The Art History Canon And The Art History Survey Course: Subverting The Western Narrative., 2019 University of Arizona
The Art History Canon And The Art History Survey Course: Subverting The Western Narrative., Kimberly Becker Mast
Journal of Social Theory in Art Education
Art History enrollments at the college level are declining as students flock to STEM majors and perceive Art History as dated and of little use in today’s modern, scientific world. Yet Art History classes can teach valuable skills. When taught in a broad context, the objects art history studies engage critical thinking and can generate new forms of knowledge. However, the pedagogical structure and content of introductory art history survey course does not always offer students the creative leeway to make these connections. Instructors at the college level often retreat to the methods and content that have been a ...
Panel 7. Paper 7.1: Rural Heritage On The World Heritage List: The Case Of Villages With Fortified Churches From Romania, 2019 Institute of Archaeology, Romanian Academy, Iasi branch
Panel 7. Paper 7.1: Rural Heritage On The World Heritage List: The Case Of Villages With Fortified Churches From Romania, Sergiu Musteata
Rural Heritage - Landscapes and Beyond / PATRIMOINE RURAL: Paysages et au-delà
Rural heritage represents the foundation of our past, which includes material and immaterial heritage. By studying rural heritage, we could better understand the past and integrate it into sustainable development of modern communities.
My presentation will be focussed on the example of villages with fortified churches from Transylvania, which are the most representative rural heritage of Romania, and includes series of villages, but just seven of them were inscribed in the World Heritage List – Prejmier-Tartlau, Biertan, Valea Viilor, Calnic, Saschiz-Keisd, Darju, and Viscri. I will discuss the role and impact of public participation in various preservation and development projects. Other ...
Exhibit Review: Empress Dowager Cixi: Selections From The Summer Palace, Hannah Norton
History in the Making
No abstract provided.
Continuity At Luxor Temple, 2019 CSUSB
Continuity At Luxor Temple, Matthew Unruh
History in the Making
No abstract provided.
Vice & Virtue As Woman?: The Iconography Of Gender Identity In The Late Anglo-Saxon Psychomachia Illustrations, 2019 University of Edinburgh
Vice & Virtue As Woman?: The Iconography Of Gender Identity In The Late Anglo-Saxon Psychomachia Illustrations, Stephenie Mcgucken
Medieval Feminist Forum: A Journal of Gender and Sexuality
In the Late Anglo-Saxon illustrated manuscripts of Prudentius's Psychomachia, vice and virtue are often shown ambiguously and the audience is encouraged to question what is male and what is female, and whether such categories are appropriate in understanding these illustrations. This paper utilises transgender theory to demonstrate how gender could be deployed in Late Anglo-Saxon manuscripts to question the roles of men and women with the ultimate aim of stressing the importance of righteous behaviours.
Economic Provenance: The Financial Analysis Of Art Historical Records, 2019 New York University
Economic Provenance: The Financial Analysis Of Art Historical Records, Amy C. Whitaker
Journal of Contemporary Archival Studies
The Leo Castelli Gallery launched pivotal mid-twentieth-century artistic careers, including those of Jasper Johns and Robert Rauschenberg. Although well-studied for its artistic impact, the Castelli archives—as well as those of other gallery artists such as Frank Stella and early collectors such as Burton and Emily Hall Tremaine—include a curious trove of artists’ financial records and related correspondence. This paper argues that these records form an “economic provenance” that is important both to both art market analysis and art history. This economic context is sometimes overlooked because of the contested relationship between art and markets. In this context, the ...
Hesban 12: Small Finds: Studies Of Bone, Iron, Glass, Figurines, And Stone Objects From Tell Hesban And Vicinity, Paul J. Ray Jr.
This volume presents an analysis of small finds excavated at Tell Hesban, conveniently compiling information from all periods of Hesban into one study. Invaluable insights can be gained about the ancient human mind and the cultural context of the time periods. The study looks at Hesban's ancient technologies, trade relations, social and political structures, military innovations, education, and diet.
Reports are provided by a spectrum of specialists and deal with Arabic, Greek, Latin and Ammonite inscriptions; ceramic figurines; scarabs; glass fragments; domestic stone objects and iron samples; textile tools; cosmetic objects and jewelry; and coins, all findings from the ...
Rome Vaut Bien Un Prix. An Artistic Elite In The Service Of The State: The Pensionnaires Of The Académie De France In Rome, 1666-1968, Annie Verger
The Dictionnaire biographique des pensionnaires de l’Académie de France à Rome serves as a register for the artists sent to Italy by the French state from the time of Louis XIV in 1666 up until the abolition of the Prix de Rome concours in 1968. After this year, the selection of pensionnaires nonetheless continued this tradition in another form, and the Académie de France in Rome thus celebrated its 350th anniversary in 2016. This notion of continuity lies at the heart of the present study, which has been carried out over a number of years.
The dictionary was ...
Rome Vaut Bien Un Prix. Une Élite Artistique Au Service De L’État : Les Pensionnaires De L’Académie De France À Rome De 1666 À 1968, Annie Verger
Le Dictionnaire biographique des pensionnaires de l’Académie de France à Rome a essentiellement pour objet le recensement du groupe des praticiens envoyés en Italie par l’État, depuis Louis XIV en 1666 jusqu’à la suppression du concours du Prix de Rome en 1968. Le recrutement des pensionnaires n’ayant pas cessé après cette date, en dépit des changements de régimes politiques, de théories esthétiques et de conditions de production, l’institution a fêté son 350ème anniversaire en 2016. Cette continuité est au principe même de l’étude engagée depuis plusieurs années. Cet article se propose de présenter les ...
The Dilemmas Of African Diaspora In The Global Art Discourse, 2019 University of Campinas, Sao Paulo, Brazil
The Dilemmas Of African Diaspora In The Global Art Discourse, Sabrina Moura
In this paper, I explore how the notion of African diaspora has been used as a framework for the reassessment of essentialized identity narratives in field of art history and curatorship, between the1980s and 2000s. For this, I examine the emergence of the concept in the field of cultural studies and how it served as a tool for unsettling the narratives of belonging associated to nation and ethnicity. Such contextualization provides the ground for the analysis of the dilemmas introduced by a diasporic perspective in relation to the field of African art and the local-global art discourse.
Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, 2019 University of Oxford/ École normale supérieure
Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards
In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the ...
Parler Des Suds : Le Défi De Caliban, 2019 Université de Genève, Switzerland
Parler Des Suds : Le Défi De Caliban, Béatrice Joyeux-Prunel, Roland Béhar
Depuis les années 1990, voire 2000, une nouvelle dimension s'est imposée dans la lecture des productions culturelles contemporaines. Elle rompt avec la logique Orient-Occident puis Est/Ouest, qui avait été jusque-là celle du « monde connu ». De nombreux auteurs, artistes, écrivains et théoriciens ont mis en évidence la notion de Sud pour montrer combien la puissance du monde Nord-Atlantique reposait, depuis les premières vagues de colonisation, sur une relation inégale entre Nord et Sud, au détriment du Sud. Cette notion, jusqu’à celle de « Sud Global », irrigue de nombreux débats sans que pour autant l’on discrimine plus précisément comment ...
Getting Located: Queer Semiotics In Dress, 2019 The Graduate Center, City University of New York
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
All Dissertations, Theses, and Capstone Projects
The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what ...
Digitally-Mediated Practices Of Geospatial Archaeological Data: Transformation, Integration, & Interpretation, 2019 University of Nebraska-Lincoln
Digitally-Mediated Practices Of Geospatial Archaeological Data: Transformation, Integration, & Interpretation, Heather Richards-Rissetto, Kristin Landau
Anthropology Faculty Publications
Digitally-mediated practices of archaeological data require reflexive thinking about where archaeology stands as a discipline in regard to the ‘digital,’ and where we want to go. To move toward this goal, we advocate a historical approach that emphasizes contextual source-side criticism and data intimacy—scrutinizing maps and 3D data as we do artifacts by analyzing position, form, material and context of analog and digital sources. Applying this approach, we reflect on what we have learned from processes of digitally-mediated data. We ask: What can we learn as we convert analog data to digital data? And, how does digital data transformation ...
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, 2019 The University of Western Ontario
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti
Electronic Thesis and Dissertation Repository
This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.
This research has taken the form of a written dissertation and two adapted projects, and positions ...
Affective And Sensuous Critique In The Undergraduate Art Classroom, 2019 The University of Western Ontario
Affective And Sensuous Critique In The Undergraduate Art Classroom, Claire Bartleman
Electronic Thesis and Dissertation Repository
Drawing on the ways that art history, art theory, and art criticism have used affect theory, I ask how an affective approach can align the undergraduate classroom art critique with the historical definition of aesthetics, or aesthesis, and create a space for sense and feeling. The first chapter reviews literature in the field and demonstrates the perceived benefits and drawbacks of current critique models. In the second chapter, I consider how affect has the potential to disrupt traditional approaches to critique in order to assist in rethinking stated goals, disrupt power dynamics in the classroom, and generate transformative knowledge. In ...
Spanning, 2019 The University of Western Ontario
Spanning, Mary Katherine Carder-Thompson
Electronic Thesis and Dissertation Repository
This dossier consists of three chapters. Chapter 1 is a comprehensive artist statement describing my system for spirit communication that leverages the latent power of wool processing tools. This system borrows strategies from varied sources including living history, paraconceptualism, and bricolage. Chapter 2 visually documents my studio practice over the two years of my MFA candidacy at Western University. Chapter 3 is a case study of Luanne Martineau’s 2009 drawing, Who are they you salute, and that one after another salute you. This case study addresses Martineau’s engagement with Modernism’s legacy and discusses how her work builds ...
When The Specters Of The First World War Return To The Anglo-Irish Estate: Elizabeth Bowen’S A World Of Love And J. G. Farrell’S Troubles, Andréa Caloiaro
e-Keltoi: Journal of Interdisciplinary Celtic Studies
In Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles, the First World War’s dead reappear as specters within the Anglo-Irish estate. Through the lens of traumatology, this essay examines the symbolic function of this spectral return in light of its psychological, political, and cultural-historical implications for the Anglo-Irish Ascendancy, and more broadly, for contemporary Ireland. This essay argues that although A World of Love and Troubles are empathetic representations of how the Ascendancy experienced the First World War as an historical locus of trauma, their narrative designs figure spectral return as a symbolic mode ...
Children Shouldn't Play With Dead Things, 2019 Washington University in St. Louis
Children Shouldn't Play With Dead Things, Sarah Adcock
Graduate School of Art Theses
I view my creative process as alchemy, the transformation of materials through experimentation. I use wax as a material that transcends its historical use as a sculptural process for casting and instead, use it for its transmutable qualities to inform content. Because of its plasticity and duality as fragile and resilient, wax is symbolically submissive and assertive. By applying heat, wax can be molded and formed into new shapes. Once it cools, wax reverts back to its natural state; solid and impermeable. I use objects to explore desires of origin and life. Transitional objects, the first “me not me” possession ...
Leonora Carrington : A Bestiary., 2019 University of Louisville
Leonora Carrington : A Bestiary., Stephanie Wise
Electronic Theses and Dissertations
Similar to the painted creatures that dwell within the illuminated manuscripts of ancient and medieval bestiaries, the beasts in Leonora Carrington’s early work are used metaphorically. She was deeply influenced in her formative years by mythology and animals; tales with heraldic characters, obscure adventures, and symbolic meanings were foundational to her works. World War II and a subsequent internment in a sanitorium initiated Carrington to wrestle with an existential crisis. Her capacity and appetite for sources of inspiration and knowledge was boundless; infinite symbolic references were readily available for her artistic executions. The metaphors adapted or created by Carrington ...