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2,982 full-text articles. Page 105 of 109.

Sam Del Rosario Interview, Nancy Shaba 2010 DePaul University

Sam Del Rosario Interview, Nancy Shaba

Asian American Art Oral History Project

2010 interview with writer and the former ED of the Asian American Artists Collective- Chicago Sam del Rosario by Nancy Shaba.


Rominna Villasenor Interview, Jamelle Apolinar 2010 DePaul University

Rominna Villasenor Interview, Jamelle Apolinar

Asian American Art Oral History Project

2010 interview with writer, performer, visual artist Rominna Villasenor by Jamelle Apolinar


Michiko Itatani Interview, Liza Rush 2010 DePaul University

Michiko Itatani Interview, Liza Rush

Asian American Art Oral History Project

2010 interview with painter and School of the Art Institute of Chicago professor Michiko itatani by Liza Rush


Shhh... Say Nothing, Luis Rendon 2010 Claremont Graduate University

Shhh... Say Nothing, Luis Rendon

CGU MFA Theses

My art is the foundation I use to commune with myself and bridge the gap to the rest of the world. A gap created by everyday being surrounded by information, so much so that it is easy to become numb. I do not want, because of my inability to filter the relentless onslaught of information, to walk through life tuned off. All that undigested knowledge leaves me feeling distant from myself and unable to connect with others. This leaves me with the sensation of not knowing myself.


Mike Park Interview, Ben Rogers 2010 DePaul University

Mike Park Interview, Ben Rogers

Asian American Art Oral History Project

2010 interview with Mike Park from Asian Man Records by Ben Rogers


Deep End, Emily Smith 2010 Claremont Graduate University

Deep End, Emily Smith

CGU MFA Theses

In my work I examine how and where nature and culture collide, merge, overlap or become one. Ultimately my goal is to draw attention to the ways we perceive and remember nature as well as ho w we experience the natural landscape in opposition to built environments. I am also interested in how our relation to these spaces changes over time and how we might envision these environments in the not-s o-distant future.


Ann Marie Chua Lee Interview, Jasmin M. Ortiz 2010 DePaul University

Ann Marie Chua Lee Interview, Jasmin M. Ortiz

Asian American Art Oral History Project

2010 Interview with cosplay costume designer Anne Marie Chua Lee by Jasmin M. Ortiz


Sound At An Impasse, Alan Filreis 2010 University of Pennsylvania

Sound At An Impasse, Alan Filreis

Alan Filreis

This brief paper presents six reasons why studies of sound in the poetry and poetics of Wallace Stevens have been delayed or suppressed.


Kelly Zen-Yie Tsai Interview, Flor Sigaran 2010 DePaul University

Kelly Zen-Yie Tsai Interview, Flor Sigaran

Asian American Art Oral History Project

Kelly Zen-Yie Tsai is a Chicago-born, Brooklyn-based Chinese Taiwanese American spoken word artist who fights for cultural pride and survival through how she spits and how she lives.

Kelly Zen-Yie Tsai has been featured in over 400 performances worldwide at venues including the Nuyorican Poets Cafe, the House of Blues, the Apollo Theater, Kennedy Center, Lincoln Center, and three seasons of the award-winning “Russell Simmons Presents HBO Def Poetry.” The author of Inside Outside Outside Inside (2004) and Thought Crimes (2005) and the CD Infinity Breaks (2006), Tsai has shared stages with Mos Def, KRS-One, Sonia Sanchez, Talib Kweli, Erykah ...


Prefácio Aos Prefácios, Paulo Ferreira da Cunha 2010 Universidade do Porto

Prefácio Aos Prefácios, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

No presente artigo, ensaia-se uma sintética teorização em torno dos prefácios. O seu diálogo com o corpo do texto que apresentam não é simples, mas torna-se muito revelador. vale a pena ler e analisar estes textos, que alguns saltam displicentemente, e outros perscrutam com curiosidade...


Howard Henry Chen Interview, Diane Nguyen 2010 DePaul University

Howard Henry Chen Interview, Diane Nguyen

Asian American Art Oral History Project

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Artist Bio

Howard Henry Chen is an artist that is interested in the ideas of migration, assimilation, hybridization, the global system of change, and the way wealth affect the developing world. He was born in Vietnam in 1972 and left in 1975 with his parents to United States. He grew up in the east coast, Pennsylvania. He attended Boston University where he studied journalism and political science. After graduating, he worked as a journalist for ...


Filosofia Antropológica?, Paulo Ferreira da Cunha 2010 Universidade do Porto

Filosofia Antropológica?, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

Muito do que se passa nas nossas sociedades, actualmente, depende de termos ou não termos um olhar filosófico, e de termos ou não termos a capacidade perspectivista do antropólogo. O presente artigo chama a atenção para a necessidade de a Filosofia, tentando furtar-se à tirania do Logos na versão dos ares "grão senhores", de que falava Kant, procure o olhar de "terceiro", e o despojamento de recursos da Antropologia cultural.


Grades 9 - 12 Surrealism, Angela Zornetsky 2010 Pace University

Grades 9 - 12 Surrealism, Angela Zornetsky

Art

This is a differentiated lesson on surrealism. As a final project, students are asked to choose a project and a reflection topic both of which are tiered into three groups by difficulty level.


Mom Tested, Janice Neri 2010 Boise State University

Mom Tested, Janice Neri

Art Faculty Publications and Presentations

Leaf through an issue of a parenting magazine and you will be inundated by page after page of bright, colorful products. These products reassure you that they are safe and reliable, often bearing labels such as "Mom Tested" or "Pediatrician Approved." The person shown is usually a smiling, physically fit Caucasian woman clad in a stylish outfit playing with her clean, happy children in a sunny and well-organized home. She is the Mythic Mom: buy these products and you too may attain her state of charming, if sometimes unruly, bliss.


Stranger Than Fiction, Andrew P. Maturo 2010 Gettysburg College

Stranger Than Fiction, Andrew P. Maturo

The Mercury

No abstract provided.


The Unfixedness Of It, Kerry O'grady 2010 University of Massachusetts Amherst

The Unfixedness Of It, Kerry O'Grady

Masters Theses 1911 - February 2014

My drawings contemplate the unfixed nature of my experience. I draw from a state of uncertainty about the relationship between self and space, between a moment of experience and the one that follows it. My process involves intuitive mark-making in which instances of perception are indeterminate and discontinuous. I draw from the experience of unhinged moments, from silence and stillness, and from the indefinable, inarticulable, interstitial moments of perception between those that can be concretely described.

The immediacy of drawing, the direct engagement with the mark on the surface, is central to my work. Intuitive mark-making is a way of ...


The City With Rolling Hills, Andrew Ballstaedt 2010 Claremont Graduate University

The City With Rolling Hills, Andrew Ballstaedt

CGU MFA Theses

I use painting as a form of ritual and meditation where I often spend lots of time painting and repeating simple marks over and over again. On occasion, I am able to make quick paintings that are successful but most of the time I am compelled to spend repetitive hours making marks in order to reach my state of personal mediation through the ritual of painting. Please see Download button in top right corner for the full statement.


Minority Report, Tania Jazz Alvarez 2010 Claremont Graduate University

Minority Report, Tania Jazz Alvarez

CGU MFA Theses

I make large, colorful, messy figurative paintings that tell stories and celebrate the underdog. I use found objects, as well as wood panels and canvases. The poetry of the street plays an important role in my art; from what I paint on, to what I paint with, to my subject matter, my art conveys both liberation and pride toward my Hispanic culture. When I create, I allow the paint to be true to its physical properties. I am aggressive and free in my painting and mark-making. If my paintings begin to appear “sophisticated,” I find ways to manipulate them. I ...


Touch, Liz Nurenberg 2010 Claremont Graduate University

Touch, Liz Nurenberg

CGU MFA Theses

Please see Download button in top right corner for the full statement.


Warung Di Singaraja, Bali, Sneha Shrestha 2010 Gettysburg College

Warung Di Singaraja, Bali, Sneha Shrestha

The Mercury

No abstract provided.


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