Nowhere Man, 2010 Utah State University
Nowhere Man, Gene Washington
One act play. 2 characters. Migrant farm workers waiting for a farmer to show up. The play is dedicated to Mark Wyman, author of the book HOBOES. The first performance of the lay was by FirstStage LA.
The Country Wife, 2010 Winthrop University
The Country Wife, Andrew Vorder Bruegge
Andrew Vorder Bruegge, Ph.D.
A production adaptation of William Wycherley's "The Country Wife."
Safe Schools: The Threat From Within?, 2010 University of Manitoba Faculty of Law
Safe Schools: The Threat From Within?, Donn Short
Safe school policies in many urban schools in Ontario have featured security guards, electronic surveillance, student identification tags, discipline, and zero tolerance. In 2000, the Ontario Ministry of Education passed the Safe Schools Act, which set out a list of offences that could trigger expulsion, suspension, and other disciplinary responses. Interestingly, it did not define safety. In a parallel move, the Toronto District School Board (TDSB) adopted The Equity Foundation Statement in 1999 – a comprehensive commitment to equity and a rally against racism, homophobia, sexism, and oppression based on class. This article explores the disconnect between students’ and teachers’ conceptualization ...
Ua68/17/1 Theatre & Dance - Publications, 2010 Western Kentucky University
Ua68/17/1 Theatre & Dance - Publications, Wku Archives
WKU Archives Collection Inventories
Publications created by the department of Theatre & Dance including theatrical posters and programs, a newsletter, brochures, and more.
A Plantation Family Wardrobe, 1825 - 1835, 2010 Virginia Commonwealth University
A Plantation Family Wardrobe, 1825 - 1835, Jennifer Lappas
Theses and Dissertations
An examination of the Shirley Plantation Collection, Hill Carter, Mary B. Carter, their children, the plantation workers and their wardrobe between 1825 and 1835.
Stopping For Death: Plays, Poetry, And Prose, 2010 Western Michigan University
Stopping For Death: Plays, Poetry, And Prose, Sally Johnson
Thesis consists of plays and poetry composed by Sally Johnson.
Nuncrackers: The Nunsense Christmas Musical, 2010 Parkland College
Nuncrackers: The Nunsense Christmas Musical, Parkland College Theatre
Book, Music and Lyrics: Dan Goggin
Director: J.W. Morrissette
Musical Director: Tim Schirmer
Choreographer: Jean Ray Korder
Costume Designer: Sr. Mary Poly Ester
Scenic and Lighting Designer: Thomas V. Korder
Sound Designer: Robert Dagit
Technical Director: David G. Dillman
December 1, 3, 4, 9, 10, 11, at 7:30 p.m.
December 11, 12 at 3 p.m.
Produced by special arrangement with Tams-Whitmark Music Library, Inc.
Happy End, December 2 – 11, 2010, 2010 Sheridan College
Happy End, December 2 – 11, 2010, Theatre Sheridan
Theatre Sheridan Productions
Set against the backdrop of the greed of American capitalism, personified by tycoons like John D. Rockefeller, Henry Ford and J.P. Morgan, a gang of entrepreneurial Chicago gangsters, led by top tough guy Bill Cracker, hangs out in Bill’s Beer Hall, and plots to control the local territory. But when a Salvation Army band, led by Sister Lillian Holiday, tries to convert the gang, things don’t quite work out as planned. Surprise revelations, contentious moralistic conclusions, and one of the most celebrated scores by Kurt Weill and Bertholt Brecht, make this frothy satire one of the great ...
The Lab Report, Volume 04, Issue 07, 2010 Hollins University
The Lab Report, Volume 04, Issue 07, Todd Ristau
- Mitzi’s Abortion Published by Original Works Publishing
- Student Spotlight: Kevin Ferguson
- Guest Profile: Jason Aaron Goldberg
- Open Me Last, Three Short Plays by Maura Campbell
- Un-Holy Nite: 5 Short and Charmingly Irreverent Christmas Plays for High Schoolers by Samantha Macher
- From the Director: Think of the Arts When Thinking About Year End Giving
Application Of Leadership Principles In Theatrical Direction, 2010 St. Catherine University
Application Of Leadership Principles In Theatrical Direction, Rebecca L. Rizzio
Master of Arts in Organizational Leadership Theses
This research explores the relationship between leadership principles widely believed to be effective and the behaviors demonstrated in art of theatrical direction by directors believed to be effective. The Appreciative Inquiry (AI) approach was used to survey actors, designers, and stage managers. Directors from the Twin Cities theater community that the respondents deemed to be most effective were then interviewed. Parallels were drawn between the qualities cited in the surveys and the leadership behaviors theorists believe to be most effective. Findings will be shared with the theater community.
Recasting Genre In Tennessee Williams's Apprentice Plays, 2010 University of Southern Mississippi
Recasting Genre In Tennessee Williams's Apprentice Plays, Christina Ilona Hunter
This dissertation investigates Tennessee Williams’s earliest full-length plays, also known as the apprentice plays—Candles to the Sun, Fugitive Kind, Not About Nightingales, Spring Storm, and Stairs to the Roof—by comparing, contrasting and contextualizing them in relation to Daniel Chandler’s generic criteria of drama; namely, narrative, characterization, setting, topics, iconography, and staging techniques. The present study also draws upon an extensive body of scholarship pertaining to genre theory, Williams’s cultural contemporaries, and the historical and psychological backdrop of Depression-era America. In these early plays, Williams diverged sharply from the dramatic generic conventions of his day, manipulating ...
Silence: Exploring Salvatore Sciarrino’S Style Through L’Opera Per Flauto, 2010 University of Nevada, Las Vegas
Silence: Exploring Salvatore Sciarrino’S Style Through L’Opera Per Flauto, Megan R. Lanz
UNLV Theses, Dissertations, Professional Papers, and Capstones
The purpose of this paper is to examine the works in Salvatore Sciarrino’s (b. 1947) collection L’opera per flauto written for solo flute and to examine Sciarrino’s compositional style, focusing on his characteristic markings, creative sonorities, and other pertinent facts about pieces in the collection. The first chapter in this paper discusses the value of silence in music and how Sciarrino provides the illusion of perceived silence. Chapter Two discusses elements of Sciarrino’s compositional style and the presence of complex notation. The final chapter provides flutists with a technical guide to the seven pieces in his ...
'Moonlight And Magnolias', 2010 Director
'Moonlight And Magnolias', Gordon Reinhart
1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down production of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell’s novel. The screenplay, you see, just doesn’t work.While fending off the film’s stars and gossip columnists, Selznick sends a car for famed screenwriter Ben Hecht and pulls director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors and the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most ...
The Drowsy Chaperone, November 30 – December 11, 2010, 2010 Sheridan College
The Drowsy Chaperone, November 30 – December 11, 2010, Theatre Sheridan
Theatre Sheridan Productions
The mousy, agoraphobic, Broadway fanatic ‘Man in Chair’ seeks to cure his “non-specific sadness” by listening to a recording of a (fictional) 1928 musical comedy entitled The Drowsy Chaperone. As he enjoys this rare recording, he is transported into the musical, his dingy apartment transformed into a Broadway set. Frenetic tap dancing, hysterical situational comedy, mistaken identities, and the inevitable happy ending all make for an unforgettable evening in the theatre. Music & lyrics by Lisa Lambert & Greg Morrison. Book by Bob Martin & Don McKellar
Director: Geoffrey Tyler
Choreographer: Linda Garneau
Musical Director: David Myers
Opening Language And Gesture: A Selection Of Sarah Ruhl’S Stage Directions, 2010 Boise State University
Opening Language And Gesture: A Selection Of Sarah Ruhl’S Stage Directions, Leslie Durham
Leslie Atkins Durham
No abstract provided.
A Weekend Of One Act Plays, 2010 Parkland College
A Weekend Of One Act Plays, Parkland College
Brian K. Morris
Rudolph Charles Harvy
Chad A. Myler
Technical Director and Scenic Coordinator: David G. Dillman
Lighting Designers: Kris Kirkwood and Andrew Hart
Audio Designer: Joshua D. Stewart
November 4, 6 at 7:30pm
The Mansion, Funeral Parlor, The Philadelphia, Save Me, The Audition
November 5 at 7:30pm, November 7 at 3pm
No Evil, Due Upon Deceipt, Mercy Falls, The Age ...
Rent, 2010 Florida International University
Rent, Department Of Theatre, Florida International University
Department of Theatre Production Programs
November 4-10, 2010. Herbert and Nicole Wertheim Performing Arts Center, Main Stage. Music and Lyrics by Jonathan Larson. Directed by Andy Senor, Jr. and Emmanuel Schvartzman. Choreography by Miri Park. Scenic Design by Jessee Dreikosen. Lighting Design by Tony Galaska. Costume, Make-up and Hair Design by Angie Esposito. Sound Design by Celso Peruyera.
The Lab Report, Volume 04, Issue 06, 2010 Hollins University
The Lab Report, Volume 04, Issue 06, Todd Ristau
- Krum Fits In, by Darlene Fedele
- Student Spotlight: Scott Ramsburg
- Guest Profile: Jonathan Price
- Am I Black Enough Yet? by Clinton Johnston
- Jeff Goode launches Resident Playwright Program at Skypilot
- Kong: A Goddamn 30-Foot Gorilla by Adam Hahn
- From the Director: NaPlaWriMo (National Playwriting Month)
A Streetcar Named Desire - Theatre Arts Production November 2010, 2010 Theatre Arts Administrative Assistant
A Streetcar Named Desire - Theatre Arts Production November 2010, Carrie D. Applegate
Department of Theatre Arts Posters
Poster for Theatre Arts Department production of A Streetcar Named Desire by Tennesse Williams. Produced in the Danny Peterson Theatre in the Morrison Center for the Performing Arts November 2010.
Betrayal, 2010 University of Southern Maine
Betrayal, University Of Southern Maine Department Of Theatre
Programs 2010-2011 Season
Written by Harold Pinter
Directed by Thomas Power
This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).