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Attività Didattica Su "Ciao Amore Ciao" Di Luigi Tenco, Corinna M. Kociuba 2019 CUNY City College

Attività Didattica Su "Ciao Amore Ciao" Di Luigi Tenco, Corinna M. Kociuba

Open Educational Resources

Attività didattica sul testo di Luigi Tenco "Ciao amore ciao".


Advanced Italian Grammar, Corinna M. Kociuba 2019 CUNY City College

Advanced Italian Grammar, Corinna M. Kociuba

Open Educational Resources

Syllabus on Advanced Italian Grammar


Interview Of Rosanna Mastrangelo, Rosanna Mastrangelo, Juliana Mastrangelo 2019 La Salle University

Interview Of Rosanna Mastrangelo, Rosanna Mastrangelo, Juliana Mastrangelo

All Oral Histories

The Interviewee:

Rosanna Mastrangelo was born in February 1964, in South Philadelphia. Her parents, along with the rest of her family, were Italian immigrants who had come to America after the end of World War II in hopes of rebuilding a better life for themselves. Raised in a tight-knit Italian neighborhood and surrounded by Old World traditions, Rosanna quickly realized the importance of remaining close to one’s roots, especially in forming her unique sense of identity. But as she went to school and became acquainted with people of other backgrounds and experiences, it became ever more clear that her ...


How Classifications Shape Asylum Seeker And Italian Interactions And Experiences In Siena, Italy, Erin Kitchens 2019 College of William and Mary

How Classifications Shape Asylum Seeker And Italian Interactions And Experiences In Siena, Italy, Erin Kitchens

Undergraduate Honors Theses

In recent years mass migration has taken place across the Mediterranean Sea, with individuals attempting to arrive in Europe from many countries in Africa and the Middle East. Italy is one of the primary countries that people arrive at, because of its vicinity to North Africa where many people cross the Sea. Italians have not had to deal with this kind of mass migration in the past and are thus struggling to define what assimilation will look like. Earlier works tend to focus on the crossing of transnational barriers, or migrants in the first stages of applying for documents. There ...


Hrothgar And Wealhtheow: An Onomastic Approach To A Story Of Good Governance, D. Marie Nelson 2019 University of Florida

Hrothgar And Wealhtheow: An Onomastic Approach To A Story Of Good Governance, D. Marie Nelson

Journal of Literary Onomastics

No abstract.


Place-Names And Politics In The Awntyrs Off Arthure, Andrew Breeze 2019 Universidad de Navarra, Pamplona

Place-Names And Politics In The Awntyrs Off Arthure, Andrew Breeze

Journal of Literary Onomastics

No abstract.


Permanent Functions Of Characters’ Proper Names In Harry Potter, Martyna Gibka 2019 Koszalin University of Technology

Permanent Functions Of Characters’ Proper Names In Harry Potter, Martyna Gibka

Journal of Literary Onomastics

No abstract.


Over Her Dead Body: The Subversion Of Feminine Beauty In La Scapigliatura, Serafina Paladino 2019 University of Colorado, Boulder

Over Her Dead Body: The Subversion Of Feminine Beauty In La Scapigliatura, Serafina Paladino

Undergraduate Honors Theses

Within the canon of Italian literature, there is but a small pool of research on the archetypical avant-garde movement of La Scapigliatura, especially in how this circle of unique circle of artists especially their authors and poets, depicted female characters within their works. In fact, there is a dominating view that the portrayal of women presented by the Scapigliati in their works is incredibly misogynistic in nature and was inspired by the “fear of women” that was commonly felt by male artists in the mid 1800’s. However, this undergraduate thesis attempts to uncover the true nature of the women ...


Dead Silent: Life Stories Of Girls And Women Killed By The Italian Mafias, 1878-2018, Robin Pickering-Iazzi 2019 University of Wisconsin-Milwaukee

Dead Silent: Life Stories Of Girls And Women Killed By The Italian Mafias, 1878-2018, Robin Pickering-Iazzi

French, Italian and Comparative Literature Faculty Books

The first history of its kind in English, this work reconstructs the life stories of over two-hundred girls and women who lived throughout the regions of Italy from 1878 to 2018, and were killed by members of the Italian mafia organizations, which include the camorra, Cosa Nostra, ’ndrangheta, and the United Sacred Crown. Each life history seeks first of all to identify the victim with her own name, and draw out the uniqueness and individuality of her life and history, as documented by scattered traces left in interviews, diaries, testimonies, newspaper archives, and Italian antimafia web sites. As revealed by ...


Music And The Act Of Song In Dante’S ‘Purgatorio’ And ‘Paradiso’, Kevin Brownlee 2018 University of Pennsylvania

Music And The Act Of Song In Dante’S ‘Purgatorio’ And ‘Paradiso’, Kevin Brownlee

Bibliotheca Dantesca: Journal of Dante Studies

The present paper explores the relation between the vernacular words used to designate the Act of Song, and the inscribed texts of the Sung Music itself, by considering a set of key cases first in Purgatory and then in Paradise. It focuses on important moments of structural and literary transition, at the same time as showing how sung sacred texts relate to each other (and to other kinds of passages) in important functional ways. I examine how song works in five key moments of the protagonist’s journey: the exit from the final terrace of the Purgatorial mountain, and the ...


From Casella To Cacciaguida: A Musical Progression Toward Innocence, Thomas E. Peterson 2018 University of Pennsylvania

From Casella To Cacciaguida: A Musical Progression Toward Innocence, Thomas E. Peterson

Bibliotheca Dantesca: Journal of Dante Studies

The essay draws an arc between the episodes of Casella and Cacciaguida under the sign of music. It explores the symmetry between the brief encounter with the minstrel who sings lines from Dante’s poetry, and the extended episode with Dante’s ancestor, who instructs him about his destiny. The symmetry is at once biographical, as the two scenes are among the most personal in the Commedia, theoretical, as they exemplify the relations between poetry and music expounded on in De vulgari eloquentia and Convivio, and theological, in a sense consistent with the writings of Augustine and Boethius. If Mars ...


Dante, Liszt, And The Alienated Agony Of Hell, Tekla Babyak 2018 University of Pennsylvania

Dante, Liszt, And The Alienated Agony Of Hell, Tekla Babyak

Bibliotheca Dantesca: Journal of Dante Studies

Dante Alighieri’s Inferno portrays Hell as an alienated realm in which the doomed spirits must spend eternity in isolation and regret. The Hungarian composer Franz Liszt (1811–1886) responded to this work with his Dante Symphony (1857) based on the Inferno and Purgatorio, in which he gave musical form to Dante’s textual expressions of agony. Throughout this two-movement work, Liszt offers a musical translation of the theological and emotional world portrayed in Dante’s Divina Commedia. This article examines Liszt’s evocations of silence, memory, regret, and redemption in the Dante Symphony. These evocations are enhanced by Liszt ...


Nineteenth- And Twentieth-Century Musical Adaptations Of Dante’S ‘Commedia’: ‘Dante’S Greatest Hits’, Maria Ann Roglieri 2018 University of Pennsylvania

Nineteenth- And Twentieth-Century Musical Adaptations Of Dante’S ‘Commedia’: ‘Dante’S Greatest Hits’, Maria Ann Roglieri

Bibliotheca Dantesca: Journal of Dante Studies

Composers through the centuries have tried to depict Dante’s Commedia in music, using Dante’s verses, characters, and design for Hell, Purgatory, and Heaven, and their compositions. This paper looks at some of the trends in musical adaptations of the Commedia and also some of the “greatest hits”—in the author’s opinion. Works by James Norton, Patric Standford, Jacob ter Veldhuis, David Denniston, Franz Liszt, Donald Martino, Tod Machover, Anita Saij, Allik and Mulder, and Theodore Wiprud are discussed.


“Dentro A La Danza De Le Quattro Belle” (Purg. 31.104): Dance In Dante’S ‘Commedia’, Madison U. Sowell 2018 University of Pennsylvania

“Dentro A La Danza De Le Quattro Belle” (Purg. 31.104): Dance In Dante’S ‘Commedia’, Madison U. Sowell

Bibliotheca Dantesca: Journal of Dante Studies

Missing from standard reference works on Dante’s Commedia are separate entries devoted exclusively to dance or dancing. Primary sources for the history of dance in the Italian Trecento derive from tablatures (musical notations), scattered iconographic images, and literary works, such as Boccaccio’s Decameron and Dante’s Commedia. Representations of dancing in these works invariably double as a symbolic language or meta-commentary on the surrounding narrative. The interpretation of dance’s role in late medieval art and literature depends not only on the context but also on the type of dance depicted. This article focuses on the allegorical roles ...


Conversations With Francesca: Tchaikovsky, Liszt, And Wagner (And Zandonai And Granados And Rachmaninov) Go To Hell, Jess Tyre 2018 University of Pennsylvania

Conversations With Francesca: Tchaikovsky, Liszt, And Wagner (And Zandonai And Granados And Rachmaninov) Go To Hell, Jess Tyre

Bibliotheca Dantesca: Journal of Dante Studies

Tchaikovsky completed his tone poem Francesca da Rimini in 1876, during the period he was attending the premiere of Wagner’s Ring Cycle at Bayreuth. Critics of the work drew comparisons with the Tetralogy and faulted what seemed to be Tchaikovsky’s derivative inspiration. Indeed, the composer him-self acknowledged Wagner’s influence. In this paper, I set aside influence to consider intertextual dialogues between Tchaikovsky’s work and others by Liszt, Zandonai, Rachmaninov, and not Wagner’s Ring, but Tristan und Isolde. Drawing upon theories by Klein and Peirce, I examine parallelisms of topic, melodic contour, tonal motion, and timbral ...


Singing For Dante In ‘Purgatorio’ 30–31, Helena Phillips-Robins 2018 University of Pennsylvania

Singing For Dante In ‘Purgatorio’ 30–31, Helena Phillips-Robins

Bibliotheca Dantesca: Journal of Dante Studies

This essay investigates types of sociality enacted through song, as depicted in Dante’s Earthly Paradise. The first section of the essay argues that the singing of Psalm 30 (In te, Domine, speravi) in Purgatorio 30 is a way of enacting a particular mode of compassion. In the second section of the essay I argue that Dante’s depiction of Psalm 30—together with his depiction of the antiphon sung in Purgatorio 31, the Asperges me—invites a devotional response from the reader. The sociality of prayer can involve not only the characters, but also the readers of the Commedia ...


“Temprando Col Dolce L’Acerbo”: Instrumental And Vocal Polyphony In The ‘Commedia’, Francesco Ciabattoni 2018 University of Pennsylvania

“Temprando Col Dolce L’Acerbo”: Instrumental And Vocal Polyphony In The ‘Commedia’, Francesco Ciabattoni

Bibliotheca Dantesca: Journal of Dante Studies

This essay tracks the historical-musicological context of the lemma “organi” / “organo” as it appears in Purg. 9.144 and Par. 17.44. Drawing from medieval treatises and monks’ descriptions such as Raban Maur, Notkerus Balbulus, Baldric of Dol, Aelred of Rievaulx, and Wulstan, the author uses intertextual evidence to show that Purg. 9.144 (“quando a cantar con organi si stea”) evokes a great pipe organ as was found in some medieval churches. The essay also argues that Par. 17.43–44 (“come viene ad orecchia / dolce armonia da organo”) should be understood as a polyphonic organum that serves the ...


Stasis And Carnal Song: Dante’S Medusa And The Siren, Fiorentina Russo 2018 University of Pennsylvania

Stasis And Carnal Song: Dante’S Medusa And The Siren, Fiorentina Russo

Bibliotheca Dantesca: Journal of Dante Studies

In his epic journey, Dante experiences entrapments, digressions, and ultimately new apertures, leading him forward on his journey to Paradise. The hag-siren of Purgatorio 19 is one of the primary figures, whose song sways the poet in a moment of reverie, embodying a de-mobilizing entrapment most unique and perilous within the poem. While the patristic and medieval traditions have traditionally portrayed the siren as a figure for the deleterious effects of music on the soul, Dante scholarship has glossed the dolce serena as a coordinate for the Medusa of Inferno 9. The siren's association with the Medusa implicitly harkens ...


Ironizing Ugolino, David Heinsen 2018 University of Pennsylvania

Ironizing Ugolino, David Heinsen

Bibliotheca Dantesca: Journal of Dante Studies

This article analyzes an adaptation of Canto 33 of the Inferno, a musical setting of Count Ugolino composed by Gaetano Donizetti (1828). The composition is first presented within the frame of its contemporaneous aesthetic, one that treats Ugolino as a pathos-inspired tale of human suffering. Donizetti’s composition, however, fails to align itself to this tragic reading due to structural contradictions that prevent the listener from sympathizing with the musical agent. To address this divergence, the article extends the most recent theories of musical narrative by Byron Almén and Michael Klein to propose an ironic reading of the work, essentially ...


Dante Decrypted: Musica Universalis In The Textual Architecture Of The ‘Commedia’, C.S. Adoyo 2018 University of Pennsylvania

Dante Decrypted: Musica Universalis In The Textual Architecture Of The ‘Commedia’, C.S. Adoyo

Bibliotheca Dantesca: Journal of Dante Studies

For seven centuries scholars have speculated about the structural design of Dante’s Commedia but remain perplexed by the poem’s comprehensive ar-chitecture. This study undertakes a strictly empirical quantitative analysis of Dante’s magnum opus to address this lacuna. The outcome of this analysis enumerates the correspondence between the foundational rationale of the Commedia’s textual architecture and both physical and metaphysical concepts of Ptolemaic cosmology and Pythagorean principles of harmony and propor-tion as described by Boethius. The poem manifests a musically and mathemat-ically meticulous design conceptualized as musica universalis and expressed as musica instrumentalis that echoes Paschal and ...


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