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French and Francophone Language and Literature Commons

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2,819 full-text articles. Page 74 of 78.

Momar Désiré Kane (2009). Io L’Africaine. L’Afrique Et Ses Représentations:De La Périphérie Du Monde Au Cœur De L’Imaginaire Occidental, Paris, L’Harmattan, 304p., Hervé Tchumkam 2010 University of Pennsylvania

Momar Désiré Kane (2009). Io L’Africaine. L’Afrique Et Ses Représentations:De La Périphérie Du Monde Au Cœur De L’Imaginaire Occidental, Paris, L’Harmattan, 304p., Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Dominique Deblaine, Yamna Abdelkader Et Dominique Chancé (Dir.) (2009). Transmission Et Théories Des Littératures Francophones. Diversité Des Espaces Et Des Pratiques Linguistiques, Paris, Presses Universitaires De Bordeaux, 425p., Jeannette Ariane Ngabeu 2010 Boston University

Dominique Deblaine, Yamna Abdelkader Et Dominique Chancé (Dir.) (2009). Transmission Et Théories Des Littératures Francophones. Diversité Des Espaces Et Des Pratiques Linguistiques, Paris, Presses Universitaires De Bordeaux, 425p., Jeannette Ariane Ngabeu

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Julie Huntington (2009). Sounding Off. Rhythm, Music And Identity In West African And Caribbean Francophone Novels, Philadelphia, Temple University Press, 243p., Robert Fotsing Mangoua 2010 Université de Dschang

Julie Huntington (2009). Sounding Off. Rhythm, Music And Identity In West African And Caribbean Francophone Novels, Philadelphia, Temple University Press, 243p., Robert Fotsing Mangoua

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Livres Reçus, 2010 College of the Holy Cross

Livres Reçus

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Index, 2010 College of the Holy Cross

Index

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Parties Annexes, 2010 College of the Holy Cross

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Abstracts, 2010 College of the Holy Cross

Abstracts

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Présence Francophone, Numéro 74 (2010), 2010 College of the Holy Cross

Présence Francophone, Numéro 74 (2010)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Front Matter And Table Of Contents (V.74), 2010 College of the Holy Cross

Front Matter And Table Of Contents (V.74)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Présentation, Marie-Hélène Larochelle 2010 York University

Présentation, Marie-Hélène Larochelle

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


L’Irruption De La Violence Dans Saint-Germain Ou La Négociation: L’Esthétique Néoclassique Belge En Question, David Vrydaghs 2010 Université de Namur

L’Irruption De La Violence Dans Saint-Germain Ou La Négociation: L’Esthétique Néoclassique Belge En Question, David Vrydaghs

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the novel Saint-Germain ou la négociation, which appears to hide a controversial discourse under a classic form. a special attention is given to the last chapter to show how this end modifies the novel’s reception. Finally, it is the whole neoclassic aesthetics that seems to be violate.


Mémoire Du Duel Dans À La Recherche Du Temps Perdu, Yan Hamel 2010 TÉLUQ/Université du Québec à Montréal

Mémoire Du Duel Dans À La Recherche Du Temps Perdu, Yan Hamel

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the duel as a central motive in Marcel Proust’s novel À la recherche du temps perdu. In the novels cycle, it appears that the occasions the men have to fight or to watch a duel help to understand why that violent practice increased during the last decade before the second World War. The practice seems to be monstrous morally and socially.


Le Festin De Chessex Ou Comment Apprêter La Littérature Suisse, Marie-Hélène Larochelle, Jean-Pierre Thomas 2010 York University

Le Festin De Chessex Ou Comment Apprêter La Littérature Suisse, Marie-Hélène Larochelle, Jean-Pierre Thomas

Présence Francophone: Revue internationale de langue et de littérature

This paper focuses on the definition of the monster as presented in Jacques Chessex’s novel L’ogre. the authors observe how the monstrous figure modifies the Swiss literary heritage, and try to understand how it brings a mythological tradition up to date.


Roland Brival Et Le Métissage:Un Nouvel Humanisme, Yolande Aline Helm 2010 Ohio University

Roland Brival Et Le Métissage:Un Nouvel Humanisme, Yolande Aline Helm

Présence Francophone: Revue internationale de langue et de littérature

the article focalizes on roland Brival’s conception of “métissage” in his fiction texts:for him, it is synonymous to a new “humanism”. i revisit the theories which have permeate French caribbean literature (negritude, creolity, creolization). they are not synonymous of “métissage”; in fact, Brival’s vision is apart from the “creolity” movement.


Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé 2010 Florida Atlantic University

Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of ...


Références Surréalistes Dans L’Œuvre Théâtrale De Georges Schéhadé, Georges Khoriaty 2010 Université libanaise

Références Surréalistes Dans L’Œuvre Théâtrale De Georges Schéhadé, Georges Khoriaty

Présence Francophone: Revue internationale de langue et de littérature

Owing to Georges Schéhadé’s investment of powers of dreams which lead to existence and generate thoughts out of any preset direction, Georges Schéhadé’s theatre can be considered very close to surrealism. These powers of dreams can rediscover the world, give access to another reality and resolve fundamental life questions. In addition, Georges Schéhadé’s theatre and surrealism are similar in resorting to mysterious practices, occult research and the world of the “marvellous” which emanates from the world of dreams. This latter world consists of extraordinary random events or premonitions, visions, perceptions and sensations bringing about confusion of identities ...


Scénographie Du Domaine Maudit De Cung Giu Nguyên, Van Quang Pham 2010 Université nationale du Vietnam

Scénographie Du Domaine Maudit De Cung Giu Nguyên, Van Quang Pham

Présence Francophone: Revue internationale de langue et de littérature

Cung Giu Nguyên is known as one of the most important francophone writers in Vietnam, especially with novels such as Le fils de la baleine, Le domaine maudit and Le boujoum. Each of these works hides behind the mythical world of writing the author’s meditations on the hectic, chaotic and absurd realities. Le domaine maudit is the result of these reflections. It deals mainly with misfortune suffered by the individual, family and society. The purpose of this paper is to reconstruct the enunciation of the narrative.


Je E(S)T L’Autre, Nadia Duchêne 2010 Universidad Pablo de Olavide

Je E(S)T L’Autre, Nadia Duchêne

Présence Francophone: Revue internationale de langue et de littérature

Immigration and otherness represent core concerns in contemporary society and, as such, give rise to debate and discussion in many disciplines. the question of otherness also arises as a recurrent and key subject in the field of literature. Tahar Ben Jelloun’s novel Partir is replete with the ambivalence of otherness: attraction/aversion; difference/similarity; lack/exile; native/foreigner; close/distant; normal/deviant and as such provides a laboratory where the expression of otherness in discourse can be dissected. We will examine the perception and the issue of otherness in the novel as well as the strength of its representations.


Angoisse, Misanthropie Et Violences Policières Chez San-Antonio, Pierre Verdaguer 2010 University of Maryland

Angoisse, Misanthropie Et Violences Policières Chez San-Antonio, Pierre Verdaguer

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the violence as a fundamental component for the detective novel’s gender. it is pertinent to study how the nature and the function of this component influence the composition of the detective novel, to understand the pleasure linked to those readings. san-antonio’s novels will be used to show how the wordplays hide a deep existential anxiety.


Os Fundamentos Do Direito E O Processo De Bolonha, Paulo Ferreira da Cunha 2010 Universidade do Porto

Os Fundamentos Do Direito E O Processo De Bolonha, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

Há muitos mitos sobre o processo de Bolonha, que tem servido de álibi para muita coisa. Para X e o contrário de X. O presente artigo é uma resenha de um colóquio na Suiça, em que se discutiu a formação jurídica a sério e sem demagogia, no horizonte de Bolonha. Que, como todas as crises, pode e deve ser uma oportunidade para fazer triunfar o Direito pensado, e não a burocratização juridica positivista legalista. Entre as conclusões desta reunião está, naturalmente, a vontade de viver, continuar, e resistir, dedicada e inovadoramente, contra a tecnocratização do Direito. Como dizia Pietro Costa ...


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