The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, 2018 The University Of Montana
The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, John S. Harris
Graduate Student Theses, Dissertations, & Professional Papers
Surface vegetation at archaeological sites is a resource overlooked in cultural resource management. Drawing upon comparative documentary surveys of site forms and human surveys of 161 archaeologists in 12 U.S. states, this thesis explores why surface vegetation offers archaeological data potential; how archaeological documentation is an artifact of archaeologists, shaped by various subjectivities; and how improvements can be made for vegetal description in cultural inventory site forms. The surveys offer a critique on how the site form records are a product of disciplinary training oversights, differing work background experience, cultural bias, limitations in botanical knowledge, regional differences in U ...
Stasi Brainwashing In The Gdr 1957 - 1990, 2017 Jacob H. Solbrig
Stasi Brainwashing In The Gdr 1957 - 1990, Jacob H. Solbrig, Jacob Hagen Solbrig
University of New Orleans Theses and Dissertations
This thesis examines the methods used by the Ministerium für Staatssicherheit (MfS), more commonly known as the Stasi, or East German secret police, for extraction of information from citizens of the German Democratic Republic for the purpose of espionage and covert operations inside East Germany, as it pertains to the deliberate brainwashing of East German citizens. As one of the most efficient intelligence agencies to ever exist, the Stasi’s main purpose was to monitor the population, gather intelligence, and collect or turn informants. They used brainwashing techniques to control the people of the GDR, keeping the populace paralyzed with ...
Franz Roh And Visual Juxtaposition In Foto-Auge, 2017 City University of New York (CUNY)
Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas
School of Arts & Sciences Theses
This study of Foto-Auge (1929) is grounded on the approach of Franz Roh and aims to unlock the book’s meaning through an analysis of layout and visual sequence. This thesis also demonstrates how Foto-Auge proclaims photography’s ability not merely to record, but to disrupt any sense of reality in images.
Invisible Invisibility, 2017 CUNY Hunter College
Invisible Invisibility, Eugina Song
School of Arts & Sciences Theses
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Offside, 2017 University of Arkansas, Fayetteville
Offside, Maryamsadat Amirvaghefi
Theses and Dissertations
OFFSIDE highlights the parallels between artists and athletes, as well as the professional communities in which both operate. Through the use of sports related imagery, the artwork explores notions of ethnicity, gender, and politics. While much of the work is autobiographical, OFFSIDE is able to consider the political and personal views surrounding a young Muslim woman while lives with constant uncertainty in the United States and trying to start a career in one of the most competitive cultural fields.
Keeping Our Eyes Open: Visualizing Networks And Art History, 2017 Tulane University
Keeping Our Eyes Open: Visualizing Networks And Art History, Stephanie Porras
Network visualizations have the potential to translate messy archival work into clouds of connection, powerful maps of relations that can reveal hidden agents or nodes of production. But network visualizations must also be understood as artifacts of our own visual culture, laden with the biases and limits of both past and present knowledge systems. Rather than seeing networks as uniform webs of connection, social network analysis must productively interrogate how biopolitical, cultural and social power are manifested within these visualizations, reinforcing the biases and lacunae of the archive.
Between Nodes And Edges: Possibilities And Limits Of Network Analysis In Art History, 2017 University of Kentucky
Between Nodes And Edges: Possibilities And Limits Of Network Analysis In Art History, Miriam Kienle
This article examines a number of prominent network analysis projects in the field of art history and explores the unique promises and problems that this increasingly significant mode of analysis presents to the discipline. By bringing together projects that conceptualize art historical networks in different ways, it demonstrates how established theories and methods of art history—such as feminist and postcolonial theory—may be productively used in conjunction with quantitative/computational approaches to art historical analysis. It argues that quantitative analysis of art and its networks can expand the qualitative approaches that have traditionally defined the field, particularly if theorizing ...
Materializing Absence: Traces Of Long's Farm, 2017 University of Colorado Boulder
Materializing Absence: Traces Of Long's Farm, Michael O. Foster
Art and Art History Graduate Contributions
No abstract provided.
Why Munch?, 2017 University of Kentucky
Why Munch?, Robert Jensen
Art & Visual Studies Presentations
Why Munch? was a keynote lecture for the conference "Marketing the North," sponsored by the society Munch, Markets and Modernism, in November 2017. In asking the question, the paper explores Munch's canonical status, especially vis-a-vis other Scandinavian artists of his time. In particular, the essay addresses the evolving nature of artistic professionalism at the end of the 19th century, and how Munch's personal and artistic behavior evoked a new definition of bohemianism that resonated deeply with the rise of European modernism and the post-1900 avant-gardes.
Caitlin Keogh: Feminine Feminism, 2017 Kennesaw State University
Caitlin Keogh: Feminine Feminism, Madeline Beck
The Kennesaw Journal of Undergraduate Research
The painter Caitlin Keogh (b. 1982) is a rising star in the Contemporary Art scene in the United States. Currently living and working in Brooklyn, New York, Keogh is one of countless emerging painters in the trendy arts hub, but her work is already receiving international attention and critical acclaim. Her refined use of flat figuration and bold but pastel colors combined with her striking subject matter has situated Keogh distinctly in the massive contemporary art scene today. Keogh’s insertion of feminist discourse, personal identity, and appropriated imagery into her paintings begs a thorough analysis of her work. She ...
Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, 2017 The Graduate Center, City University of New York
Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, Tom S. Davies
All Dissertations, Theses, and Capstone Projects
This dissertation directly challenges the critical and commercial primacy of success attached to Hollywood films and their filmmakers, especially when one argues for or against their quality and/or importance within cinematic history. Through a process of shifting and multiplying perspectives within a broader narrative that is critical of what separates success and failure, certain films and filmmakers that were judged as failures or disappointments under impossible prerequisites of creating a successful film––commercially, aesthetically, or both–– are, instead, reconsidered as constructive counterpoints to the expectations of the Hollywood economic field of production as well as to the inevitable disappointment ...
Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017. ---. Superman: The Persistence Of An American Icon. New Jersey: Rutgers Up, 2017., 2017 The Ohio State University
Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017. ---. Superman: The Persistence Of An American Icon. New Jersey: Rutgers Up, 2017., Cathy L. Ryan
Studies in 20th & 21st Century Literature
Review of Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. Palgrave Studies in Comics and Graphic Novels, Ed. Roger Saban. New York: Palgrave Macmillan, 2017. Review of Ian Gordon. Superman: The Persistence of an American Icon. New Jersey: Rutgers UP, 2017.
Políticas De Lo Estético En La Ilustración De Ciencia Ficción. El Caso De “Think Blue, Count Two” De Cordwainer Smith, Silvia Gabriela Kurlat Ares
Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía
Desde el período del Dadá se han ido borrando los límites entre las formas artísticas y sus soportes, entre las estéticas de uso y las estéticas formales, entre los espacios altos y bajos de producción cultural, y también, entre la percepción de centros y periferias que parecen haberse astillado y reproducido a la interioridad de espacios hasta hacer de la hegemonía misma, al decir the Beasley Murray, un concepto no sólo inestable sino casi inexistente. En el caso de la ciencia ficción, esa porosidad hace a la constitución misma de una estética que opera desde la factura del naturalismo pero ...
Heavy Ink: A Documentary On The Comicbook Revolution, 2017 The Graduate Center, City University of New York
Heavy Ink: A Documentary On The Comicbook Revolution, Renzo Adler
All Dissertations, Theses, and Capstone Projects
Heavy Ink is a documentary short focusing on the comic anthology magazine, Heavy Metal, examining its history as both a standout comic magazine, and how it fits into the larger tradition of comic books. What started off in 1977 as a sci-fi offshoot of National Lampoon ushered in a new era of comics by bridging the gap between American and European comic sensibilities with a talent pool from all over the world.
Heavy Metal would go on to have reverberations beyond comics into music, movies, and the global entertainment landscape of today. Heavy Metal introduced the world to artists such ...
Never Forgets: Traumatic Trace Within Public Space, 2017 The Graduate Center, City University of New York
Never Forgets: Traumatic Trace Within Public Space, Jan Descartes
All Dissertations, Theses, and Capstone Projects
This paper will interrogate the ways in which ephemera from events affects the human and non- human environment and how the absence, manipulation or presence of traumatic trace weaves itself into the atmosphere of the past, present and future. It will look at space and the ways that trace manifests itself in hierarchal spaces and Lebbeus Woods’ concept of heterarchial spaces, which are organic and/or horizontally organized. A thread throughout is the question that if trace from trauma can exist in the visual field, i.e. the physical or digital landscape, in a way that maintains a discourse without ...
Remembrance As Presence: Promoting Learning From Difficult Knowledge At The Canadian Museum For Human Rights, 2017 The University of Western Ontario
Remembrance As Presence: Promoting Learning From Difficult Knowledge At The Canadian Museum For Human Rights, Kelsey Perreault
Electronic Thesis and Dissertation Repository
This thesis explores the relationship between memorial museums and the Canadian Museum for Human Rights (CMHR), Winnipeg. Although the CMHR self-defines as an idea museum, using theories of remembrance, commemorative museum pedagogy, memory, and difficult knowledge, the CMHR is also easily situated in the growing global network of memorial museums. Angela Failler's theory of consolatory hope and my own theory of past-future dissonance suggest that there are several reasons the CMHR has not fulfilled its intended mandate of advocating for human rights in the present. Through a compare and contrast approach, this paper argues that the CMHR should look ...
Review Of Peruvian Featherworks: Art Of The Precolumbian Era, 2017 Chapman University
Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono
Art Faculty Articles and Research
A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.
Object Language/On Defining Sculpture, 2017 University of Nevada, Las Vegas
Object Language/On Defining Sculpture, Thaddeus Barak Moore Celia-Zoellner
UNLV Theses, Dissertations, Professional Papers, and Capstones
In the current era we in the Western, developed world, have almost universal free and uninhibited access to almost every piece of information in existence. Increasingly, regardless of the source, material presented to us as fact has become increasingly suspect. Together, these two things mean this endless stream of data is useless. The question is how to combat this decline, how to reverse the process of a meaningless, constant data-dump. The answer lies in the language used to communicate information. Language is the means by which we communicate complex ideas and knowledge from person to person. Language is ...
The Narcissistic Gaze In Pipilotti Rist’S Video Work Mutaflor (1996), 2017 Ursinus College
The Narcissistic Gaze In Pipilotti Rist’S Video Work Mutaflor (1996), Yanlin Li
Art and Art History Summer Fellows
The project focuses on the research of the visual culture in the context of western societies from the 1970s to the 1990s and the art criticism on video art during that time. The final product of this project is an art criticism on the video artwork Mutaflor, made by Pipilotti Rist, an internationally renowned contemporary video and installation artist.
Photo Synthesis: The Expatriate Family Album As Historiography, 2017 Independent
Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms
Proceedings from the Document Academy
I want to look at the expatriate family album as a site of history-writing.
Through an examination of three photographs from my childhood in West Asia, I try to think about the idea of historical space and time through the visual narratives available to me of my own family.
This essay will be an exploration of the way in which nostalgia for a personal past gets imbricated within the shared experience of a bygone cultural moment.
I am interested in how an encounter with visual material from private archives initiates memory work and how these traces from the past can ...