Open Access. Powered by Scholars. Published by Universities.®

Art Practice Commons

Open Access. Powered by Scholars. Published by Universities.®

3,253 Full-Text Articles 2,633 Authors 907,275 Downloads 154 Institutions

All Articles in Art Practice

Faceted Search

3,253 full-text articles. Page 9 of 122.

Liable To Change, Jody Travis Thompson 2019 University of Arkansas, Fayetteville

Liable To Change, Jody Travis Thompson

Theses and Dissertations

Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space ...


The Impossible Tasks, Rachel Kalman 2019 Washington University in St. Louis

The Impossible Tasks, Rachel Kalman

Graduate School of Art Theses

In this thesis I unpack the still life genre and its relation to my painting practice, examining the ways in which banal objects project influence and disrupt the notion of a linear, narrative history. Through the contextual lenses of close observation, propagandistic agendas, and the transgressive history of pattern, I explore the inherent contradiction contained within still life painting; working to balance an empathic respect for objects, as such, with my deeply seated desire to metaphorically interpret and empower visual imagery. I am fascinated by the impossible tasks we ask of weak, inanimate, decorative objects and work to generate still ...


Trace., KCJ Szwedzinski 2019 University of Louisville

Trace., Kcj Szwedzinski

Electronic Theses and Dissertations

Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and ...


Waiting Room., Helen Payne 2019 University of Louisville

Waiting Room., Helen Payne

Electronic Theses and Dissertations

Waiting Room is an installation of drawings and monotypes that re-envision everyday printed materials common in medical offices. The brochures, poster, bulletin board and children’s ABC book in this Waiting Room offer guidance suggest invasive and dysfunctional policy. A door opens onto a further room, where a hundred ultrasound images cascade onto the floor. This work, called Transducer Phosphene is the product of a fictional character’s encounter with a cruel (and not fictive) abortion policy. Waiting Room is the fruit of an inquiry that spanned my three years of study at the Hite Art Institute, a probing into ...


Isolate To A Controllable Space, Simone Frances 2019 University of New Mexico

Isolate To A Controllable Space, Simone Frances

MFA Thesis Exhibit Catalogs

Centered around the public arena of institutional architecture and its impact on the social being, in this recent work, entitled, Isolate to a Controllable Space, I focus on questions such as how do public environments work to sustain and reiterate meaning through our own sense of where we should be, or where we are permitted to be. I use photography to approach questions that ask how do systems and infrastructures obtain functionality through our participation; acknowledging that systems are conductors of the personal and participatory process of identification and categorization.


The Scenic Un•Real, Mary Claire Becker 2019 University of Iowa

The Scenic Un•Real, Mary Claire Becker

Theses and Dissertations

No abstract provided.


Graaphs: Graphic Representations Of Abstract And Altruistic Phenomenological Hymns And Stories, Mitchell James Volk 2019 University of Iowa

Graaphs: Graphic Representations Of Abstract And Altruistic Phenomenological Hymns And Stories, Mitchell James Volk

Theses and Dissertations

No abstract provided.


Confronting Ecophobia: Increasing Ecoliteracy Through Art And Marine Science, Jacquelyn Dale (JD) Whitman 2019 University of Iowa

Confronting Ecophobia: Increasing Ecoliteracy Through Art And Marine Science, Jacquelyn Dale (Jd) Whitman

Theses and Dissertations

No abstract provided.


Between And Beyond, NOAH F. HEIL 2019 Macalester College

Between And Beyond, Noah F. Heil

Art and Art History Honors Projects

Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of ...


Pfashən-Uhble Naan-Sints, Dayon Royster 2019 University of Iowa

Pfashən-Uhble Naan-Sints, Dayon Royster

Theses and Dissertations

No abstract provided.


Ethical Art Waste: Examining Resource Management In The Art Studio, Amanda Peavey 2019 Lesley University

Ethical Art Waste: Examining Resource Management In The Art Studio, Amanda Peavey

Expressive Therapies Capstone Theses

This paper highlights the lack of education about production and disposal of art materials within the field of art therapy. Failure to educate clinicians creates ethical problems when hazardous materials are used in sessions unknowingly. This paper is grounded in environmental studies and chemical management to supplement the art therapy field’s lack of research and commentary. The literature is dedicated to educating the reader about the hazardous nature of materials, issues surrounding regulations of chemicals involved in production, and consumerism in relation to waste processing. The research data was collected from a community engagement project: an educational presentation was ...


Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski 2019 The Graduate Center, City University of New York

Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski

All Dissertations, Theses, and Capstone Projects

This case study introduces an arts camp methodology of engaging communities in identifying their key cultural heritage features, thus serving as a meta study. It presents original research based on field studies on the climate-vulnerable Caribbean island of Barbuda during 2017 and 2018. Its Valued Cultural Elements survey, enabling precise identification of key tangible and intangible art forms and biocultural practices, may serve as a basis for further studies. Such approaches may facilitate future research or planning as climate-vulnerable communities harness Local or Indigenous Knowledge for purposes of biocultural heritage preservation, or towards adaptation or relocation. I report on findings ...


Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz 2019 The Graduate Center, City University of New York

Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz

All Dissertations, Theses, and Capstone Projects

This written and visual capstone project examines how feminist theories surrounding the construction of a gendered subject are related and situational to the narrative of a lived body experience within a layered context of clothing. It opens up a discussion concerning the negotiated space between an individually-empowered, subject-in-process and the boundaries of social expectations outlining gender and cultural identities. The thesis introduces the concept of using an automediality framework to connect the material culture of clothing to still and motion imagery with text as a way to encapsulate and illustrate the fluid nature of becoming. It concludes by suggesting that ...


Time, Space, And Reality, Hugo Patao 2019 Washington University in St. Louis

Time, Space, And Reality, Hugo Patao

Graduate School of Art Theses

I am a mixed media artist working primarily within painting. I make layered, photo-based works that come from dreams and my own photographic archives. At the moment I am making oil paintings on board. What interests me the most is the nature of reality, including perception, memory, time, and dreams. I create environments that I like to call my own mindscapes; imagined places that have the potential to become real. I am engaged in creating worlds that are “in-between” reality and the imagined, dreams and waking life, conscious and unconscious.

My work engages and expands within the tradition of Western ...


Simply Mo., Marjolijn Jaliene Oskam 2019 University of San Francisco

Simply Mo., Marjolijn Jaliene Oskam

Creative Activity and Research Day - CARD

Small portfolio presentation of design work by Marjolijn Oskam, branded under simply mo. The poster includes school work as well as professional work.


From Lace To Chains. The Making Of A Print, Alison G. Stewart 2019 University of Nebraska-Lincoln

From Lace To Chains. The Making Of A Print, Alison G. Stewart

Zea E-Books

How have printed works of art changed over time? Do printmakers today work with the same materials and techniques that printmakers used centuries ago? And does printmaking involve the same motivations, concerns, or methods of distribution today as it did in the past?

These were questions asked by University of Nebraska–Lincoln students in a history of prints class in the School of Art, Art History & Design taught by Hixson-Lied Professor of Art History Alison Stewart during fall semester 2018. For this curatorial project, students selected one set of old master prints (pre-1850) and one modern (post-1850) print from Sheldon ...


Transdisciplinary Creative Ecologies In Contemporary Art Within Emergent Processes, Siglinde Langholz Villarreal 2019 University of Maine

Transdisciplinary Creative Ecologies In Contemporary Art Within Emergent Processes, Siglinde Langholz Villarreal

Electronic Theses and Dissertations

This research is composing in the moving with affective speeds and rhythms, instead of unfolding direct and in linear ways. It is important to come across different planes of composition in movement. There are so many planes of voices spinning around in relation. Research-creation seems as forms of relations and an invitation to appreciate the collectivity at the heart of thinking. The many entering-into relation within a differential thought in the making of its own.

Emergent properties in non-human interactions, such as those presented in Steven Shaviro ́s Against Self-Organization (2009) and Brain Massumi, are symptomatic of how individualities relate ...


This Is Just To Say, Iren Tete 2019 University of Nebraska-Lincoln

This Is Just To Say, Iren Tete

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

My memories are marked by the desire to evade logic. At a young age I became a proficient player of the “What If” game.

What if I could hold light in my hands?

What if shadows had form that could be touched?

What if I could see through structures?

These mental exercises affected my relationship with reason and validity. Aware of the threat of the ordinary, I embraced the inherent magic in the notion of possibility. I understand possibility as the limitless potential of object, thought, or scenario. This potential extends beyond the apparent and prompts more questions than it ...


The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day 2019 Murray State University

The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day

Steeplechase: An ORCA Student Journal

No abstract provided.


Caddo Inspired Coil Pots, Jordan Weaver 2019 Stephen F Austin State University

Caddo Inspired Coil Pots, Jordan Weaver

Undergraduate Research Conference

When my bosses, John Handley and Alisa Steed, asked me to plan an educational program to go along with the upcoming Contemporary Caddo art show at the Cole Art Center I knew I wanted to find an art lesson to teach children. Creating is a great way to teach children about history because it invites them to take an active role in their education, rather than passively listening. After learning that traditional Caddo potters created coil pots out of clay, I knew I wanted to teach this art form to children in the community. Making coil pots requires children to ...


Digital Commons powered by bepress