Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, 2019 The University of Western Ontario
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti
Electronic Thesis and Dissertation Repository
This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.
This research has taken the form of a written dissertation and two adapted projects, and positions ...
Visual Teaching Of Geometry And The Origins Of 20th Century Abstract Art, 2019 DePaul University
Visual Teaching Of Geometry And The Origins Of 20th Century Abstract Art, Stephen Luecking
Journal of Humanistic Mathematics
As a group, the artists educated near the turn of the 19th and 20th centuries possessed greater mathematical knowledge than expected of artists today, especially regarding constructive skills in Euclidean geometry. Educational theory of the time stressed such skills for students in general, who needed these to enter the workplace of the time. Mathematics teaching then stressed the use of manipulatives, i.e., visual and interactive aids thought to better fix the student’s acquisition of mathematical skills. This visual training, especially in geometry, significantly affected the early development of abstraction in art. This paper presents examples of ...
Paradise For The Pioneer: Georgia O’Keeffe’S Trip To Hawai'i, 2019 Providence College
Paradise For The Pioneer: Georgia O’Keeffe’S Trip To Hawai'i, Rita Murphy
No abstract provided.
Fore And Aft: Abstraction In Tolkien’S “Ishness” Designs, 2019 Franciscan University of Steubenville
Fore And Aft: Abstraction In Tolkien’S “Ishness” Designs, John R. Holmes
Journal of Tolkien Research
Though Tolkien's artwork tended toward the figural, there was a period during his undergraduate years in which he created abstracts under the name of "Ishnesses." This essay examines the nature of abstraction, how it relates to medieval concepts of art, and how it relates to Tolkien's "visionary" painting of subjects not in the primary world but in the Middle-earth of his vast imagination.
Fore and Aft: Abstraction, Vanishing Point and Symmetry in Tolkien’s “Ishness” Designs
James Joyce Run: Why Are We On The Move Again If It's A Fair Question?, 2019 Technological University Dublin
James Joyce Run: Why Are We On The Move Again If It's A Fair Question?, Barry Sheehan
I write a blog www.jj21k.com which looks at the works of James Joyce, the environment which he wrote about and changes that have taken place since he wrote about them. The blog posts are predominantly about Dublin.
During a time of injury, instead of running I was able to cycle. This blogpost describes the journey James Joyce made through houses in Dublin that he lived in whilst growing up. This is paralleled with a cycle I made and narrative I wrote.
You can see more background information and other posts on www.jj21k.com.
Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook
School of Information Student Research Journal
No abstract provided.
Enhancing The Study Of Art History Utilizing Computational Thinking: Focus, Abstraction In Art (Modern), 2019 CUNY New York City College of Technology
Enhancing The Study Of Art History Utilizing Computational Thinking: Focus, Abstraction In Art (Modern), Douglas L. Moody, Sandra Cheng
Open Educational Resources
No abstract provided.
"Silent Salesmen," Skeptical Consumers: American Images In A Divided Berlin, 1949-67, 2019 Southern Methodist University
"Silent Salesmen," Skeptical Consumers: American Images In A Divided Berlin, 1949-67, Lauren Richman
Art History Theses and Dissertations
This dissertation analyzes the visual language of American cultural images disseminated in Cold War Berlin and investigates how such institutional, lens-based media played a role in the country’s grappling with its postwar identity. Divided Berlin, with porous borders from 1949 to 1961, embodied a “final frontier,” “Western showcase;” a synecdoche of larger American geopolitical interests during a time when information and images defined the Cold War. Existing art historical studies of Cold War-era visual propaganda emphasize the prototypical East/West, communist/capitalist dichotomies, but often do not focus on the impact of the United States as Germany’s most ...
Concrete Poetry, 2019 Washington University in St. Louis
Concrete Poetry, Sara Ghazi Asadollahi
Graduate School of Art Theses
This text addresses my work as an artist and defines it in the context of the following subjects: The concept of ruins, which highlights the relationship between architecture and landscape; the formal and metaphorical dialectic between absence and presence in abandoned places; and the idea of dystopia, which emerges from that in-between space where the real dissolves into the imaginary. At the same time, my work is inspired by the visual culture of cinema and literature, principally within the science-fiction genre, and draws upon my observation of abandoned buildings in Tehran, my native city. These urban ruins are products of ...
Women Artists Shows·Salons·Societies: Towards A Global History Of All-Women Exhibitions, 2019 Purdue University
Women Artists Shows·Salons·Societies: Towards A Global History Of All-Women Exhibitions, Catherine Dossin, Hanna Alkema
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Artl@s and AWARE. Combining AWARE’s ambitions to restore the presence of 20th-century women artists in the history of art, and Artl@s’s desire to provide scholars with the data and tools necessary to question the canonical art historical narratives through quantitative and cartographic analyses, we decided to work on group exhibitions of women artists.
Our first ambition is to build a community of scholars and work together to develop a common terminology and even possibly a common and consistent methodology to study ...
Femmes Artistes Italiennes Du Xxe Siècle : Il Complesso Di Michelangelo, Rome 1977, 2019 Università Roma Tre, Roma
Femmes Artistes Italiennes Du Xxe Siècle : Il Complesso Di Michelangelo, Rome 1977, Laura Iamurri
Une exposition historique de femmes artistes s’ouvrit à Rome en février 1977 : installée dans une galerie privée, la première rétrospective consacrée aux artistes italiennes du XXe siècle avait été organisée à l’occasion de la parution du livre Il complesso di Michelangelo [Le complexe de Michel-Ange], écrit par l’artiste Simona Weller. Cet ouvrage, premier essai de recensement de la présence féminine dans l’art contemporain en Italie, citait 270 artistes tout au long du siècle, la plupart d’entre elles oubliées ou inconnues ; seules les artistes professionnelles étaient prises en considération.
Se Rendre Visible Dans L’Espagne De Franco: Le Salón Femenino De Arte Actual (1962-1971), 2019 Universitat de Girona
Se Rendre Visible Dans L’Espagne De Franco: Le Salón Femenino De Arte Actual (1962-1971), Maria Lluïsa Faxedas, Isabel Fontbona, Patricia Mayayo
The paper examines the history and the critical reception of the Salón femenino del arte actual, an annual all-female exhibition organized by a group of women artists in Barcelona between 1962 and 1971. Unique at the time, the Salón challenged the traditional role attributed to women under Franco's dictatorship, managing at the same time to obtain support from local authorities. The paper argues that it was the ability of the organisers to take advantage of political ambivalence, to find a delicate balance between complicity and resistance, which allowed the exhibition to survive for a decade.
Women's Art Club And Women’S Group Exhibitions In Zagreb From 1928 Until 1940, 2019 Fine Arts Archives of the Croatian Academy of Sciences and Arts, Zagreb
Women's Art Club And Women’S Group Exhibitions In Zagreb From 1928 Until 1940, Darija Alujević, Dunja Nekić
In 1927 painters Nasta Rojc and Lina Crnčić Virant, inspired by their British colleagues founded the Women's Art Club in Zagreb. From 1928 until 1940 the Club organized group exhibitions of its members. The main idea of the Club was to improve arts and crafts, to organize female exhibitions and to collaborate with other international women associations. The Club took part in the organisation of the exhibition of Bulgarian women artists and the exhibition of the Little Entente of Women held in 1938 in Zagreb. Women`s Art Club was an important factor of the female artists' emancipation – organizing ...
The Exhibitions Of The Femmes Artistes Modernes (Fam), Paris, 1931-38, 2019 email@example.com
The Exhibitions Of The Femmes Artistes Modernes (Fam), Paris, 1931-38, Paula J. Birnbaum
The Société des Femmes Artistes Modernes (FAM) opened up a productive space for women artists who were active in Paris during the 1930s through annual multigenerational exhibitions and international collaborations. I argue that FAM embodied a paradox: on the one hand, it supported artists wishing to question stereotypes of gender, race, class, and nation; on the other, its institutional structure and leadership did not challenge patriarchal assumptions about women’s subordinate role in society. The paper explores this tension by comparing the work and critical reception of several artists in the group who represented the theme of motherhood.
L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi
Il contributo intende ricostruire la vicenda delle Esposizioni Internazionali Femminili di Belle Arti (1910-11; 1913), prima manifestazione artistica di taglio internazionale riservata esclusivamente alle donne organizzata in Italia. Promosse a Torino dalla rivista La Donna, le due rassegne si svolsero in un momento storicamente determinante per l'affermazione di un nuovo status delle artiste, contribuendo a dare visibilità e legittimità al fenomeno della produzione artistica femminile. La ricerca ripercorre, sulla scorta soprattutto di documenti d'epoca e fonti d'archivio, la storia e gli esiti di questa innovativa esperienza, evidenziando la complessità delle reti istituzionali, sociali, di patronage e matronage ...
In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, 2019 CUNY Hunter College
In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi
School of Arts & Sciences Theses
The following study investigates how Nancy Holt’s Sun Tunnels makes effective use of time and land to reprogram the modern viewer’s eye. By utilizing sculpture that is reminiscent of pre-historic observatories as an observational framing device against the landscape topography, the artwork succeeds in presenting a historic reconstruction of vision.
Landscape Of Portraiture: The Process Of Assimilation And Reconciliation In Search Of Identity Of The Eighteenth Century England, Aram Park
School of Arts & Sciences Theses
This thesis examines the use of landscape paintings embedded within English conversation pieces of the eighteenth century with an emphasis on the art works of Arthur Devis and Johan Zoffany, exploring the way they influenced the development of an English school of painting during this century.
Enmesh: The Art Of Trauma And Recovery, 2019 James Madison University
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Senior Honors Projects, 2010-current
Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they ...
Ornament And The Vienna Secession: A Study Of The 1902 Beethoven Exhibition, 2019 CUNY Hunter College
Ornament And The Vienna Secession: A Study Of The 1902 Beethoven Exhibition, Chika Jenkins
School of Arts & Sciences Theses
My thesis examines the vital roles of ornament in Vienna Secession’s Beethoven Exhibition (1902), the embodiment of Gesamtkunstwerk and artistic freedom. Gustav Klimt and Joseph Maria Olbrich evoked various senses, alluded to Apollonian and Dionysian aspects of artistic creation, and celebrated its evolution and freedom, inspired by Alois Riegl.
The Narrative Of Revolution: Socialism And The Masses 1911-1917, 2019 CUNY Hunter College
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
School of Arts & Sciences Theses
This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures ...