Storie ‘Vere’ Ed Eroine Dei Romanzi. Rappresentare La Somalia In 'Ilaria Alpi. La Ragazza Che Voleva Raccontare L’Inferno' E 'Non Dirmi Che Hai Paura'., Simone Brioni
Cultural Studies and Comparative Literature Faculty Publications
This article analyses Gigliola Alvisi’s Ilaria Alpi: La ragazza che voleva raccontare l’inferno [Ilaria Alpi: The Young Woman Who Wanted to Narrate the Hell] (2014) and Giuseppe Catozzella’s Non dirmi che hai paura [Don’t Tell Me You Are Afraid] (2014), two novels that deal with two recent events in Somali and Italian history, the killing of the journalist Ilaria Alpi in Mogadishu in 1994 and the death of Samia Yosuf Omar while she was trying to reach the Italian shores from Libya by boat. Alvisi’s text is analysed in comparison with other fictional and journalistic ...
Vita And The Waterboy, 2016 Bard College
Vita And The Waterboy, Viktor Toth
Senior Projects Spring 2016
Senior Project submitted to The Division of Languages and Literature of Bard College.
Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, 2016 Bard College
Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith
Senior Projects Spring 2016
Jean Genet, author ofThe Balcony, and Dante Alighieri, author of Inferno, have more in common than you might think. For one thing, they were both obsessed with death.
The Vestibule (a devised theater piece) was made to examine this obsession with (and fear of) death further.
Art is a tool we can use to confront our fear of death. All people fear death.
Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, 2016 Bucknell University
Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner
Faculty Journal Articles
In Garrone’s film, Reality, the protagonist Luciano Ciotola becomes obsessed with his participation in the reality TV show Big Brother to the point that his whole life turns into a spectacle. In Italian cinema studies no other scholar had yet analyzed this film, despite its success and the very engaging and up-to-date topic. In my article, at the diegetic level, I show that the spectator experiences an overlap and a (con)fusion between Luciano’s everyday reality and his life as a member of the reality TV show. However, keeping in mind Guy Debord’s seminal work The Society ...
Review: 'Unfinished Business: Screening The Italian Mafia In The New Millennium', 2016 University of Dayton
Review: 'Unfinished Business: Screening The Italian Mafia In The New Millennium', Renato Ventura
Global Languages and Cultures Faculty Publications
Book review on Unfinished Business: Screening the Italian Mafia in the New Millenium by Dana Renga. University of Toronto Press, 2013. ISBN: 9781442615588.
La Rappresentazione Delle Donne Nella Società Italiana In Tre Romanzi Di Elena Ferrante: L’Amica Geniale, Storia Del Nuovo Cognome, Storia Di Chi Fugge E Di Chi Resta., Sarah M. Stutman
Senior Theses and Projects
Questa tesi prende in analisi il ruolo della donna nella società italiana così come viene presentato negli ultimi romanzi di Elena Ferrante. Vorrei discutere le aspettative pubbliche e private e la realtà delle donne, in particolare vorrei esplorare come l’autrice presenta l’importanza dell’educazione, il ruolo delle donne nel mercato del lavoro, il corpo, la sessualità, la violenza, e il matrimonio nel periodo che va dall’infanzia all’età adulta seguendo l’evoluzione delle protagoniste femminili Lila e Elena.
I romanzi che analizzerò sono: L’Amica Geniale, Storia del nuovo cognome, e Storia di chi fugge e di ...
Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, 2015 Liberty University
Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, Douglas Stephens Iv
Senior Honors Theses
Umberto Eco’s 1988 novel Foucault’s Pendulum weaves together a wide range of philosophical and literary threads. Many of these threads find their other ends in Eco’s nonfiction works, which focus primarily on the question of interpretation and the source of meaning. The novel, which follows three distinctly overinterpretive characters as they descend into ruin, has been read by some as a retraction or parody of Eco’s own position. However, if Foucault’s Pendulum is indeed polemical, it must be taken as an argument against the mindset which Eco has termed the “hermetic”. Through an examination of ...
Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, 2015 East Carolina University
Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas
Studies in 20th & 21st Century Literature
The train, an invention and evocative symbol of the 19th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol ...
The Obstacles To And Solutions Of Female Characters' Speech: Beatrice In Dante's Vita Nuova And Purgatorio And Susan In J. M. Coetzee's Foe, Tamara Savage
CMC Senior Theses
This thesis analyzes the speaking and silencing of two female characters, Beatrice from Dante’s Vita Nuova and Purgatorio and Susan from J. M. Coetzee’s Foe. The texts are viewed through postcolonial and feminist lenses to show the problems with male characters speaking for female characters and the obstacles the female characters face when attempting to speak. Dante’s solution to this problem is to transform Beatrice from a silent and demure woman into a character who issues commands with a powerful voice. Coetzee’s solution is instead to refuse to provide a solution, since no one but Susan ...
La Gioconda, 2014 University of New Orleans
La Gioconda, Nikkole R. Jones
University of New Orleans Theses and Dissertations
Set in 16th century Florence, Italy, "La Gioconda" takes you on the journey of Lisa del Gioconda, the woman behind one of the most recognized paintings in the world, The Mona Lisa. Married off at a young age, Lisa finds comfort in her secret love affair with Art. Her secret world crosses paths with an Art apprentice, Leonardo da Vinci, who takes her on as his student. Lisa tells her husband that she is at church praying while spending her afternoons with Da Vinci, mastering her craft and technique. A love affair begins to blossom and Lisa is forced to ...
La Muerte, La Memoria Y La Filosofía Existencial En La Literatura Testimonial Pos-Dictatorial De Primo Levi, Jorge Semprún Y Jacobo Timerman, Andrew Mcnair
Senior Theses and Projects
What effect does the ubiquity of death in a traumatic experience have on an individual's memory and soul, and how is this manifested in one's written testimony? Through the analysis of their philosophical introspection, the testimonies of Primo Levi's The Drowned and the Saved, Jorge Semprún's Literature or Life, and Jacobo Timerman's Prisoner Without a Name, Cell Without a Number meditate on the atrocities they experienced during Levi and Semprún's incarceration under the Nazi regime in Europe between 1942 and 1945, and Timerman's imprisonment under the regime of Jorge Rafael Videla in Argentina ...
Embodied Cognition And The Grotesque In Calvino's La Giornata D'Uno Scrutatore And Sanguineti's Capriccio Italiano, 2014 University of Groningen
Embodied Cognition And The Grotesque In Calvino's La Giornata D'Uno Scrutatore And Sanguineti's Capriccio Italiano, Marco Caracciolo
CLCWeb: Comparative Literature and Culture
In his article "Embodied Cognition and the Grotesque in Calvino's La giornata d'uno scrutatore and Sanguineti's Capriccio italiano" Marco Caracciolo analyzes the multiple dimensions of embodied experience and how they can be brought to bear on literary texts. Drawing on scholarship in cognitive science, he argues that the embodiment of people's engagement with the world emerges from the interaction between the physical structure of the body and socio-cultural practices. Caracciolo shows how such nexus of biological make-up and culture can give rise to particularly complex meanings in the representation of grotesque bodies. In order to illustrate ...
Estudio Y Edición De Las "Poesías Varias" De José Navarro (1654), 2014 CUNY Graduate Center
Estudio Y Edición De Las "Poesías Varias" De José Navarro (1654), Almudena Vidorreta
Graduate Student Publications and Research
José Navarro Bermuz, an Aragonese intellectual who worked for the Italian family of the Ludovisi, was known for his active participation in the literary academies and poetic competitions of his time, and for his collection of Poesías varias. My research entails an in-depth study of the intellectual and political landscape of the second half of the 17th century in which Navarro lived and wrote. My aim was emphasize the significance of his literary production within the context of Spanish Early Modern literature, together with the critical edition of both his Poesías varias, and the Loa para la comedia de la ...
Saints' Bones Or Sinner's Words?: Rhetorical Destabilization, Chaucer's Pardoner, And Boccaccio's Frate Cipolla, Christopher Samuel Striker
Student Honors Theses By Year
The essay that follows this Preface has little to do with the question I set about answering in January of 2013 when I first sat down to write about relics, rhetoric, Chaucer’s “Pardoner’s Tale,” and Boccaccio’s Decameron character Frate Cipolla. As I delved into the “Pardoner’s Tale,” looking at how the Pardoner treated his relics and how he presented them to his audiences, I realized that the Pardoner’s words meant different things to different people and that this idea was a primary focus of the text. I also realized that the process of denoting particular ...
Beyond The Suffering Of Being: Desire In Giacomo Leopardi And Samuel Beckett, 2013 The University of Western Ontario
Beyond The Suffering Of Being: Desire In Giacomo Leopardi And Samuel Beckett, Roberta Cauchi-Santoro
Electronic Thesis and Dissertation Repository
In this dissertation, I question critical approaches that argue for Giacomo Leopardi’s and Samuel Beckett’s pessimism and nihilism. Beckett quotes Leopardi when discussing the removal of desire in his monograph Proust, a context that has spurred pessimist and nihilist readings, whether the focus has been on one writer, the other, or both. I argue that the inappropriateness of the pessimist and nihilist label is, on the contrary, specifically exposed through the role of desire in the two thinkers. After tracing the notion of desire as it developed from Leopardi to key twentieth-century thinkers, I illustrate how, in contrast ...
Pasolini's Laugh: Joyful Ignorance In The Decameron, 2013 Western University
Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera
Modern Languages and Literatures Annual Graduate Conference
In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.
Datación Del Príncipe: Inicio Y Culminación, 2012 Seton Hall University
Datación Del Príncipe: Inicio Y Culminación, William J. Connell
The "Light Of The Intellect": Botticelli's Drawings For Dante's Divine Comedy, 2012 The University of San Francisco
The "Light Of The Intellect": Botticelli's Drawings For Dante's Divine Comedy, Kelsey Fox
Creative Activity and Research Day - CARD
Dante’s Divine Comedy had a substantial history of illustration before Sandro Botticelli (1444/5-1510) was commissioned by Lorenzo di Pierfrancesco de’ Medici to produce 102 drawings to accompany the text. Botticelli is often described as a studious, humanist artist, incorporating his understanding of classical texts and observational knowledge into his works. This research paper will explore the innovative nature of Botticelli’s series of drawings, especially as it relates to his graphic style, varying modes of composition, and conceptual priorities. It will also analyze the conceptual differences between the Inferno and Paradiso.
Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, 2012 Binghamton University
Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro
Comparative Literature Faculty Scholarship
The short-lived revue válvula, published in Caracas in 1928, was symbolic of the cursory invasion of Futurism into Venezuela, and of the fate of the avant-garde in that country between the 1920s and 1930s. At a time, when the nation was struggling to shake itself from the patriarchal influence of the caudillo Juan Vincente Gómez (1857-1935), and was simultaneously on the eve of a shift from an agricultural to an oil-based economy, artistic avant-garde movements arrived in cultural centres such as Caracas and Maracaibo not with the boom and thunder appropriate to war-loving Futurism but, rather, trickled in slowly, gradually ...
The Mother, The Beloved, And The Third Woman—Symbolic Exchanges: A Literary Model In Nievo, Tarchetti, And Svevo, 2012 University of Colorado at Boulder
The Mother, The Beloved, And The Third Woman—Symbolic Exchanges: A Literary Model In Nievo, Tarchetti, And Svevo, Angela Polidori-Scordo-Noya
Comparative Literature Graduate Theses & Dissertations
The process of representation, which has been diagnosed at the root of our Western drive to know, according to modern thinkers, is inseparable from the imperial speaking subject. Such realization has led to a crisis in subjectivity that has forced us to question notions that in the past have anchored our sense of legitimacy. In literature, this crisis has been articulated as the dissolutions of the paternal fiction, understood as the guarantor of our heritage. In response to this crisis, however, we have turned away from the parental metaphor and searched for new spaces in which this loss can be ...