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‘...Arranged In A Fanciful Manner And In An Ancient Style’: The First Scenic Realisations Of Scott’S Work And The Desire For A New “Realism” On Scottish Stages, Barbara Bell 2019 University of South Carolina

‘...Arranged In A Fanciful Manner And In An Ancient Style’: The First Scenic Realisations Of Scott’S Work And The Desire For A New “Realism” On Scottish Stages, Barbara Bell

Studies in Scottish Literature

An illustrated essay examining the stage design and scenery in early dramatizations of Scott's fiction, specifically the designs by Alexander Nasmyth for versions of Scott's stage adaptations of Scott's The Heart of Mid-Lothian, in London in 1819 and in Edinburgh in 1820, arguing that the rise of scenic realism strengthened the relationship between the theatre and the broader population.


Stage Management 101 And 102, Erin Teaster 2019 East Tennessee State University

Stage Management 101 And 102, Erin Teaster

Undergraduate Honors Theses

This is me comparing my first experience as a stage-manager to my second experience as a stage-manager. I learned more during my first time around then my second.


When The Specters Of The First World War Return To The Anglo-Irish Estate: Elizabeth Bowen’S A World Of Love And J. G. Farrell’S Troubles, Andréa Caloiaro 2019 University of Florida

When The Specters Of The First World War Return To The Anglo-Irish Estate: Elizabeth Bowen’S A World Of Love And J. G. Farrell’S Troubles, Andréa Caloiaro

e-Keltoi: Journal of Interdisciplinary Celtic Studies

In Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles, the First World War’s dead reappear as specters within the Anglo-Irish estate. Through the lens of traumatology, this essay examines the symbolic function of this spectral return in light of its psychological, political, and cultural-historical implications for the Anglo-Irish Ascendancy, and more broadly, for contemporary Ireland. This essay argues that although A World of Love and Troubles are empathetic representations of how the Ascendancy experienced the First World War as an historical locus of trauma, their narrative designs figure spectral return as a symbolic mode ...


Fair To Middlin’: How The Mediocre White Male Trope As The Exemplar Of Human Experience And Universal Truth Fails To Adequately Prepare The Diverse Field Of Contemporary Actors And Audiences In Film, Television And Theatre Today, Shanda Quintal 2019 University of New Orleans

Fair To Middlin’: How The Mediocre White Male Trope As The Exemplar Of Human Experience And Universal Truth Fails To Adequately Prepare The Diverse Field Of Contemporary Actors And Audiences In Film, Television And Theatre Today, Shanda Quintal

University of New Orleans Theses and Dissertations

Non-traditional casting has been a controversial practice in film, television and theatre that was implemented to offer people of color and women opportunities which had previously been available to white or male performers. The following is a case study documenting the process by which I have discovered that non-traditional casting as a practice contributes to the oppression of people of color as well as supports the status quo of the white patriarchy. This case study is analyzed from the historical, sociological, psychological and philosophical theories and ideologies relevant to the unsuccessful attempt of a female actor of African-American descent at ...


Mimicry: A Short Play, Diana M. Pho 2019 Independent Scholar

Mimicry: A Short Play, Diana M. Pho

Journal of Southeast Asian American Education and Advancement

This short play is inspired by the author’s lived experience as a queer Vietnamese-American woman in academia and in US society. This theatrical piece, centered around two young women meeting for the first time after several years, reflects upon the mutable divergence of shared memory, while also exploring intersectional feminist theory and the Vietnamese-American community. This is also a critique of US-based stereotypes about young Asian-American women, and how social prejudices and microaggressions can result in internalized anti-Asian misogyny. Like the range of identities and life experiences that characters Laurel and Mattie have, the Asian diasporic experience in the ...


Propuestas Para (Re)Construir Una Nación : El Teatro De Emilia Pardo Bazán, Margot Versteeg 2019 Purdue University

Propuestas Para (Re)Construir Una Nación : El Teatro De Emilia Pardo Bazán, Margot Versteeg

Purdue University Press Book Previews

Propuestas para (re)construir una nación explores how Emilia Pardo Bazán (1851–1921) imagines and engenders the Spanish nation in her theatrical production staged and/or published between 1898 and 1909. In the aftermath of Spain’s colonial losses, when Spain’s male authors, in a growing mood of collective introspection, directed their attention to the homeland, Pardo Bazán generated a series of theatrical proposals to revitalize the nation. In her plays, she manifests her ideas about Spain’s fin de siècle crisis, reflects on Spain’s place in the international arena (emphasizing the nation’s civilizing mission), critiques the ...


Heroic Failure: Brexit And The Politics Of Pain. Fintan O’Toole. London: Apollo, Uk, 2018. 217 Pages. Isbn: 978–1789540987., Peter C. Grosvenor 2019 Pacific Lutheran University, Washington

Heroic Failure: Brexit And The Politics Of Pain. Fintan O’Toole. London: Apollo, Uk, 2018. 217 Pages. Isbn: 978–1789540987., Peter C. Grosvenor

e-Keltoi: Journal of Interdisciplinary Celtic Studies

No abstract provided.


Wake With Me, Sarah Nansubuga 2019 Louisiana State University and Agricultural and Mechanical College

Wake With Me, Sarah Nansubuga

LSU Master's Theses

This thesis outlines my research, writing, and performance process, leading up to and reflecting on the final product of my MFA Solo Thesis project. The project is entitled Wake With Me, and its performance is a shamanistic portrayal of a folklore story from my native place of origin; Kampala, Uganda. It is an exploration of the metaphorical loss of cultural identity through the literal loss of a family member, and the journey through story telling as a method to reclaim or preserve what was lost. Throughout the piece, the performer plays the role of narrator, using voice, body and mind ...


Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-chew Sim 2019 Nanyang Technological University

Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim

CLCWeb: Comparative Literature and Culture

In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of ...


Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz 2019 Ruhr-University-Bochum, Germany

Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz

CLCWeb: Comparative Literature and Culture

In her article "Urban Landscape in McEwan's Narrative Representation of Berlin," Barbara J. Puschmann-Nalenz discusses the image of Berlin created in Ian McEwanﹸs novel The Innocent (1990) and the chapter titled "Berlin" in Black Dogs (1992). It starts from the hypothetical statement that while British literary fiction set in Berlin is rare after 1970 the genres of spy and detective novel, where crime and violence take center stage, shape the image of the city in highbrow narratives as well. The perspectivization of the cityscape, including its monuments, through the protagonists fundamentally influences its image. In The Innocent the limited ...


Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma 2019 Stellenbosch University

Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma

CLCWeb: Comparative Literature and Culture

Abstract: The reincarnation myth is a global concept, founded basically in religion and tradition. It was especially vibrant in the ancient times in places like Egypt, Greece, and in continents like Asia and Africa, which possess varying understandings of the myth. In Igbo tradition, for example, it is believed that reincarnation occurs within a family. And that some of the marks of reincarnation are usually the possession of the birthmark or certain other physical features and the exhibition of character and behavioral traits of a deceased person by a living member of his/her immediate or extended family. Thus, reincarnation ...


Music Direction For The Stage: Training For Success In Christian-Based Performing Arts, David Keith Schubert 2019 Liberty University

Music Direction For The Stage: Training For Success In Christian-Based Performing Arts, David Keith Schubert

Masters Theses

The stage production music director is a position requiring highly advanced musical, managerial, and administrative skills. Many churches, Christian schools, and community groups have an interest in mounting a show or launching a performing arts ministry; however, most worship pastors, choral/instrumental conductors, and music teachers have not been adequately prepared for this specialized assignment. Of the available training resources on production and theatrical work, few address the role of the music director. Additionally, most of the literature is written for the mainstream theatrical environment. Still missing is a treatment that blends standard industry practices with the pastoral leadership and ...


Upstream Downtown: Theatre Creation Through A Feminist And Multispecies Lens, Morgan Johnson, Alexandra Simpson 2019 York University

Upstream Downtown: Theatre Creation Through A Feminist And Multispecies Lens, Morgan Johnson, Alexandra Simpson

The Goose

In the historically masculine Western sciences, we are told we can fully know a being by dissecting, labelling, testing, observing, and documenting. This article explores how multispecies and feminist theatre creation and performance, specifically in the style of clown and bouffon, can work to resist such narratives and offer a more sentient understanding of interspecies relationships. Our investigations focus on our journey as two female creators of Upstream Downtown, a research-based, physical theatre play about salmon and humans finding home in the settler colonial city of Toronto.


Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado MAFD 2019 University of South Florida

Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd

Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía

Reseña de Historia de la ciencia ficción en la cultura española, editada por Teresa López-Pellisa. Madrid: Iberoamericana, Vervuert, La Casa de la Riqueza, Estudios de la Cultura de España 44, 2018. 523p; la cual aborda la historia de la literatura, el teatro, el cine, la televisión, la poesía y la narrativa gráfica en España


Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido 2019 Marie Curie-Sklodowska University

Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido

Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía

La ciencia ficción no es uno de los géneros más practicados en el teatro español del siglo XX. Ello no obsta para que exista algún que otro título merecedor de atención y estudio. El presente artículo se centra en Sodomáquina, del italiano afincado en España Carlo Frabetti (Bolonia, 1945). Publicada en 1970 en las revistas especializadas –en ciencia ficción y en teatro, respectivamente– Nueva Dimensión y Yorick, constituye uno de los más dignos intentos de aclimatar el género en las tablas, con todo su potencial imaginativo y discursivo. En nuestro análisis, valoramos su condición de distopía crítica, así como el ...


The Performance Of Racialized Bodies And Brecht’S Operatic Anthropology, Kevin S. Amidon 2019 Iowa State University

The Performance Of Racialized Bodies And Brecht’S Operatic Anthropology, Kevin S. Amidon

Kevin S. Amidon

Taxonomic tropes and themes, particularly gender and class, but also race, function together in Brecht’s plays to create overdetermined characterizations. Parallel to these characterizations, he developed a multilayered theory of performance that emphasizes how those who enact text should approach the representation of diverse human types and groups. His encounter with Chinese acting established foundational elements in this theory. In parallel to his theoretical thinking about performance and race in the mid-1930s, Brecht was developing his stance toward operatic representation. While these two conceptual spheres, race and opera, might appear far apart in their content, they parallel each other ...


Dwight Sora Interview, Jay Lee 2019 DePaul University

Dwight Sora Interview, Jay Lee

Asian American Art Oral History Project

Artist Bio: Dwight Sora is half-Japanese (father) and half-Korean (mother) actor who grew up in the Chicago suburb of River Forest. He has studied the Japanese martial art of aikido since 1993, when he was an exchange student attending Waseda University in Tokyo. He holds a rank of sandan (third degree black belt).


Ada Cheng Interview, Zishuo Wang 2019 DePaul University

Ada Cheng Interview, Zishuo Wang

Asian American Art Oral History Project

Bio: Ada Cheng is the host of the storytelling show Pour One Out, a monthly storytelling series at Volumes Bookcafe. She is also the producer and host of the show Am I Man Enough? a storytelling/podcasting show, where people tell personal stories to critically examine the culture of toxic masculinity and the construction of masculinity and manhood. In addition, she is the co-producer and co-host of Talk Stories, an Asian American/Asian diaspora storytelling show, along with Randy Kim, a show where they showcase Asian/Asian American storytellers and performing artists.


Born To Direct, 2019 DePaul University

Born To Direct

DePaul Magazine

DePaul Theatre School alumnus Scott Ellis, back in Chicago to direct the new Broadway-bound musical "Tootsie," reflects on his time at DePaul and the trajectory of his career as a Broadway theatre and television director.


A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne 2019 University of the Pacific

A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne

Backstage Pass

Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.


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