The Art History Canon And The Art History Survey Course: Subverting The Western Narrative., 2019 University of Arizona
The Art History Canon And The Art History Survey Course: Subverting The Western Narrative., Kimberly Becker Mast
Journal of Social Theory in Art Education
Art History enrollments at the college level are declining as students flock to STEM majors and perceive Art History as dated and of little use in today’s modern, scientific world. Yet Art History classes can teach valuable skills. When taught in a broad context, the objects art history studies engage critical thinking and can generate new forms of knowledge. However, the pedagogical structure and content of introductory art history survey course does not always offer students the creative leeway to make these connections. Instructors at the college level often retreat to the methods and content that have been a ...
Digitally-Mediated Practices Of Geospatial Archaeological Data: Transformation, Integration, & Interpretation, 2019 University of Nebraska-Lincoln
Digitally-Mediated Practices Of Geospatial Archaeological Data: Transformation, Integration, & Interpretation, Heather Richards-Rissetto, Kristin Landau
Anthropology Faculty Publications
Digitally-mediated practices of archaeological data require reflexive thinking about where archaeology stands as a discipline in regard to the ‘digital,’ and where we want to go. To move toward this goal, we advocate a historical approach that emphasizes contextual source-side criticism and data intimacy—scrutinizing maps and 3D data as we do artifacts by analyzing position, form, material and context of analog and digital sources. Applying this approach, we reflect on what we have learned from processes of digitally-mediated data. We ask: What can we learn as we convert analog data to digital data? And, how does digital data transformation ...
Leonora Carrington : A Bestiary., 2019 University of Louisville
Leonora Carrington : A Bestiary., Stephanie Wise
Electronic Theses and Dissertations
Similar to the painted creatures that dwell within the illuminated manuscripts of ancient and medieval bestiaries, the beasts in Leonora Carrington’s early work are used metaphorically. She was deeply influenced in her formative years by mythology and animals; tales with heraldic characters, obscure adventures, and symbolic meanings were foundational to her works. World War II and a subsequent internment in a sanitorium initiated Carrington to wrestle with an existential crisis. Her capacity and appetite for sources of inspiration and knowledge was boundless; infinite symbolic references were readily available for her artistic executions. The metaphors adapted or created by Carrington ...
Slashing Signs: Mary Richardson's Attack On "The Rokeby Venus" As Semioclasm, 2019 James Madison University
Slashing Signs: Mary Richardson's Attack On "The Rokeby Venus" As Semioclasm, Robyn Epstein
MAD-RUSH Undergraduate Research Conference
When art is the victim of violence the object itself isn’t the only thing under attack. I see acts of violence against art as a two-step process: an attack on the physical art object and an attack on the icon, symbol, or sign it represents. This paper examines the 1914 slashing of the Diego Velàzquez painting The Rokeby Venus (1647-51) by British suffragette Mary Richardson. Using this attack as a case study, I argue that the event is semioclastic, as opposed to iconoclastic or vandalistic, meaning that it is an attack on the painting as a sign and is ...
Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, 2019 Dawson College
Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, Gina M. Granter
Teview of J. Keri Cronin's Art for Animals: Visual Culture and Animal Advocacy, 1870-1914
"The Chinese Animation Industry: From The Mao Era To The Digital Age", 2019 The University of San Francisco
"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones
Master's Projects and Capstones
Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators ...
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), 2019 Consejo Nacional de Investigaciones Científicas y Técnicas
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist character for women artists. In spite of their importance, these regular shows have not received any attention from art history literature. Their vast development, the extensive coverage by the press, and their links to feminist institutions have gone completely unnoticed. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, the purpose of this article is to reconstruct the organization of these events, to examine their reception by art critics, and to analyze the careers of some of the participating women artists ...
The Exhibition Of Former Students Of The Elise Von Jung-Stilling Drawing School In Riga In 1904, 2019 Rundāle Palace Museum
The Exhibition Of Former Students Of The Elise Von Jung-Stilling Drawing School In Riga In 1904, Baiba Vanaga
In the 19th century, the art scene in the Baltic provinces and their largest city, Riga, was fairly undeveloped: it was impossible to acquire good arts education, the art market practically did not existed and only a comparatively small number of artists educated outside of the Baltics were working there. The local art scene became significantly more active after 1870, when the Riga Art Society was established. In 1898, Society opened its Art Salon, which held several solo exhibitions of women artists and at least two group shows where all of the participants were women: the exhibition of works by ...
L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi
Il contributo intende ricostruire la vicenda delle Esposizioni Internazionali Femminili di Belle Arti (1910-11; 1913), prima manifestazione artistica di taglio internazionale riservata esclusivamente alle donne organizzata in Italia. Promosse a Torino dalla rivista La Donna, le due rassegne si svolsero in un momento storicamente determinante per l'affermazione di un nuovo status delle artiste, contribuendo a dare visibilità e legittimità al fenomeno della produzione artistica femminile. La ricerca ripercorre, sulla scorta soprattutto di documenti d'epoca e fonti d'archivio, la storia e gli esiti di questa innovativa esperienza, evidenziando la complessità delle reti istituzionali, sociali, di patronage e matronage ...
Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson
School of Arts & Sciences Theses
At the 1939/40 New York World’s Fair, the Peruvian government installed a multimedia display of objects and products in a foreign pavilion. An examination of the building and its contents provides a basis to understand how art and commerce work together to construct narratives of authenticity, nationalism and modernity.
Fragmented Ornament: An Analysis Of Print Reproductions Of Medieval Ornament And Decoration During The Gothic Revival, Allison M. Ransom
School of Arts & Sciences Theses
This thesis considers how printed reproductions of medieval ornament, produced in England during the Nineteenth Century, had the potential to misrepresent medieval art to the public, since they only focused on one element of ornamental significance from an object, thereby presenting an incomplete picture.
Enmesh: The Art Of Trauma And Recovery, 2019 James Madison University
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Senior Honors Projects, 2010-current
Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they ...
Treasure Hunters, Adventurers, Sport Divers, And Archaeologists: Influences On Early Underwater Archaeology, 2019 University of Connecticut
Treasure Hunters, Adventurers, Sport Divers, And Archaeologists: Influences On Early Underwater Archaeology, Henry Kennell
Honors Scholar Theses
This thesis shall explore the role treasure hunters and academic archaeologists played in developing the field of underwater archaeology in the 1950s and 1960s and the relationships they had with each other. The phrase “treasure hunters” refers to amateur divers and salvagers who took an interest in uncovering underwater archaeological artifacts while having no official academic qualifications for archaeology. On the contrary, the phrase “academic archaeologists” refers to those who received professional degrees in archaeology through the traditional academic methods as well as those working for various research institutions. While treasure hunting has and continues to be a hindrance on ...
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, 2019 Chapman University
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes
Student Scholar Symposium Abstracts and Posters
During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of ...
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, 2019 University of Plymouth
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner
Journal of Tolkien Research
Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings: Five Case Studies
J.R.R. Tolkien once remarked in a letter to his publisher that his friends had been so impressed by Pauline Baynes’ illustrations for Farmer Giles of Ham that they labelled his text a “commentary on the drawings”. This apparently light-hearted anecdote conceals an interesting truth: the relationship between text and image can be problematic and the reading of an illustration depends largely on the culturally acquired discursive precedents which an individual viewer brings to the act of looking. This situation may ...
Comparing Ancient Greek And Italian Renaissance Sculpture, 2019 Kent Main
Comparing Ancient Greek And Italian Renaissance Sculpture, Vanessa C. Allen
Undergraduate Research Symposium
In participating in a trip to Athens for research, this project explores my interest in fine art by comparing sculpture esthetics and techniques of ancient Greece to those of ancient Rome and Renaissance Italy. In narrowing this topic down, I am taking a close look at two specific sculptures in art history: Michelangelo’s David and Pythokritos’s Winged Victory of Samothrace. There are many similarities between these two art pieces because Italian artists took much of their inspiration from the Greeks; however, there are also many characteristics of the sculptures that set them apart. Artists of the Renaissance are ...
Escaping The Patriarchy: The Depictions Of Women And Goddesses In Ancient Greek Art, 2019 Kent State University
Escaping The Patriarchy: The Depictions Of Women And Goddesses In Ancient Greek Art, Gracie Durham
Undergraduate Research Symposium
My research will be comparing and contrasting the depiction of women and Greek goddesses in Ancient Greek art. Much of the art will show the power and freedom the goddesses had that the common woman did not, but also show Greek mythology mirrored and perpetuated the life of a common woman during the Greek patriarchy.
The Greek patriarchy oppressed and secluded women throughout the thousands of years of what is considered “Ancient Greece.” Women were only to marry, bear children, and provide around the house. They were not to attend school or social events or participate in political or military ...
Interview Of William E. Watson Iv, Ph.D, 2019 Immaculata University
Interview Of William E. Watson Iv, Ph.D, William E. Watson Iv Ph.D., Richard K. Girkin
All Oral Histories
Dr. William E. Watson was born in 1962 in New York City. The son of musicians, he moved to Lower Merion Township in Pennsylvania with his mother and twin brother in the mid-1970s. Graduating from Lower Merion High School, Dr. Watson attended Eastern College for his Undergraduate degree in History. He continued his education at the University of Pennsylvania for his Masters and completed his Doctorate in Medieval Studies., with minor concentrations in Russian History and Islamic History. Dr. Watson taught at both Drexel University and La Salle University as an adjunct professor before going full-time at Immaculata University in ...
Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, 2019 Chapman University
Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono
Art Faculty Articles and Research
A review of Daniela Bleichmar's Visual Voyages: Images of Latin American Nature from Columbus to Darwin.
A Pivotal Point: James Mcneill Whistler’S Harmony In Blue And Silver: Trouville And The Formation Of His Aesthetic, Eugenie B. Fortier
School of Arts & Sciences Theses
This thesis presents a study of the seascapes of James McNeill Whistler’s formative career. It highlights Harmony in Blue and Silver: Trouville (1865) as a crucial painting that demonstrates his revolt from the influence of Gustave Courbet and marks the synthesis of his artistic style.