Theatre Sheridan Productions

Follow, Ozzie, Gabey and Chip as they dance their way through the streets of 1944 New York City, all in search of that one ‘dream girl’. This classic American musical soars with the music of Leonard Bernstein, spectacular dance numbers and tunes that will leave you humming all the way home!

Music by Leonard Bernstein. Book and lyrics by Betty Comden and Adolph Green. Based on an idea by Jerome Robbins.

Director & Choreographer: Julie Tomaino

Musical Director: Daniel Rutzen


Book Review: 'Shakespeare And Gender In Practice' By Terri Power, Kate Busselle 2019 University of Missouri

Book Review: 'Shakespeare And Gender In Practice' By Terri Power, Kate Busselle

PARtake: The Journal of Performance as Research

Shakespeare and Gender in Practice, the third volume in the Shakespeare {in} Practice series, is a theoretical and practical exploration of gender performance through Shakespeare’s works on stage. This volume implements intersectional feminist and queer theories, historical documentation, interviews, and workshop exercises to demonstrate the depth of Shakespearean gender performance. Power’s goal for this volume is to offer new ideas of gender performance using an intersectional feminist framework while simultaneously deconstructing preconceived notions of traditional Shakespearean performance. Power also sheds new light on possibilities of casting Shakespearean work and provides inspiration for feminist scholars, directors, students, and working ...


Triptych: Genesis, Kavana, Sabbath, Ben Spatz, N. Eda Erçin, Caroline Gatt, Agnieszka Mendel 2019 University of Huddersfield / Urban Research Theater

Triptych: Genesis, Kavana, Sabbath, Ben Spatz, N. Eda Erçin, Caroline Gatt, Agnieszka Mendel

PARtake: The Journal of Performance as Research

These three video essays come out of a multi-year research project that attempts to rethink and redesign the relationship between embodiment and audiovisuality in the context of academic research. As one anonymous reviewer noted, they gesture towards “a new kind of research artifact, making a space somewhere between standard documentation and contemporary creative product.” All three of the video essays comprise footage taken from experimental practice or “laboratory” sessions conducted at the University of Huddersfield in summer 2017. During this period the core research team (Ben Spatz, Nazlıhan Eda Erçin, and Agnieszka Mendel) undertook sustained practice research, working with and ...


An Infographic Approach To Presenting Dance Data From The Choreographer's Studio, Stephan Jürgens, Carla Fernandes, Vito Evola 2019 NOVA University of Lisbon

An Infographic Approach To Presenting Dance Data From The Choreographer's Studio, Stephan Jürgens, Carla Fernandes, Vito Evola

PARtake: The Journal of Performance as Research

In this paper the authors introduce their infographic approach for the presentation of dance data from two extensive case studies on the creative processes of two very dissimilar contemporary choreographers. This approach has been developed in the framework of the BlackBox - Arts & Cognition Project and was implemented in both 2D and 3D environments, resulting in the creation of four short animated infographic films, a documentary film, and a multiple viewport platform for two 360-degree dance videos. Drawing on selected examples from these film productions, the authors discuss in two distinct case studies, which aspects of contemporary dance and choreographic thinking ...


Post-Soviet Primas: Challenging Archive And Repertoire, Ania Nikulina 2019 University of California, Riverside

Post-Soviet Primas: Challenging Archive And Repertoire, Ania Nikulina

PARtake: The Journal of Performance as Research

In ballet’s dual conceptual tracts of archive and repertoire, choreography and dance technique became largely associated with the field of repertoire, due to their potential to resist the structures of the archive. In my work, I set out to examine contemporary Russian ballet narratives of leading prima ballerinas, who consistently associate choreography and dance technique with the archive rather than the repertoire. Defining themselves as “interpreters” of the “texts,” rather than dancers, and rendering re-staged classical ballets as “editions,” rather than independent choreographies, primas challenge ballet power structures and assign a higher value to dancers’ work. As ballet remains ...


Floating In Space: Disembodied Experiences Of Being Held Tightly By The Vast Emptiness In Turrell’S 'Perfectly Clear', Naomi P. Bennett 2019 Louisiana State University

Floating In Space: Disembodied Experiences Of Being Held Tightly By The Vast Emptiness In Turrell’S 'Perfectly Clear', Naomi P. Bennett

PARtake: The Journal of Performance as Research

I stand floating in space, my eyes seeing only a vast expanse in the nothingness in which my body is suspended. Even as I feel my feet firmly planted on solid ground, a rush of strobing lights encompasses my field of vision, creating a sense of being un-stuck, a loss of physical placement that feels perfectly clear, perfectly safe, as if being held tightly by nothing at all.

In January 2018, I stepped through the entrance into James Turrell’s Perfectly Clear, an immersive art installation at the Massachusetts Museum of Contemporary Art in North Adams, MA. Using personal narrative ...


The State Of Dancingness: Staying With Leaving, Jo Pollitt 2019 Edith Cowan University

The State Of Dancingness: Staying With Leaving, Jo Pollitt

PARtake: The Journal of Performance as Research

Borrowing from Cixous’ ‘State of Drawingness’ (1993), this article proposes a ‘State of Dancingness’ as method of inhabiting the practice of writing as dancing. Understanding the dancing body as a place of virtuosic attention, the practice of writing is activated as a ‘continuation’ of dancing; neither as creative response or description but as frame for housing (staging) emergent content. The work proposes that the dancer begin on the page from the vantage and experience of entering the stage as solo improvising performer. These words come with this body tucked and pressing inside them. Pressing. The State of Dancingness enables the ...


Sewing Pain: Using Costume To Bring The Clinical Body Forward, Filipa Malva 2019 INET-md at University of Lisbon

Sewing Pain: Using Costume To Bring The Clinical Body Forward, Filipa Malva

PARtake: The Journal of Performance as Research

This article looks at how memory of pain and physical change provoked by surgery can be translated into costume design (understood as an extension of the performer’s body in action). My main question is in what way the construction of a performer’s secondary skin—bringing her wounds outward and forward through the sculpting of fabric into form, texture and color—can mediate between performer and spectator and shape her extended body. By making the performer’s embodied knowledge visible through costume, costume is used to enlarge her capacity for expression.

Gesture and movement are central to a costume ...


Reframing Habitat, Larry Asakawa, Jhalak Kara Miller 2019 L. Asakawa Productions, Hawai‘i and California

Reframing Habitat, Larry Asakawa, Jhalak Kara Miller

PARtake: The Journal of Performance as Research

In 2016, filmmaker Larry Asakawa and dancer/media artist Jhalak Kara Miller collaborated in Hawai‘i to create a video dance installation and performance called Habitat. Asakawa and Miller, conceived and then subsequently joined with other artists to produce a performance score for the installation, based on solo dances and video recordings that each undertook, produced, and filmed. Habitat explored the interconnections among humans and marine mammals as they relate to the controversial sonar testing activities in Pacific waters. The Habitat performance modalities included visual media, sound, and movement as tools for an embodiment process that might offer human communities ...


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