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Index To Margery Jordan Pease Interview, Melvin van Hurck 2019 Linfield College

Index To Margery Jordan Pease Interview, Melvin Van Hurck

Linfield College Public History Project: World War II as Experience and Memory

This index provides a time-stamped overview of the subjects discussed during an oral history interview with Margery (Jordan) Pease, Linfield College class of 1947.


Index To Virginia Haynes Yungen Interview, Melvin van Hurck 2019 Linfield College

Index To Virginia Haynes Yungen Interview, Melvin Van Hurck

Linfield College Public History Project: World War II as Experience and Memory

This index provides a time-stamped overview of the subjects discussed during an oral history interview with Virginia (Haynes) Yungen, Linfield College class of 1947.


Index To Dorothy Buckingham Adkins Interview, Melvin van Hurck 2019 Linfield College

Index To Dorothy Buckingham Adkins Interview, Melvin Van Hurck

Linfield College Public History Project: World War II as Experience and Memory

This index provides a time-stamped overview of the subjects discussed during an oral history interview with Dorothy (Buckingham) Adkins, Linfield College class of 1947.


Beach Bodies: Gender And The Beach In American Culture, 1880-1940, Margaret Elena DePond 2019 University of New Mexico - Main Campus

Beach Bodies: Gender And The Beach In American Culture, 1880-1940, Margaret Elena Depond

History ETDs

This dissertation argues that American beaches, within the world of leisure and pleasure, were significant contested spaces of social change and debate. Overtime, from about 1880 to 1940, social restrictions loosened at the beach, allowing men, women, and people of color to express themselves in ways that had been previously controlled, curtailed, or proscribed. The emergence of mass popular amusements at the beach attracted a wide array of the American population. Both working-class and middle-class Americans absorbed the culture of new beach attractions, such as amusement parks, piers, boardwalks, and bathhouses. In doing so, they interacted more with each other ...


Media Discourses That Normalize Colonial Relations: A Critical Discourse Analysis Of (Im)Migrants And Refugees, Meng Zhao, Jorge Rodriguez, Lilia D. Monzó 2019 Chapman University

Media Discourses That Normalize Colonial Relations: A Critical Discourse Analysis Of (Im)Migrants And Refugees, Meng Zhao, Jorge Rodriguez, Lilia D. Monzó

Education Faculty Articles and Research

The im(migration) and refugee crisis that are being exacerbated under the Trump administration, is a manifestation of empire-building and the long history of colonization of the Global South. A Marxist-humanist perspective recognizes these as consistent aspects of a clearly racist global capitalism that functions in the interest of multibillion dollar U.S.–based corporations and increasingly transnational corporations. Trade agreements, international economic policy, political intervention, invasion or the threat of these, often secure corporate interests in specific countries and regions. The authors use critical discourse analysis to examine the discourses around Mexican, Central American, and Syrian im(migrants) and ...


The Gay Commute: On The Development Of Queer Community And Identity In The Windsor-Detroit Borderlands, 1945-1980, Graeme Sylvio Sylvestre 2019 University of Windsor

The Gay Commute: On The Development Of Queer Community And Identity In The Windsor-Detroit Borderlands, 1945-1980, Graeme Sylvio Sylvestre

Major Papers

The development of queer community and identity has always necessitated the delineation of queer-friendly spaces as a locus for socialisation, sexual expression, and freedom from animosity and hostility towards queer sexuality. Within the urban area of post-war Windsor-Detroit, the threat of exposure and possible arrest affected the everyday lives of queer individuals, which necessitated a quest for private locales that were amenable to the expression of queer sexuality and gender identity. What is here referred to as “the gay commute” was a defining characteristic of the lived experiences of the white middle-class gay residents in the Windsor-Detroit borderlands through the ...


Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown 2019 Vanderbilt University

Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown

Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía

Contemporary cultural media illustrates the vampire as an important symbolic figure in the Brazilian imaginary. For example, in twentieth and twenty-first century Brazilian fiction, television, and political discourse, vampires have risen from their supposedly European origins as expressions of urban decay, comic excess, and government corruption in Brazil. Beyond these representations, I focus on three contemporary novels in which the vampire also plays a starring role. O vampiro que descobriu o Brasil (1999) by Ivan Jaf, Aventuras do vampiro de Palmares (2014) by Gerson Lodi-Ribeiro, and Dom Pedro I Vampiro (2015) by Nazarethe Fonseca stand out from other creative reimaginings ...


"I Need To Fight The Power, But I Need That New Ferrari": Conspicuous Consumption, New-School Hip-Hop And "The New Rock & Roll", Emmett H. Robinson Smith 2019 The University of Western Ontario

"I Need To Fight The Power, But I Need That New Ferrari": Conspicuous Consumption, New-School Hip-Hop And "The New Rock & Roll", Emmett H. Robinson Smith

Electronic Thesis and Dissertation Repository

2017 marked the year in which hip-hop officially became the most listened-to genre in the United States. This thesis explores hip-hop music’s rise to its now-hegemonic position within the music industry, seeking to provide insight into the increasingly popular sentiment that hip-hop is “the new rock & roll”. The “new-school” hip-hop artists of the last six years or so have also been the subject of widespread critical disdain, especially for their heightened degree of emphasis on conspicuous consumption. This study will track hip-hop’s ascent from the mid-1980s through to its current position as both a political vehicle and a ...


Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, Gina M. Granter 2019 Dawson College

Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, Gina M. Granter

The Goose

Teview of J. Keri Cronin's Art for Animals: Visual Culture and Animal Advocacy, 1870-1914


L'Évolution De La Présence Et La Reconnaissance Des Afro-Allemand(E)S En Allemagne, De La Colonisation Jusqu’À Nos Jours, Oumou-Hani Zakaria 2019 Union College - Schenectady, NY

L'Évolution De La Présence Et La Reconnaissance Des Afro-Allemand(E)S En Allemagne, De La Colonisation Jusqu’À Nos Jours, Oumou-Hani Zakaria

Honors Theses

The history of the presence of Afro-Germans in Germany is a complex path that goes back thousands of years ago. Nevertheless, the fight to be recognized as real Germans was only taken serious in 1980, with the arrival of Audre Lorde, an American writer, feminist, womanist, librarian, and civil rights activist, to Germany. Audre Lorde initiated the Afro-German movement with Afro-German women including May Ayim, Dagmar Schultz, Katharina Oguntoye, Ika Hügel-Marshall, and many others. Before her arrival, Afro-Germans were alienated from society and were only referred to as “war babies,” “occupation babies,” and many other racist names. So this movement ...


J. Michelle Molina. To Overcome Oneself: The Jesuit Ethic And Spirit Of Global Expansion, 1520-1767, Anh Q. Tran, SJ 2019 Jesuit School of Theology of Santa Clara University

J. Michelle Molina. To Overcome Oneself: The Jesuit Ethic And Spirit Of Global Expansion, 1520-1767, Anh Q. Tran, Sj

Journal of Hispanic / Latino Theology

No abstract provided.


Janeites And Their Benefactors: The Heritage Industry And The Commodification Of Nostalgia, Emma Swidler 2019 Lawrence University

Janeites And Their Benefactors: The Heritage Industry And The Commodification Of Nostalgia, Emma Swidler

Lawrence University Honors Projects

This project sets out to understand how Jane Austen's House Museum and Chawton House have told the stories of Jane Austen and British heritage over the course of the past 72 years. The two houses are nine minutes apart by foot, a walk taken regularly by Austen herself from her home at Chawton Cottage (now the Museum) to her brother’s home down the road (Chawton House). However, since the Museum’s establishment in 1947 and the House’s founding in 2003, the two houses have remained separate nonprofit cultural institutions with distinct purposes: the Museum preserves Austen’s ...


Co-Opted, Cults And The Classics: Highlighting The Magna Mater Cult In Rome, Janessa Reeves 2019 Seattle Pacific University

Co-Opted, Cults And The Classics: Highlighting The Magna Mater Cult In Rome, Janessa Reeves

Honors Projects

This paper argues for a more critical approach to classics, pushing for the de-sanctification of classical antiquity and deconstruction of ‘western civilization’ as a tool able to be co-opted by white supremacist agendas. In the latter part of the paper, I demonstrate what I hope this will look like through analysis of Roman reception of the Mother of the Gods cult, known in Rome as the cult of Cybele or Magna Mater, or the Phrygian cult, and how Roman reactions to the cult reveal xenophobic sentiments and toxic masculinity within the social fabric. Throughout this work, I engage with questions ...


Her People And Her History: How Camille Lucie Nickerson Inspired The Preservation Of Creole Folk Music And Culture, 1888-1982, Shelby N. Loyacano 2019 University of New Orleans

Her People And Her History: How Camille Lucie Nickerson Inspired The Preservation Of Creole Folk Music And Culture, 1888-1982, Shelby N. Loyacano

University of New Orleans Theses and Dissertations

Over the twentieth century, Camille Lucie Nickerson excelled in her multi-faceted career as an educator, musician, and interpreter for the advancement of musical education for generations of black students in New Orleans and at Howard University in Washington D.C. Nickerson devoted herself to furthering her musical education through private instruction with her father, Professor William J. Nickerson. She then graduated with a diploma from Southern University and with a B.A. and M.A. in music from Oberlin College. Nickerson’s leadership in musical associations on a local and national level enhanced her ability to reach audiences of all ...


Dr. Tichenor’S ‘Lost Cause’: The Rise Of New Orleans’S Confederate Culture During The Gilded Age, Granville R. Morris 2019 University of New Orleans

Dr. Tichenor’S ‘Lost Cause’: The Rise Of New Orleans’S Confederate Culture During The Gilded Age, Granville R. Morris

University of New Orleans Theses and Dissertations

Serving three times as president of the Cavalry Association, Camp Nine of the United Confederate Veterans (UCV), George Tichenor was instrumental in forging Lost Cause ideology into a potent social force in New Orleans. Though more widely remembered in New Orleans for his antiseptic invention, his support of Confederate monuments, Confederate activism, and his wife Margret’s role as vice-president of a chapter of the Daughters of the Confederacy (UDC) are lesser known aspects of Tichenor’s life in New Orleans. This paper examines the cultural changes taking place in New Orleans that allowed Tichenor to become a leader of ...


Commission Of Two Narratives Of The Psyche: Reading Poqéakh In Nella Larsen’S Quicksand And Ralph Ellison’S Invisible Man, Genuyah S. Reuven 2019 Clark Atlanta University

Commission Of Two Narratives Of The Psyche: Reading Poqéakh In Nella Larsen’S Quicksand And Ralph Ellison’S Invisible Man, Genuyah S. Reuven

Electronic Theses & Dissertations Collection for Atlanta University & Clark Atlanta University

This study focuses on the novels of Quicksand by Nella Larsen and Invisible Man by Ralph Ellison to explore the phenomenon of poqéakh (פֹּקֵחַ) through the fictionalized lived experiences of their protagonists, Helga Crane and invisible man. Each novelist’s representation of poqéakh offers a portrait of the protagonists’ psyches. The narratives reveal an unsettling truth for the protagonists, who are members of a population often targeted, stigmatized, and fashioned or re-fashioned by Americans and various environs in American society, that they must assimilate—not only their bodies, but their psyches too to fit the “white man’s ...


Moving Blind Spots: Cultural Bias In The Movement Repertoire Of Dance/Movement Therapists, Ebony Nichols 2019 Lesley University

Moving Blind Spots: Cultural Bias In The Movement Repertoire Of Dance/Movement Therapists, Ebony Nichols

Expressive Therapies Capstone Theses

This thesis explores the need for cultural diversity in the field of dance/movement therapy and the impact of unconscious bias as it relates to cultural rhythmic patterns, movement styles, and music choices in therapeutic practice. This literature review examines the historical context that has contributed to the field of dance/movement therapy while outlining cultural competency and ethical considerations in practice as it relates to cultural and/or race identity. Common themes are summarized notating the effects of oppression, bias, and trauma on populations of statistically marginalized communities with specific emphases on African American cultural identity. With consideration toward ...


"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones 2019 The University of San Francisco

"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones

Master's Projects and Capstones

Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators ...


Dialogical Practice, Meenakshi Jha 2019 Washington University in St. Louis

Dialogical Practice, Meenakshi Jha

Graduate School of Art Theses

Within an interdisciplinary and dialogical practice where process is as significant as final form/s, I delve in matters not to resolve but to explore them. Digging deep in my studio practice over my philosophical yearnings to talking loud and clear about my life in performances, I venture out in the geographical expanse to connect with self and others. In fact, the more I practice my craft, I feel a lesser and lesser gap between my ‘self’ and others. The walk outwards brings me closer to my internal realizations as a human being. In short, my practice is based on ...


Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett 2019 University of New Mexico - Main Campus

Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett

Theatre & Dance ETDs

This dissertation attempts to express the importance of storytelling within the Indigenous Theater framework. It does so by first analyzing the progression of the writer’s unique upbringing and analyzing the influences of story upon an indigenous identity. I will also attempt to describe the aesthetics of Native Theater along two lines of methodology which includes praxis described and developed by Hanay Geiogamah and Rolland Meinholtz. I will also explain how the script 1n2ian tries to follow those concepts of Native Theater to create a ceremonial performance that uses a blending of both methodologies.


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