The Impact Of Informal Music Learning On Fifth Graders' Music Learning Processes And Perceptions Of General Music Class, 2019 Southern Methodist University
The Impact Of Informal Music Learning On Fifth Graders' Music Learning Processes And Perceptions Of General Music Class, Alejandro Juarez
Music Theses and Dissertations
The purpose of this study was to describe qualitatively the learning processes and perceptions of music class that emerged in a fifth-grade general music setting in which informal music learning processes were the fundamental components of the pedagogical approach. Initial research questions aimed to examine the ways students perceived their previous music classroom, how they used music outside of school, how informal music learning strategies impacted them, and how they believed popular musicians learned music. Students in this action research study were 50 fifth graders in two classes. Data were collected using many ethnographic techniques including interviews, questionnaires, and video ...
Listening For The Suling In The Balinese Gamelan, 2019 University of Tennessee, Knoxville
Listening For The Suling In The Balinese Gamelan, Natalie Ann Gregg
Chancellor’s Honors Program Projects
No abstract provided.
"What Is An Mc If He Can't Rap?", 2019 California State University, Monterey Bay
"What Is An Mc If He Can't Rap?", Dominique Jimmerson
Capstone Projects and Master's Theses
The goal of this paper is to tell about the history of hip-hop and the many lyricists who have come throughout the years and help the genre advance. The paper starts with the foundation of hip-hop and how the genre set itself apart from disco to become its own genre. It ranges from the late 70’s and ends in the mid 2000’s and describes how the landscape of rap is constantly changing and so are the lyricists who come out. Throughout the paper there will be examples of the lyrics and used and what made them revolutionary at ...
Shostakovich And The Memoirs, 2019 Cedarville University
Shostakovich And The Memoirs, Hanna Bahorik
The life, politics, and music of Dmitri Dmitriyevich Shostakovich have been subjects of extreme controversy. Despite the turmoil of his dealings with Stalin, many people thought of him as a loyal servant of Russia and a masterful composer. It was not until the publication in 1979 of a book called Testimony: The Memoirs of Dmitri Shostakovich surfaced that debates began to take form that would eventually charge into the realm of violent disputes from many sides. This book, written by Solomon Volkov, portrayed Shostakovich as a bitter dissident. One year later, an American researcher and specialist in Russian and Soviet ...
Musical And Social Trends In Twentieth-Century Colombia, 2019 Belmont University
Musical And Social Trends In Twentieth-Century Colombia, Miranda Rojas
Belmont Undergraduate Research Symposium (BURS)
There has been only limited research into the musics of Latin America as a whole, and the amount of musicological investigation decreases when referring to any specific country. This presentation will provide a glimpse into the rich and diverse musical output of Colombian composers in the twentieth century. It begins with a brief overview of Latin American society and Colombian musical influences and social structures. Important Colombian composers such as Guillermo Uribe Holguín are discussed, as well as general trends in classical composition at the time. The musical output in Colombia is astounding and at least rivals, if not surpasses ...
Traditional Vs. Tagaq: Exploring The First Nations Relations In Canada Through Punk Inuk Throat Singer, Tanya Tagaq, Bridget S. Haines
This research essay will be situated within the throat singing traditions of the Inuit First Nations people of Canada. As both Paula Conlon’s entry in the Grove Music Refernce and Elaine Keillor’s book describe, Inuit throat singing began as a tradition for women and children to play as a game for when the men are away hunting. This tradition has evolved into quite a complex art form as Claude Charron describes in “Toward Transcription and Analysis of Inuit Throat-Games: Microstructure”. In 2005, Inuk throat singer Tanya Tagaq released her first album which began her career of a solo ...
Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, 2019 SIT Graduate Institute
Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, Catherine Pierattini
Folk songs have been described as a musical representation of a society’s entire culture. The field of ethnomusicology combines aspects of music and anthropology, and the study of folk music can give considerable insight into worldviews, histories, and traditions. Yet there are few study abroad program providers using this discipline as an approach to cultural analysis and exploration.
The proposed Middlebury Music Studies in Albania program would introduce diverse folk music traditions in three distinct cities, giving students the chance to learn the basics of the Albanian language, understand the historical, geographical, and social influences on the music in ...
Stewart, Karen (Fa 1273), 2019 Western Kentucky University
Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1273. Student paper titled “Negro Gospel Music at Barnes Chapel Methodist Church” in which Karen Stewart describes a singular all-day “singing” held at the church in Beaver Dam, Kentucky, in February 1971. Stewart offers a brief description of her fieldwork methods including research and recording and provides an abbreviated background on each of her musical informants. Stewart also recounts the songs that were sung and notes recurrent themes throughout the music. The paper also includes the words to each hymn, a black and white photograph of the performers, and two reel-to-reel audiotapes.
Thompson, Elois (Fa 1258), 2019 Western Kentucky University
Thompson, Elois (Fa 1258), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1258. Student paper titled “Uncle Henry and the Kentucky Mountaineers” in which Elois Thompson details the life and career of “farmer, soldier, boxer, dairy-farm employee, comedian, aircraft factory employee, and hillbilly musician” Henry Green Warren. Thompson describes Warren’s childhood in Green County, his beginnings as a host on a popular radio program, and his time as a musician in several country music bands. Collection contains a draft of the original paper with the editor’s notes and the final copy of Thompson’s paper.
Triptych: Genesis, Kavana, Sabbath, 2019 University of Huddersfield / Urban Research Theater
Triptych: Genesis, Kavana, Sabbath, Ben Spatz, N. Eda Erçin, Caroline Gatt, Agnieszka Mendel
PARtake: The Journal of Performance as Research
These three video essays come out of a multi-year research project that attempts to rethink and redesign the relationship between embodiment and audiovisuality in the context of academic research. As one anonymous reviewer noted, they gesture towards “a new kind of research artifact, making a space somewhere between standard documentation and contemporary creative product.” All three of the video essays comprise footage taken from experimental practice or “laboratory” sessions conducted at the University of Huddersfield in summer 2017. During this period the core research team (Ben Spatz, Nazlıhan Eda Erçin, and Agnieszka Mendel) undertook sustained practice research, working with and ...
Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, 2019 The Graduate Center, City University of New York
Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, Javier Diaz
All Dissertations, Theses, and Capstone Projects
This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. However, this artistically sophisticated tradition demands a more in-depth study of its musical manufacture. Drawing from experience as a ritual batá player and as an oricha priest, I have completed the current study by following three primary analytical modalities: (1) sonic landscape, which encompasses: sound vocabulary, form, individual drum parts, and balance of musical elements; (2) timbral design, how the different batá sounds articulate meaningful and functionally distinguishable structures; (3) the ...
There Is No “I” In “Land”: Religion, Protest, And Resistance Through Music At Standing Rock And The Tmt Protest, 2019 University of Colorado, Boulder
There Is No “I” In “Land”: Religion, Protest, And Resistance Through Music At Standing Rock And The Tmt Protest, Gina Blum
Undergraduate Honors Theses
This thesis addresses the religious aspects of protest music through the analysis of several representative case studies. Drawing on Alan Parkhurst Merriam’s and Stephen A. Marini’s theories on the functions of music in both religious and secular contexts, this thesis argues that music from the Standing Rock and Thirty Meter Telescope protests demonstrates the power of music to not only evoke emotion but also provide a sense of religious community and solidarity in actively resisting the destruction of sacred Indigenous lands. To demonstrate this power, this thesis examines the following case studies: ‘Stand up’ by Taboo featuring other ...
Fan The Flames: Encouraging Local Expressions Of Christian Worship In A La Paz Church Community, 2019 Liberty University
Fan The Flames: Encouraging Local Expressions Of Christian Worship In A La Paz Church Community, Stephanie Cook
When the members of a church in La Paz participated in a songwriting and arranging workshop, along with corresponding research into perspectives on local music used in worship, the results were mixed. An analysis of the songs used in the church’s worship shows a predominance of imported, predominantly Western or Western-styled songs. Similarly, observations of worship events in the church do not incorporate any local rhythms or instruments, even though there are musicians in the church who are skilled in Bolivian styles of music. While there is an interest by musicians and leadership in the church for locally written ...
Grit & Ghetto: American Pop Music From The '90s To The '00s, 2018 Cleveland State University
Grit & Ghetto: American Pop Music From The '90s To The '00s, Ernest M. Oleksy
The Downtown Review
Since music became easily accessible through technological advances, the industries progression has been largely dictated by the preferences of middle-class, adolescent Caucasians. When bearing this in mind, the prevalence of pop music that was either made or inspired by African American influences, particularly from an urban setting, or that invokes the persona of the white, suburban "rejects", like Nirvana, becomes an interesting inquiry. This article charts how both members and pretenders of the seemingly unpopular subgroups of black "ghetto" city-folk and awkward, friendless scruffy white males has led to some of the most critically-acclaimed and popularly adored genres of music ...
Bastin, Glen (Fa 1241), 2018 Western Kentucky University
Bastin, Glen (Fa 1241), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1241. Collection of 38 cassette tapes featuring Glen Bastin's regional public affairs syndicated radio program, "Pondering Kentucky: The Magazine." A contents list was prepared and appears at the end of this finding aid.
The Role Of Music In Worship Among Deaf Culture Christianity, 2018 Liberty University
The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn
Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music ...
Finding Identity Through Irish Music In The Appalachian Mountains, 2018 Liberty University
Finding Identity Through Irish Music In The Appalachian Mountains, Marina Delores Rayl
The Appalachian Mountains are filled with remnants of Scot-Irish heritage. The music found in this region includes bluegrass, Old-time, and country music, all created from the blending of Scottish and Irish traditional music with other ethnic sounds. Despite these music variations, traditional Irish music has remained consistent in its original form in the mountain region. This concept is supported by the popularity of two key events occurring in both the northern and southern sections of the Appalachians. Through fieldwork and personal interviews, the rationales of those who participated were discovered. The research brought to light three people sub-groups revealing the ...
Schulman, Steven A. (Fa 1227), 2018 Western Kentucky University
Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1227. Student paper titled “The Preacher’s Just Like a Grasshopper: A Study of a Kentucky Song Maker” in which Steven Schulman details the life of Howess Dewey Winfrey, a song-maker from Cumberland County. Schulman collected folk songs and performances from Winfrey over the course of two months. His fieldwork revealed that Winfrey was a creator of satirical tunes, which were influenced by his childhood, his experiences with the Church of the Nazarene, his time spent as a logger, his relationships with family and friends, politics, and land ownership. The paper includes excerpts ...
"Sounding The Nile" In Nubian Musical Expression, Regan L. Homeyer
Shared Knowledge Conference
Nubians are indigenous peoples of the Nile River Valley whose ancient civilization parallels that of ancient Egypt. In 1964, 50,000 Egyptian Nubians were removed from their homeland along the Nile because of President Gamal Abdel Nasser’s initiative, the Aswan High Dam Project. With fertile lands and sacred temples doomed to inundation by the waters of what is now Lake Nassar, Nubians were resettled in government built villages that promised both preservation of culture and modern conveniences. What these riverine people received, in fact, were poorly constructed, unfinished dwellings located in the desert, more than five miles from the ...
Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), 2018 Louisiana State University and Agricultural and Mechanical College
Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), Juan Rodríguez-Cepero
LSU Master's Theses
The Cuban Revolution was one of the most important events in 20th century Latin American history. The unlikely success of revolutionary heroes such as Fidel Castro and Ernesto “Che” Guevara inspired not only similar movements throughout the region, but an entire generation of artists and musicians. One such artist was Cuban singer-songwriter Carlos Puebla. A long-time critic of Batista and his corrupt administration, Puebla set to music the ideals that the Revolution sought to build a new Cuba upon. In a country which
most of the population was illiterate until 1961, the music of artists such as Puebla served as ...