Philosophical Archeology In Theoretical And Artistic Practice, 2019 The University of Western Ontario
Philosophical Archeology In Theoretical And Artistic Practice, Ido Govrin
Electronic Thesis and Dissertation Repository
The aim of this thesis is to examine philosophical archeology and the feasibility of knowledge that derives from researching it simultaneously through theoretical and artistic practice.
Philosophical archeology essentially embodies one’s relation to history and historiographic research—a research methodology at the core of which lies a “historical a priori”, that which a priori conditions the historical development of a phenomenon. However, this research conceives of philosophical archeology more broadly, as a multifaceted term that traverses the discourse of the humanities at large.
By pursuing this doctoral research, my original contribution to knowledge is twofold: (1) I historicize philosophical ...
Defining Moments / A Life Portrait, 2019 California State University, San Bernardino
Defining Moments / A Life Portrait, Timothy Haerens
Electronic Theses, Projects, and Dissertations
Defining Moments / A Life Portrait
In his MFA Thesis Exhibition, Defining Moments / A Life Portrait, Timothy Haerens explores and celebrates our connectedness to one another as members of the human race. “We are here to awaken from the illusion of our separateness.” Haerens chose this quote from the Vietnamese Buddhist monk and peace activist, Thich Nhat Hanh, as the inspiration for his show because it affirms his belief that we are linked to one another by virtue of our humanness.
Through his abstract paintings on canvas and plexiglass, as well as through his prints and collagraphs, Haerens reflects on many ...
Mes-Ti-Zo, 2019 California State University, San Bernardino
Mes-Ti-Zo, Aeleen Jacinto
Electronic Theses, Projects, and Dissertations
Meztiso is an exploration of the artist’s identity as an individual born and raised in Guatemala; which is a country rich in natural resources where the majority of the population is native Maya yet the ruling class is majority white and poverty is widespread. The artist takes on this stunning contradiction using her own influences and views which were shaped by the political and economic upheaval and instability of her youth in Guatemala. The artist comments on her own identity as a person of mixed ancestry, a Meztiso, and because of her own family’s involvement in the capitalist ...
Darwin Or Frankenstein?, 2019 University of New Orleans
Darwin Or Frankenstein?, Sylvia S. Santamaria
University of New Orleans Theses and Dissertations
Through sculpture and drawing, I create my own versions of natural specimens primarily based upon the visual unity of disparate organisms. Invented specimens are composed using a variety of processes employing a mixture of atypical materials following the (20th, 21st century) Postmodern shift away from formalist and traditional uses of any singular medium. As well as a variety of art materials, the specimens are hybrids of organic and biomorphic elements, blurring boundaries between botanical, animal, fungal, metal, and mineral. Is my approach perhaps like Charles Darwin, observant and studious naturalist, or am I more like Dr. Frankenstein, science ...
Journey To My Roots, 2019 Missouri State University
Journey To My Roots, Ainura Ashirova Barron
MSU Graduate Theses
This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.
A Journey Into My Mind, 2019 Missouri State University
A Journey Into My Mind, Shen Chen Hsieh
MSU Graduate Theses
During my time as a student in the MFA in Visual Study Program, I have been interested in creating imagery that expresses my inner world that is based on my emotional experience. I believe my identity is influenced by my multi-cultural background, relationships, daily moments and my own introverted personality. I continue to experiment with various mediums and visual styles to communicate these feelings. Drawing, silk-screen printing, mixed media, and three-dimensional sculpture are the main mediums in my artwork. Exploring diverse mediums provides me opportunities to develop my self exploration in my images. I seek to express and understand the ...
Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, 2019 Washington University in St. Louis
Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, Rylie Walter
Bachelor of Fine Arts Senior Papers
Plastic has become ubiquitous in the oceans. Although a convenient and cheap way to distribute goods around the world, plastic is also a leading cause for the death of many marine ecosystems. Walter explores her personal connection to the ocean, researches the relationship between plastic pollution and the ocean, and examines art as a means for inciting social change to protect and restore ocean environments. By using plastic as her main material for making art, Walter transforms the material from one that harms into one that can be calming and peaceful, while still representing the destruction it causes.
Enmesh: The Art Of Trauma And Recovery, 2019 James Madison University
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Senior Honors Projects, 2010-current
Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they ...
White Noise, 2019 James Madison University
White Noise, Chris Cohen
White Noise investigates moments when white supremacist ideology injects itself into the conversation about American Identity and American History in an attempt to co- opt those definitions and control the conversation. The exhibition considers the effects of this identity crisis on American identity, white identity, American history, and family unity. The exhibition looks at these issues through the lens of the Virginia Historical Markers program, Civil War Re-enactment, contemporary white identity politics and supremacy, monuments, educational history museums, and the artist’s personal narrative about white supremacy as it relates to his own sense of loyalty and connection to his ...
Graphic Solidarity: The Internationalist Outlook Of The Cuban Revolution, 2019 Wofford College
Graphic Solidarity: The Internationalist Outlook Of The Cuban Revolution, Katherine E. Mccorkle
The purpose of this paper is to analyze the ways in which the internationalist outlook of the Cuban Revolution was promoted through the solidarity posters produced by the OSPAAAL organization. This includes an analysis of the ways in which Cuba was influenced by and spread their influence to nations throughout the world. Particularly interesting is Cuba’s relationship with the United States. While promoting a message of anti- Americanism and anti-capitalist consumerism, Cuba also borrowed heavily from 5 contemporary American artistic traditions, and utilized styles and symbols synonymous with American culture to promote their message of anti-imperialism. While ideologically the ...
Trace., 2019 University of Louisville
Trace., Kcj Szwedzinski
Electronic Theses and Dissertations
Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and ...
An Echo From The Living Room, 2019 University of Arkansas, Fayetteville
An Echo From The Living Room, Makayla Nichole Songer
Theses and Dissertations
We are unable to interface with reality as it is. Everything that encompasses our understanding of reality and ourselves—from our physical perceptions to our memories—are subject to innate flaws that make a complete grasp of reality impossible. an echo from the living room is invested in the idea that reality itself is malleable, taking influence from altered states of reality such as dreams, nightmares, and memory. Drawing from the personal experiences of recurring nightmares and living in a haunted house, as well film, the uncanny, and the multiple, an echo from the living room strives to create space ...
Keith Haring: Silence = Death, 2019 Chapman University
Keith Haring: Silence = Death, Nellie Jalalian
Student Scholar Symposium Abstracts and Posters
The American aids crisis is one of the most important epidemics of the contemporary world, yet many americans do not know the severity of the crisis or the true lasting effects on recent society. In my project I will go over personal accounts of individuals directly affected by the illness, like famed artist Keith Haring, to give it a more human perspective. I will also reflect on the art that was created at the time, and how that was reflective on the people affected. Aids is an immunodeficiency virus that has been proven difficult to diagnose in the early on ...
Cinematic Meditations, 2019 University of Colorado, Boulder
Cinematic Meditations, Dakota Nanton
Art Practices MFA Theses
The cinematic experience is a sort of ritualistic ceremony between the audience and the projected image. Audiences come into the cinematic space with a set intention (often simply the desire to be entertained) but the filmic experience can also inadvertently and deliberately access and engage other states of being including the liminal, the unconscious, and the sublime. Through both research and my filmmaking practice I am exploring ways in which cinema can be used as a tool to create meditative and introspective experiences for the audience. In this written paper I discuss my own intentions as a filmmaker, previous works ...
The Artist Behind The Cover Art: An Interview With Tiffany Day, 2019 Murray State University
The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day
Steeplechase: An ORCA Student Journal
No abstract provided.
The Artist Residency And Lumen Printing, 2019 Stephen F Austin State University
The Artist Residency And Lumen Printing, Austin Cullen
Undergraduate Research Conference
The artist residency is a critical and informative experience that is privileged to few, and revered by many. Creating work in a completely foreign environment can yield beautiful and new work that the artists could have never conceived of making. Artwork could be made about anything, but choosing a specific subject matter, or theme, can be very challenging. This difficulty arises from lack of knowledge, experience, or most importantly, being bored with one's surroundings. Artist residencies, often being in other countries and always providing a new atmosphere, can be a great way to jumpstart new artwork. Residencies are incredibly ...
A Walk Through Shadows, 2019 University of Nebraska-Lincoln
A Walk Through Shadows, Nicholas Sheldon
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
“A Walk Through Shadows” is an investigation of dream states and their emotional and psychological effects, which I have been exploring for this past year with large-scale black and white copper plate aquatint prints. Each work is a response to the surreal and bizarre nature of dreaming and the themes and topics that seep from my own subconscious. Each work allows for the examination of the fantastical and the absurd with imagery that can suggest universal concepts from life and death, to love and war.
These prints break from the traditionally printed square plate centrally placed on the paper, to ...
John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983), 2019 The University of Southern Mississippi
John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983), Everette Smith
In the years following World War II, several American composers began breaking from the confines of music notation relegated to five lines and four spaces. Of particular interest to this study, John Cage (1912–1992) began liberating his compositions from the restraint posed by traditional notation in 1951 with his work Imaginary Landscape No. 4. He continued to create and develop varying systems of graphic notation with his indeterminate works, which became increasingly influenced by his interest in the environment and in South and East Asian aesthetic and philosophical considerations, themselves environmentally influenced. One of the latest products of Cage ...
Here's What I Know, 2019 University of Connecticut
Here's What I Know, Kelsey Miller
Now, at the end of three years of graduate school, is a time for reflection—and a time to piece together a narrative of how I got to now. In our first semester here, we were given an assignment in a drawing class to gather pictures, text, and objects that informed or inspired our studio practice, a Collectanea. At the end of that semester, we documented and compiled our collection into a photo book—an atlas of our thoughts and observations. That book became the bones of the work I have made over these last three years. New thoughts ...
Artist Statement, 2019 Georgia College & State University
Artist Statement, Hope Mobley
For this project, the class was assigned to pick an object for themselves, and then we were provided with a word and phrase. The object I chose was a tarot card because I knew that would give me a diverse range of directions I could follow. The random word generated for me was ‘Time” and the phrase “Between a rock and a hard place.”